In Regard To The Theory That The Metatron Has The Ability To/is Altering Reality: He’s Not The Only

Never thought I’d compare Aziraphale to Edward Cullen but you know that thing he does where he breaks up with Bella “for her own good” because the situation he’s in is too dangerous? Yeah…

[insert some smart remark]

Help I’ve started reading “David Jenkins” as “Javid Denkins” on every non-javiddenkins post

Ugh I can’t wait. Usually with second seasons or sequels or whatnot I get so scared they’ll ruin it, but I just find it hard to believe they will. Everyone who works on this show is so talented, and honestly I’m confident that whatever direction they choose to take in season 2, it’ll be the right one

My wishes for a possible season two are so utterly varied!!

I want them to reunite with gusto within the first three episodes, yet I also want a tantalizingly slow escalation of near-misses and stolen glances! I want Stede tracking Edward down with unbounded love, singing sonnets the whole way; but I also want Stede tracking Edward down with anguish, spurred by love but with a burning desire for answers- perhaps even retribution. I want that journey to ground Stede- bringing him down to earth and forcing him to start from scratch. But then again, I also want that journey to spur his unabashed flights of fancy- exacerbating all that makes Stede Bonnet so utterly bonkers.

I want Edward to sail as far away from Stede Bonnet as he can geographically muster, forever pushing forward until the physical distance matches the metaphorical one that Stede initiated. But I also want Edward tracking Stede down, thinking that he's with the navy, thinking that he returned to his family, thinking 101 different thoughts that have him ceaselessly searching for the man that fucked him over. I need him to hear of Bonnet's death on the mainland- I want him to believe it, to genuinely think that the man's dead; but equally I need him to clue in on the fuckery, to uncover the story of Badminton #2 and piece together the bizarre puzzle from that fateful night. I need him to hear of Captain Thomas and his bizarre domination of the Carribean; I want Ed to brush it to the side, a mockery of Bonnet's name. Yet I want him to realize, to recognize who exactly this Captain Thomas and his peculiar pirating style is.

When they do reunite, I want Stede to alternatively mirror season one, with him coming in to save an Edward who's gotten into a frightful altercation with the British; subsequently spending days sitting at his bedside as wounds tentatively begin to heal. Yet I also crave for their reconvening to be utterly novel- something that forces the two to work together before they even get the chance to speak. When they lock eyes for the first time in months, I want Ed's world to crumble at the sight of Stede Bonnet, his knees thunking the floor and eyes welling with unkept emotion. Yet there's an undeniable appeal that comes from an on-deck duel, emotions funnelled into a physical altercation. I want Stede to respond with emotional maturity, facilitated by lessons from his arduous journey at sea! Yet I yearn for the clueless, tone-skewed Stede Bonnet who goes about reconciliation in an entirely convoluted manner. I want Izzy to support the reunification, having realized that the Kraken was not the monster that he had called for, realizing that people are multi-faceted and healing is paramount. But I also yearn for him to be a little shit- desperate and repressed- protective of the image of Blackbeard and disallowing Stede's return to their lives.

I want the healing to take mere days, routine returning with the softness of the rolling waves outside. Yet perhaps even more so than that, I need this to be a months-long process of Stede proving that he's here- he's not going, he doesn't want to, he accepts Edward as a whole, never for individual parts. I want Stede to wipe the paint from Ed's face, gentle and soothing with every stroke. But I can't dissuade the idea of Edward doing it himself, sitting in front of a basin, scrubbing at the sensitive skin until he recognizes the face before him; until he believes that healing is attainable.

How does Taika Waititi (and honestly every single person who works on more than one film project, like, ever) have time for all that?? I have to read one (1) book within the span of a month and absolutely lose it

Do you think Crowley would cry if he listened to Radiohead’s Creep

I’m just like misha collins. I, too, came out and un came out as bi within the span of three days

I’m mostly staying off tumblr right now for fear of good omens season 2 spoilers, but that means that instead of this being a constant thought, it is now only about once a day that I get hit with the sudden and unavoidable sadness that is remembering there is no ofmd season 2 release date yet

While we like to joke about Izzy being in the wrong genre, I would argue that there are in fact at least five distinct genre universes in the world of Our Flag Means Death, and all of them have different rules.

Stede Bonnet, and his crew when they’re around him, live in a Muppet movie. I didn’t come up with this analogy but it’s so accurate. Insane physical comedy and comedy-action where no one really gets hurt. Mild peril but you know everything is gonna work out. Terrible puns and sight gags, but room for sweet, genuine emotional moments too. The rules of time, space, probability and logic will bend for a good joke.

Izzy Hands is in a grimdark action/drama where if someone gets stabbed in the gut they will behave normally and fucking die. (Probably slowly and painfully, of sepsis.) Crucially I think Izzy also lives in a genre where you can only be subtextually queer, and violence (done for or with or to each other) is the only acceptable form of intimacy between men. This is why being forcibly dragged into Stede’s world, where everyone is busy having silly low-stakes misadventures and being gay and emotionally available all over the main text–and seeing his Subtextual Boyfriend go into this world and love it–sends him round the twist.

The British, Spanish and other imperialist militaries are in a Master and Commander-style naval adventure where they’re the heroes. This is why they all take it completely seriously when Stede (unintentionally) kills Badminton and takes hostages, even though we can see that he bumbled his way into it ass-backwards. This is also why Stede is so shocked to get actually for real stabbed aboard the Spanish ship. (“Did you mean to do that?”) He didn’t realize until that moment that he’d stepped into a different genre. The stabbing is one of the first Surprise Genre Switch moments we get and in retrospect it’s very important for setting up that in this world, the threat of getting hurt or killed is very real–which we need to understand to know that there are real stakes much later, when Stede almost gets executed by the British.

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I don’t keep up much with the Olympics, but every time I see someone got sick, or fell, or got hurt, or whatever, I just feel so bad. These people have worked so hard for so long, and some of them might never get another chance ):