They’re Judging You So Hard Kathy Omg

They’re Judging You So Hard Kathy Omg
They’re Judging You So Hard Kathy Omg

they’re judging you so hard kathy omg

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They’re Judging You So Hard Kathy Omg

More Posts from Fractured-prism and Others

1 week ago
Image of a distressed-looking person with curly hair in the front window of a trolley, framed by red text that reads "we all know about the trolley problem." The words "trolley problem" appear to be dripping with blood.
Red text that reads "An impossible scenario of life and death: who do you kill? One innocent orphan boy, or a group of wanted criminals?" accompanied by a drawing of split tracks with an orphan boy on the left and a row of criminals on the right. They are all tied with ropes.
Red text that reads "Your elderly grandma? Or a child you don't know?" On the left is a drawing of a curly-haired smiling old woman, and on the right is a black-haired grinning child. Both have a red, dripping hole in the center of their chests.
Red text that reads "we see it when we vote," then a drawing of a bloody hand with a pen above a ballot. The options are "Dr. Evil" and "Cruella D." The red text continues, "when we buy," with a drawing of another bloody hand holding red-stained cash.
A drawing of a woman lying in bed looking up at her hands as they drip with blood, framed by red text that reads "we dream of it in visions of the apocalypse."
A drawing of a person clutching their own hands, once again covered in blood. A red, dripping "X" is on their chest, and their face is splattered with red as well. They look deeply haunted, and they are surrounded by black scribbly shading. "But at some point," the red text reads, "when we are tired of choosing who deserves to be spared, it becomes relevant to ask..."
A red background behind drawings of faceless people in black suits and white ties, only differentiated by head and facial hair. In the foreground is a fist at someone's side, dripping with blood onto doubly carved-in red text that reads, "who is tying people to the tracks?"

the trolley problem vs. systemic oppression: a comic.

8 months ago
​feral On The Idea That Mabel Is Just Like Ford But In Stan’s Font

​feral on the idea that mabel is just like ford but in stan’s font


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3 weeks ago
Mabel holding the rift in sad frustration, w-sitting on an empty white void, on the right side of the image. she cast a eye-bleeding colorful shadow in front of her that spans to the left side of the image. there's a looming dark vignette over the left side.

real, very real. i'd do the same tbh

i really how this turned out! especially the eye-bleeding shadow :D

i got other color variations

same image without the vignette.
same image with a red background.
same image with a yellow background.

and a speedpaint (FLASH WARNING (i was doing the background))


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2 months ago

Man though you know what makes me sorta sad is when nerdy, “quiet” kids latch on to me during camp and they just talk and talk and talk about a thing they’re into (Skyrim, Pokemon, Harry Potter, Doctor Who, dinosaurs, whatever). And I see the kids just light up when they say something and I can chime in with an ‘oh hey, are you talking about [x]? I love that thing! Tell me more about it.’

Like, their parents will warn me ‘so-and-so is pretty quiet and hard to engage’ but no, man, just listen, your kid is so smart and so into This Thing, they’ll engage like fuck and talk your damn ear off it you let them. Frame it in their damn terms. Or! Just! Listen to them about their Thing! And they will engage with the rest of the material! Because they know you care about them! Amazing!!!

4 weeks ago

I love it so much when Ford is portrayed as doing bad and morally wrong things that hurt others not because he doesn't care and chooses to be cruel, but because he cares too much and loves too strongly. Like, him thinking he knows what's best for other people (but that's also him wanting the best for them) him not wanting to be alone and trying to keep people from leaving or being very angry at them, because he cared about them and was hurt because of that.

It's sad to me that he is portrayed as cruel and uncaring so often in fanon when in canon he's anything but


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4 weeks ago
Doodle of Stanford pines looking to the side with a startled face

I'm starting to get the hang of drawing him


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3 weeks ago
Doing Perimeter Patrols Is A Common But Little Known Ptsd Symptom, And I Think Ford Doing It Not Only

doing perimeter patrols is a common but little known ptsd symptom, and i think ford doing it not only makes sense for him post-portal but also is a great way to force awkward, impromptu conversations between him and everyone else


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2 months ago

Dipper knew that his grunkles switching places was necessary to defeat Bill, but--- Dipper hadn't been able to tell them apart. It distresses him, that he confused the two, that he wasn't smart nor observant enough to pick up on their trick. These were his grunkles, his family--- the same things happened with Wendy and the shapeshifter, too, he had to rely on her to be clever enough to give him a sign. He can't be tricked again--- what if the shapeshifter comes back? What if Bill comes back? What if the inevitable next big bad is also an impersonator, a trickster, a disguise artist?

He starts to catalogue the minutia of his loved ones. Stan has a small scar through his left eyebrow, and walks slightly canted to the right because of his bad knee. Ford has a series of faint scars, like repeated scratches, over his hands (which always have a faint tremble to them) and always stands stiff-backed and aware of his surroundings. Mabel pitches up the end of her sentences, and has to sleep with a night light. Wendy has a stick-and-poke tattoo, poor and faded, on her right ankle; Soos holds a screwdriver like a chopstick when he's thinking about a tough problem. Waddles has a mark on his left haunch like a My Little Pony cutie mark.

He starts a journal, not for anomalies but for details. He leaves codes and symbols for himself so an imposter couldn't use his notes to become a more realistic copy. From an outsider's perspective, it would surely look erratic, insane, messy, but that's the point. A feeling he can't name, has never felt before, creeps in, unsettling and persistent and insidious--- what if the enemy is already among them? What if he hadn't noticed, because he wasn't good enough, wasn't discerning enough, wasn't a good enough brother/friend/nephew/person? He stops sleeping, eating, gets quiet. His family becomes concerned, but he can't tell them the truth--- what if someone is watching? Listening? Looking for weaknesses?

He stumbles into his room one night to find Ford reading his journal. He thinks, at first, that the downturn of Ford's mouth is a sure sign of a shapeshifter, because he's never seen his grunkle make this face before; but, no--- this look on Ford's face is horror, and terror, and guilt. Similar to how he looked when Stan's memories were erased, but even more personal. More like... more like Ford knew exactly what Dipper was feeling.

"Dipper," Ford says, even-toned but not enough to conceal his concern, "we need to have a talk about paranoia."


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1 month ago
Greyscale digital art of Mabel and Dipper Pines. They are shown kneeling and clutching each other tightly in a dark room as a bright yellow triangle hovers behind them, casting a light on the floor in front of them. Their faces are visible but only one eye each is shown, both of them wide and round with fear. They are shaded with heavy hatching.

KEEP CLINGING UNTIL THE SCREAMING STOPS


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fractured-prism - Currently heading unprepared into the unknown
Currently heading unprepared into the unknown

19M, likes Gravity Falls a normal amount

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