Review: Star Wars: The Force Awakens (2015)

Web Shoutout: Off Camera with Sam Jones

Welcome to Web Shoutout, a series highlighting interesting places in the interwebs about movies and filmmaking! (Check out the previous Web Shoutout here).

Off Camera is a show, podcast, and magazine hosted by photographer Sam Jones. It is an amazing interview show, with various guests from the entertainment industry--mostly from actors.

Off Camera always provides a fascinating look inside their heads. Sam Jones is a brilliant host--naturally inquisitive, respectful, and is always well-researched--and with his help, we are able to truly understand his guests as a human being: what drives them, what influenced them, what makes them tick. His guests include Joseph Gordon-Levitt, Jake Gyllenhall, Andrew Garfield, Ellen Paige, Krysten Ritter, Aaron Paul, Cindy Crawford, Aubrey Plaza, Matt Damon, Tatiana Maslany, Imogen Poots, and a lot of others.

If you remember the Actors on Actors interviews that I mentioned a while back, it’s a bit hard to pinpoint the difference between the two because themes vary with each conversations. But if I can summarize, Actors on Actors usually talk about their craft and how they do it, while Off Camera talks about their experiences as a person and why they do what they do. Either way, both are fascinating interviews, and Off Camera is well worth checking out.

Off Camera is a show on DirecTV and U-verse, and is also fully available on their website to watch with a fee. Short excerpts are available on Youtube, but sadly not the full interview. Five of the seven seasons are also available as a full audio interview on Soundcloud.

1. Kristen Bell: "I Grew Up Thinking The World Was Black and White"

2. Dax Shepard Shares Painful Relationship with His Dad

3. What No One Told Ethan Hawke About Being Famous

4. Olivia Wilde Knew She'd Be an Actress

5. Tony Hawk on Talent vs. Motivation

Review: People Like Us (2012)

Rating: 8.0 of 10

People Like Us is story about one Sam (Chris Pine), a twenty-something salesman who had to come home for his father's funeral who he hated, and discovered that his father had another family and another daughter (Elizabeth Banks) that he knew nothing about.

Imagine the brattiness of Captain James Kirk from 2009's Star Trek (who Chris Pine also played), put the character in a funeral and family drama, and basically you'll get something exactly like People Like Us. The lead character Sam was something that all of us like to hate: an alpha-type, cocky, over-achiever, money-chasing salesman who would put a bulldozer through a church and the books of law if it fit his needs. Elizabeth Banks' Frankie, meanwhile, was something of a different breed: a single mother struggling to meet her needs and put her life in order.

People Like Us is a simple story about people trying to connect with each other. No gimmicks, no obvious twist-and turns (aside from the core premise); it's just one of those quietly engaging films about people who have no idea why they're doing what they're doing. We get to slowly understand the father and what his family went through his life, as we get to know Sam's mother (Michelle Pfeiffer) and her past, his job, Sam's childhood, and Frankie's life in general. Those details, scattered throughout the movie like a puzzle of life, put layers into the characters in a seemingly obvious family drama. It put a sense of earnestness in an otherwise heavy-handed film.

TL;DR Written and directed by Alex Kurtzman (yes, that Alex Kurtzman. Roberto Orci, his screenwriting partner also wrote in this film.), People Like Us is not a perfect movie, but it's a surprisingly layered one. In all honesty, your enjoyment of this movie might depend on how much you tolerate Chris Pine's Sam (Olivia Wilde is still underused, though), but if you like family drama it's not a bad movie to spend your time with.

Review: Ant-Man (2015)

Rating: 8.0 of 10

Hank Pym (Michael Douglas), a man with a shrinking technology long hidden from government and SHIELD, recruits newly discharged Scott Lang (Paul Rudd) to obtain his technology from an evil competitor, Darren Cross (Corey Stoll).

A few years ago, the idea of Ant-Man movie--a third tier comic-book superhero with silly powers (he's small and he talks to ants????)--might be novel. Today, superhero movies are a dime in a dozen and Marvel had practically made careers out of lesser superheroes. We know Ant-Man is gonna be, at least, good (yes, I'm a Marvel believer). The question is: How good, and how unique?

Uniqueness is definitely not Ant-Man's problem. Ant-Man's format is decidedly new in the superhero realm--it's a heist movie. In it, Scott Lang had just got out of prison and decided to take on One Last Job (Which is like, every heist movie ever, but that's actually not a bad thing. It's a cliche because it works). It also takes on a wholly different dimension than what we usually see and experience, and there's the fact that Ant-Man literally talks to ants. A lot of the unexpected, subversive, and hilarious moments simply come from the fact that there's this little guy with tremendous power, and there's absolutely no shame to revel in that (while it's still new). Ant-Man definitely do not have a problem setting itself apart from other movies.

But how good was it? Good enough, but not amazing.

Ant-Man had its share of humor, but it actually had less wisecracking than your average Avengers or Iron Man movie. Either that, or half of them didn't stick the landing. Not that being funny is a requirement for a good movie, but I can't help but feel that in an attempt to "toughen up" Paul Rudd's character, practically half of his life got sucked out of him. He's a damn good "subdued" comic actor, but most of the humor was delegated to his friend, Luis (Michael Pena) instead (he was hilarious, actually). I like Paul Rudd enough in this movie and I think he's a great actor and did good job in Ant-Man, but I am tempted to say that he might be miscast. What I'm saying is, while he was good in his role, Paul Rudd did not occupy his superheroic persona as well as Chris Pratt or Chris Evans did theirs.

Another shortcoming might come from a lack of any real villain, and therefore, any real direction. Darren Cross was quite servicable as an evil capitalist/scientist/sheep-killer, but he was Hank Pym's nemesis and not Lang's, so Lang was left without any real direction aside from general heist movie plot. Yellowjacket was great and menacing, but at the end it was too little too late. Excacerbated by thin relationships of fathers and daughters (either Hank with Hope, or Scott with his daughter), TL;DR Ant-Man could not feel like a truly "full" movie. It always felt like half a movie because it failed to focus on either end of the equation (the character-side vs comic-booky villain-side). Basically, Ant-Man was half a movie away from being great and that's a shame, because the rest of the film was fun and competently made.

While Ant-Man--being a heist movie--did not have a lot of action, the ones that were there were truly great. The heists were great too and there were genuinely exciting moments in between. Also, the cameos, the mid and also end credits scenes were hella exciting! Cannot wait for Civil War!

Review: Deadpool (2016)

Rating: 8.0 of 10

I've been meaning to write a review for Deadpool weeks ago, but life took over... Anyhow, here's my review.

Deadpool has a tricky history in the big screen. He is a Marvel character who’s mainly characterized as a foul-mouthed mercenary/anti-hero, with accelerated healing power and a habit of breaking the fourth wall. He was once thought as an unfilmable character (considering his ultra-violence and less-than-morally-acceptable commentaries) that when he showed up in X-Men Origins: Wolverine, not only he was unrecognizable, he was exactly the opposite of what he supposed to be. The 'Merc with a Mouth' had become literally mouthless (pictured below). It took 7 years and a climate chance in the superhero film industry, for Deadpool to become Deadpool in the movies.

Ryan Reynolds is Deadpool (again, as he also played him in Wolverine), and surprisingly to me, he completely inhabit his role. Deadpool, in the hands of a wrong actor, would become a completely insufferable character, but Reynolds nailed everything on the head. The tone, the comedic timing, the look--everything.

Basically what makes Deadpool such a good a movie is the tone. For me, its action is almost unquestionable. Marvel has always had good action sequences, so it's almost a, "Yeah duh, of course it will have great action." Plot is good 'though true and tested (although it does a new spin with flashbacks). Characters are fun; Colossus is a perfect antidote to Deadpool, and Negasonic Teenage Warhead doesn't have much to do but is very memorable. BUT the tone is amazing. I'm not talking about it being R-rated, but I'm talking about it being purely a Deadpool movie. Self-deprecation, fourth-wall breaking, and its refusal to not knock down everything and anything in its sight (including a diss about Green Lantern's awful CGI suit and X-Men's messed-up timeline), makes a tonally unique movie.

Deadpool isn't the best movie Marvel ever created, it’s not the most daring (Guardians of the Galaxy still wins that crown), and it's definitely not the best movie ever. Honestly, Deadpool isn't even the best R-rated superhero film. 2010′s Kick-Ass still excelled Deadpool for me (primarily because Kick-Ass' soundtrack really elevated the whole movie). TL;DR However, Deadpool was a lot of fun and if you're looking for a faithful Deadpool movie, you can't go better than this one.

Review: Crimson Peak (2015)

Rating: 8.5 of 10

In its barest bones, Crimson Peak is about a young American woman, Edith Cushing (Mia Wasikowska), who falls in love with a British aristocrat, Thomas Sharpe (Tom Hiddleston), with his own complicated relationship with his sister (Jessica Chastain) and mysterious heritage. Things aren't as straightforward as it seems, of course, and in Crimson Peak, it involves secrets and ghosts in the opulent house of Allerdale Hall.

Crimson Peak is gorgeous. Del Toro's (Pacific Rim, Hellboy, Pan's Labyrinth) movies are always exquisite in its visual, but Crimson Peak is the most outright beautiful. Rich in color and complex in its texture, the whole of Crimson Peak is a marvel to behold, most notably is their costume and the house of Allerdale Hall. The house itself (a three-storied house, built in a full 7 months, and has 2 complete sets of furniture of varying sizes depending on which scenes they shoot) is a real set built in Canada specifically for the film, and the little details put into it are mindblowing.

All that trouble paid off, thankfully (tenfold, if you ask me). The house has a deep, haunting atmosphere--magnifying its macabre. Despite not being a proper horror movie, Crimson Peak has imageries that haunt you for days if not for how eerie it was, then for how beautiful, or both. Honestly, it’s more than I can say for most horror movies.

One major flaw of Crimson Peak is that it’s not a horror movie, despite the fact that it looks like one and is marketed like one. Instead, it’s a love story that is not particularly scary, but is definitely on the creepy side.

Tom Hiddleston is effortless in playing the many sides of Thomas Sharpe--the dazzling lover, the struggling business man, and the ominous villain. I’m not usually a fan of Wasikowska, but here she is a perfect blend of everything Edith represents and I wouldn’t have her any other way. I was, however, underwhelmed by Jessica Chastain performance for most of the movie excepting maybe the final act. She’s the only chip on my shoulder that makes Crimson Peak isn’t perfect for me, but she doesn’t negate all the things the movie got right. In short, I honestly don’t get why people don’t seem to love it as much as I think it deserves.

TL;DR Creepy and weirdly sensual, Crimson Peak is a hauntingly beautiful piece of art.

Review: Cek Toko Sebelah (2016)

Rating: 7.0 out of 10

Cek Toko Sebelah is the second feature film from Ernest Prakasa, an Indonesian stand-up comedian turned writer/actor/director. Cek Toko Sebelah tells the story of Erwin (Ernest Prakasa), a succesful young man on the verge of a promotion, his screw-up brother Yohan (Dion Wiyoko), and their father Koh Afuk (Chew Kin Wah) who leaves Erwin with his small business.

Cek Toko Sebelah has a simple but powerful premise, and it has a promising start. It establishes characters pretty well, filled with witty dialogue including some laugh-out-loud moments, but everything seems to go downhill from there. Ultimately, Cek Toko Sebelah is a typical Indonesian movie, played out in a typical Indonesian fashion: very linear, unimaginative storyline with one dimensional characters. In Cek Toko Sebelah, the story writes itself, and not in a good way. Everything plays out basically exactly like you'd expect with little to no surprises, especially during the first and second act. The characters' storyline does not intertwine in any meaningful way, with minimal character development. The movie does offer good laughs, but everything else is not enough for me. Fortunately on the third act, things started to get a little more exciting, and it does slightly redeems itself.

What's frustrating is, Cek Toko Sebelah has the potential to be an extremely good character-based family drama/comedy. Instead, it only reaches for the easy low hanging fruit, and is either unwilling, or unable to aim higher. Erwin's character is ripe for conflict, but ultimately, he has given nothing to lose. The writer thinks that everything that's being thrown at Erwin is conflict, but Erwin is not given time to process it--and neither was the audience--so ultimately they did not become conflict. They were just stuff. Stuff that happens. Cek Toko Sebelah is a film that does not dare to hurt the characters, therefore it becomes a relatively uncompelling viewing experience. Yohan's dark past is hinted, but is wholly unexplored, and the movie is afraid to put obstacles in front of him. Natalie (Gisella Anastasia), Erwin's girlfriend, has exactly one purpose in the movie (being the nagging girlfriend), and the only attempt to give Ayu (Adinia Wirasti), Yohan's wife, a dimension besides being, y'know, "Yohan's wife", falls flat. The only compelling character is Koh Afuk, largely because of Chew Kin Wah nuanced portrayal. This father figure is not perfect: reserved, cynical, stubborn, but he cares deeply about his family and his employees. He does not say much, but Kin Wah was able to carry it all with authenticity and wit, that we could not help but to fall in love with his character.

Aside from family, there's another theme explored in this movie: living as a Chinese-Indonesian in Indonesia. On that account, Cek Toko Sebelah is very successful in showing the nuances of their everyday lives. Ernest Prakasa himself is Chinese-Indonesian, and he frequently talks about it back from his stand-up comedy days, so it's not surprising. Diversity overall, is a win here. But there are also some problematic social treatments in this movie. I was really hoping that this movie would be above resorting to male gaze for jokes, but with how the males treat Anita's (Yeyen Lidya) character repeatedly, apparently not. In general, the female characters in this movie are uninspired at best. It also features typical Indonesian representation of an LGBT character (a comic relief that other characters laugh at), which while it is funny, only cements the stereotype.

I hope I do not come across as mean or nitpicking, or unsupportive of local films. I really, really do hope for quality filmmaking in Indonesia and this is my way of supporting it. TL;DR Cek Toko Sebelah offers good diversity, some pretty funny moments, but serviceable characters.

Introduction

Hi, my name is Inka Saraswati and this is my movie blog.

Sooo for a little background story, I signed up for this new tumblr account because I wanted a new house for my movie reviews. You see, I've been writing and posting reviews in Rotten Tomatoes for quite a while, but they recently changed their layout and user flow and basically I didn't like it. So I decided to leave and make my own site instead.

For reasons above, I'll slowly roll out my existing reviews from RT into here and of course I'll add new ones along the way. I, at its core, am a sci-fi fan so it couldn't be helped if my coverage skew towards that particular genre but I'll definitely cover various films from various genre, including older and odder films.

Also I might occasionally write about TV, music, poetry, pop culture news, or even post some tumblr-iffic stuff, but the backbone of my site will always be movie reviews.

So enjoy!

You can also find me in deviantArt for photography and whyd for music collection. 

Review: Room (2015)

Rating: 9.3 of 10

Room is the whole world. At least that's how it is for Jack (Jacob Tremblay) who was born to his mother Ma (Brie Larson), in the whole 5 years of his life. They are, of course, held captive in a 10 ft. by 10 ft. space but Jack doesn't know that. What he knows is that Room is the whole world, there is him and his mother, and then there are the TV planets, and that's it.

Room guides us in the first half of the movie, as we see how exactly Ma and Jack live their bizarre lives, day to day, while Ma tries to give her son a sense of normalcy. Jack greets their furniture every morning as they are the only friends he has--in tight close-ups that almost feels claustrophobic, but also, in a sense, comforting. In Room, Ma is the one pillar of normalcy that Jack has, and Jack is the only thing left worth fighting for in her life. Brie Larson is amazing in this, continuously displaying strength, desperation, and sadness that a mother should have. She eventually won Best Actress in Academy Awards 2016 for her performance.

After a chilling escape (it's not really a spoiler, it's in the trailers), we finally see how Jack and Ma adjust themselves to the real world. The movie handles this part sensitively and with respectful ambiguity, as we and the characters realize that being free doesn't mean instant happiness. (How okay could you be after 7 years of captivity?) There’s the inevitable media circus, the happy and apprehensive family members, and a real question of whether or not Jack and Ma will ever be able to lead normal lives, and so on. But even so, there's a palpable sense of hope, and an unbreakable sense of love living between the mother and the son.

Unmistakably, Room selects incredible talent from director Lenny Abrahamson (Frank: reviewed here); writer Emma Donoghue (who also wrote the original best-selling book); cinematographer Danny Cohen (The Danish Girl); and also actors Brie Larson (Short Term 12: reviewed here, Scott Pilgrim vs. the World), Joan Allen (the Bourne series), and last but not least, Jacob Tremblay. Jacob Tremblay as Jack displays incredible nuance to his character: wide-eyed, scared, and confused, but exudes hope and innocence. His acting is a bit of an incredible thing to witness, especially remembering he is such a young actor. All of those talents combined in one film, really makes an outstanding, fearless movie with deceptively light touch of the matter at hand.

TL;DR A drama with an unmistakable sense of honesty, Room is the kind of movie that will stay with you for days.

Music Shoutout: Unique Sounds Worth Checking Out Vol. 1

There are good bands, and there are bands that makes you go, "Whoa, this is something that I've never heard before."

In no particular order and with no particular reason, these are somewhat unique sounds worth checking out. A few of these bands are actually already quite well-known in the indie world, but as with any alternative genre, fame is always relative.

1. Alt-J ( @altjband on tumblr ) In the sea of indie rock, Alt-J is really something else. I won't even try to describe their sound because I'll just fail miserably, but the mix of their nasally voice, weird lyrics, and layered arrangements really pulled everything together in the most distinct way. Their debut album "An Awesome Wave" reached quite the critical and commercial success. Their follow-up album, "This Is All Yours" has a more introspective approach, but is every bit as unique as the single-friendly Wave.

Honorable mention: Glass Animals. I heard Glass Animals being compared to Alt-J a lot by fans, for some reason. I tend to disagree because they don't sound remotely alike and I'm not even sure they belong to the same subgenre, but they do have similar spirit--at the very least, in their refusal to be ordinary. At any rate, they're worth checking out too. Click here to listen to Glass Animal’s “Black Mambo”.

2. Twenty One Pilots ( @twentyonepilots on tumblr ) Rap + indie rock. Their debut album, "Vessel", was cute enough. It was new, it was different, and basically it was a proof-of-concept that such odd pairing can work. "Blurryface" album though, was a piece of art.

3. The Cat Empire Okay, maybe I'm biased because they have "Cat" in their name. I'll also admit that I don't know much of their discography besides of their self-titled album which was released in 2003 (I also heard their newer albums aren't as good, at least a bit different). But with its fusion of ska, jazz, and Latin, damn if "The Cat Empire" isn't one of the most fun albums I've heard in a long time.

4. Wild Belle ( @wildbellemusic on tumblr ) If reggae is your jam, Wild Belle might be for you. Wild Belle is composed of siblings Natalie and Elliot Bergman. Natalie's beautiful thinly voice, along with reggae influences is the focus of their debut album, "Isles". But based on their newest single, it seems like their to-be-released sophomore album will be much different--I guess we'll just see. Recently they also had a collaboration with Major Lazer in "Be Together".

5. Milky Chance 'Stoner song' might be the best way to describe Milky Chance's sound. But don't let that description fool you, Milky Chance's songs aren't stupid nor simple--they're just damn delectable.

I hope you’ll like these bands! If you have any suggestions, I’m open to it. Meanwhile, visit a few of my curated music collection, and follow me for Unique Sounds Worth Checking Out Vol. 2!

Disclaimer: All videos embed and linked above are for promotional purposes only. Please support the artist legally!

TV Shoutout: Killjoys

What it is about: Bounty hunters Dutch (Hannah John Kamen) and John Jaqobis (Aaron Ashmore) are the best Killjoys working at their side of the galaxy. But a warrant involving John’s brother, D’avin (Luke Macfarlane), lead them to new adventures.

Why you should watch it: Killjoys, contrary to what the name might suggest, is just so much fun. Killjoys never take themselves too seriously, but they never, ever insult your intelligence. It’s just the perfect blend of action, humor, crazy stories, and great characters.

No kidding, Dutch is my favorite female character in TV, ever. She’s the baddest of all badasses–and nobody is gonna argue her for that. She’s strong and tough and soft in the way that I rarely see from other badass female characters.

Her relationship with John is also one of my favorites. They have extremely strong bond as working partners, which serves as the heart of the show. Their relationship is platonic, but extremely warm. Also, John is a badass nerd, so I automatically like him anyway.

Also, set in a somewhat far future, the worldbuilding in Killjoys is amazing. The world feels otherwordly, worn, and lived-in–and most importantly, alive. Believe me, sexy monks is a thing in Killjoys, but they absolutely don't feel out of place. Interplanetary politics, space monk, warlord bartender, killer harem–all of it are in Killjoys, and they all make excellent ingredients to make entertaining stories.

Who should watch it: Anyone who wants fun TV with badass characters! And obviously, sci-fi/space opera fans who yearns for something fresh.

Where you should start: Honestly I think you’re gonna be fine watching any episode because they’re gonna be so much fun you wouldn’t mind if you don’t understand a few things, but like anything worth watching, for best experience start from the first episode for the characters. I guarantee you won’t regret it.

Status: Season 3 ongoing.