Fractured-prism - Currently Heading Unprepared Into The Unknown

storyboard design fords from 2 months ago i forgot to share here i think

awkward

I’m convinced that people who hate Mabel have a) never watched the show and/or b) don’t have siblings. Because until they encountered Bill Cipher for the first time, there was nothing to suggest Dipper’s obsession with the journals was more important or valid than Mabel just wanted to have a normal summer with a whirlwind romance. And even after incident with the portal Dipper and Ford actively keep everything secret from Mabel and Stan so she has no idea of the stakes or what Bill is capable of. Add to that that her dreams of the future were all suddenly crumbling around her all at once, and it is perfectly reasonable if not expected that she would fall for an immortal chaos demon’s tricks.

Also, most of the stuff involving the journal that goes wrong is Dipper’s fault but he still pretends like he and Mabel are in it together. And those of you who are siblings know that Mabel takes it extremely well. Like if I had accidentally sold my body as a puppet to a demon and the only way I could ask my sibling for help was through a sock puppet, I would expect them to help, but only after they spent a good half hour laughing and making fun of me with the additional consequence would be that any time I ask them for a small favor in the future, they would remind me that they were the one to save me from my stupid mistake, so no, they won’t pass me the salt.

(Also, can we just take a moment to see the giant double standards when it comes to the romances that Dipper and Mabel’s have. When Mabel pursues a romantic people treat it as irrelevant and getting in the way of the plot even when it doesn’t. But when Dipper tries to win Wendy’s affection, people expect Mabel to drop everything, sacrifice her pet, mess with time travel to help set up a scenario which Dipper can win a carnival game as a flex.)

a note on "fordtramine"

just a thought while im working on a comprehensive history of bill.

by now i'm sure it's common knowledge that stanford's favourite colour is "fordtramarine", a colour only him and bill are able to see due to bill rewiring his optic nerve as a gift, but something i find very interesting is this page from thisisnotawebsitedotcom.com

specifically, that note at the bottom on the "beautiful" paintings ford submitted to (unsuccessfully) demonstrate the colour. most of them are normal, including a self portrait in gouache until you get to "(E) A muse, oil on canvas".

not only that, but in the abstract ford writes that "specific two dimensional entities may act in the same way as a prism, refracting light.... new perceptions"

something something devoting a painting to your muse in the colour that they let you name, that they gifted you with the ability to see. something something bill acting as a prism, like the crystals ford keeps all over his house, that ford can look through, like a doorway into a world entirely made of the weird and wonderful that you connect so deeply with. a world that you can never show anyone else, your canvases are always blank and no-one else has the eyes that you do, your study is rejected and no-one will hear you out.

do you think bill felt that way? growing up, able to see what others couldn't, "its not your fault you have that strange eye", "the doctor says three sips a day will make the visions go away", able to see an entirely different dimension to his own parents, always too different and too strange and too weird.

CODES: "THEY'LL SEE" "THEY'LL ALL SEE" "THE EUCLYDIAN DEPT OF VISION SUPERVISION"

growing up in a world where it seems that seeing beyond the norm is heavily punished, it's kind of telling that bill's gifts to ford are often relating to seeing or knowing things that ford would never experience without bill (new colours, new directions for his research, his mindscape, the portal). the gift of vision from a god who grew up being blinded. bill really is his all-seeing eye, in a lot of ways.

in the same way, fiddleford's gifts to ford almost always revolve around very human comfort (gloves to fit his hands specifically, a pet to keep him company, a snowglobe reminder of the time they spent together) comfort that he was too distracted to devote to his wife and child, only ever to ford who broke or threw them away.

fiddleford accepted ford for who he was, and he showed that through his gifts. all of ford's strangeness and brilliance, gloves made specifically to protect and warm six fingers, a pet that looked like him for him to ramble to when fidd is gone. bill's gifts were brilliant and tailored just for ford, but they were isolating. experiences he could only have with bill, things that made him stranger, more alone, pulled him further into the weirdness, the grey area. all in preparation for the day bill would take things too far, and pray ford, so alike to him, would join him.

may I add that he lost in the semifinals to none other than STANLEY PINES

the book of bill is great

Stop everything! Ford found a cool beetle!

No text version

Moment of peace inbetween observing/punching anomalies

Saw de-aged Stan stuff and wanna join the Ford realizing Stan was a baby when he was kicked out bandwagon

-/-

Their niblings had just celebrated their seventeenth birthday a week ago and Ford couldn't help but think about just how young his niblings are.

Babies...the both of them. It didn't matter if they would be old enough to start college soon, Mabel and Dipper were still children and the thought of either of them on the streets, cold, hungry, and alone filled Ford with a rage so intense he genuinely scared himself.

How anyone could look at a 17 year old child and think that they could survive just fine on their own without a home, friends, family, or a high school diploma truly baffled Ford.

Seventeen...it was right there in the name. Teen. A child. Not an adult.

Seventeen year olds still needed guidance and correction. They still needed to be taught what 'better' meant because how could they know better if they had no reference for what exactly 'better' looked like.

A seventeen year old kicked out on the street nowadays would result in steep consquences for the offending party. There would be an investigation, law enforcement, organizations that didn't really exist back when Ford and Stan were kids would get involved.

Stan...

Stan was seventeen when he was kicked out. Ford used to convince himself that Stan had left willingly. He was too old now to delude himself with that lie.

Stan, little seventeen year old Stanley, was forced out of his home.

Ford tried to imagine Dipper and Mabel out on the streets. He tried to imagine them with Stan's scars, he tried to imagine their niblings scared, paranoid, ravenous hunger making their little teenage frames shake-

"It was wrong."

"Ford?"

"What Filbrick did," Ford growled, turning to face his brother. "What our father did was beyond inappropriate-" Ford gestured to where Mabel and Dipper were passed out on the lawn, napping in the noon day sun.

They wanted to spend one more summer in Gravity falls before heading off to their final year of high school.

They were so young.

Stan was so young.

"You were Mabel and Dipper's age," Ford continued, "It was wrong." To Ford's dismay his brother just shrugged.

"Yeah, well. Different time and all that." Ford pratically bristled at Stan's nonchalant response.

"If what happened to you happened to the twins you'd be furious-hell, I would be furious!"

"Keep it down, pointdexter, you'll wake the kids!" Stan hissed, his eyes darting over to their still asleep niblings. Ford clamped his mouth shut, slowly exhaling, and closed his eyes.

He felt a hand squeeze his shoulder.

Stan.

"Look, I appreciate you going all big brother mode but honestly, what could you have done?"

"I could have stood up to Pa."

"After you thought I had betrayed you?" Ford was silent.

Stan...Stan had a point. Ford was angry and hurting and not thinking about the reprecussions of his fathers actions or of closing the curtains on Stan.

He could have done something though!

...Right?

"Ford, we were the same age. You were a kid too when that happened. We were kids raised with being angry and terrified of our dad as something normal. We couldn't do better then because no one ever showed us what better looked like."

'Like the twins,' went unsaid but Ford already knew thats where Stan's train of thought was headed.

Ironically, their great niece and nephew had to be the ones to show them what an actual loving family looked like.

(No offense to Ma, Ford adored his mother, but she was also a woman of her time...and a compulsive liar...hm...maybe he should take up Shermie on that offer for a therapist recommendation...)

"...I just...seeing now just how young you were..."

"Again, we were the same age, Ford." Ford huffed.

"I still say it was wrong. What Filbrick did."

"I know," Stan said, reaching up to squeeze Ford's shoulder. "Give yourself some slack too, bro. Both of us were young and hurting. But now we're old and making things better." Ford sighed and lightly tapped his fist against Stan's chest.

"And people called you the dumb one?" Stan rolled his eyes and groaned.

"You killed the moment. Good job."

"I try."

I love it so much when Ford is portrayed as doing bad and morally wrong things that hurt others not because he doesn't care and chooses to be cruel, but because he cares too much and loves too strongly. Like, him thinking he knows what's best for other people (but that's also him wanting the best for them) him not wanting to be alone and trying to keep people from leaving or being very angry at them, because he cared about them and was hurt because of that.

It's sad to me that he is portrayed as cruel and uncaring so often in fanon when in canon he's anything but

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