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Hey guys! Check out this block of pure sodium that I got!

הבל | hevel

This is how it goes: God whispers in Cain’s jealous ear, drawing his attention to the Sin crouched at his doorway. Sin has haunted eyes and a mouth that has been kissed. Let there be no doubt that Sin has been kissed, with a wet-red mouth that may taste of blood or pomegranate or the electric crackle of a stoplight. Cain looks at Sin. He runs his tongue over his teeth.

This is how it goes: Cain leaves the house at one am in bare feet and a hoodie, careful to avoid the last stair that creaks, and treks out into the Field. There are many fields in the world but there is only one Field. Cain feels the difference in the grass when he crosses the border from field to Field, the way the grey-green blades stand up at attention in his wake, the way the dirt turns ice-cold and furious beneath his heels. The earth is good with foreshadowing. The tree of Knowledge has deep roots.

This is how it goes: God says, I will take you or your brother.

God says, You get to choose.

And Cain says, “When you split me and my brother in the womb, you did not divide us evenly. He got kindness, and I got longing. He got complacence, and I got ambition. I want to kill him sometimes. I think sometimes he wants to die.”

I have never made brothers before, God explains. That is how I thought they were made. What more do you want?

“I want to steal some of his kindness,” Cain says, and shakes his pocket knife out of his sleeve.

Back at home, Abel sits up in his bed with a start, heart racing. That was close, he thinks, that was a damn close one, and does not know why.

In the Field, the ground warms as blood seeps into the dirt. 

hey everyone its april fools. but dont worry i dont have anything planned. just going to sit here and...

I LIED !!!! GET PRANKED

POST BELOW ME GET FUCKING WET

From a list of some funky animals I like lol

The Wild Robot is obviously fucking incredible but what i dont see a lot of people talking about is the parallel of Roz and Brightbill finding out about their families. Brightbill's siblings were killed in their eggs before they could hatch, Roz's identical models were destroyed before they could turn on. both families torn apart by pure coincidence, leaving one sole survivor, with no knowledge of what their species is meant to do or how they're supposed to act. completely isolated

The Bird song by Noah Floersch

I would like to continue from Orion's pov but I think I better stop plus there is not enough scheme scenes with them from good times left to go wild XDD

Average transformers g1 episode:

Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.

Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.

Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.

The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.

Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.

Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.

Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.

Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.

"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"

Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.

Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.

Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.

Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

Havoc Marauder Interior

Someone made a post about this a while ago but apparently they de-activated so it is possibly lost to the mists of time. Here is what I put together for myself as a writing reference. Image heavy, meta heavy.

Last edit: 2024/10/29

Edits: Replaced garbage text layout with actual ship overhead. Realized the two concept art images face different directions. This likely explains the magical moving jump seats. Also added discussion of a cargo hold. Added discussion of ship dimensions (specifically length). Replaced old guesstimates with numbers from Dawn of Rebellion. Added commentary about the magical seat. Added comment about the belly airlock and updated the floor plan.

I think people under- and over-estimate the Marauder's interior potential. Given its overall size and intended use (transporting about 10-15 troops plus assorted equipment and providing air support in a forward area), there's not much room left for creature comforts.

Except the Batch aren't 10-15 people, they're 5, and the shuttle is referred to as modified numerous times. This leaves plenty of room to make assumptions and freeform. So, as to what we have actual, visual evidence for from episodes and concept art, here is a rudimentary floor plan:

An important point about the two concept art images: they do NOT face the same direction. The top image faces to the aft/back of the ship, i.e. the tailgun. The second image faces to the fore/front of the ship.

Number key:

1: We know this is where the ramp and door are located from War Mantle and Metamorphsis.

2: We know about this upper storage area from Cut and Run

3: The access to the tail gun has changed visual from TCW s07e02 and various TBB episodes.

4: Access to a floor hatch with a narrow, vertical 'airlock' can be seen briefly in Bounty Lost.

The Airlock

With thanks to @megmca for reminding me of this: there's a narrow, belly-hatch airlock. We see it briefly in Bounty Lost, when they attach to the escape pod Omega has commandeered and Wrecker brings her in.

For all of you wondering what airlock-access the ship has, this is it.

The Magically Appearing/Disappearing Seat

In Cut and Run we have this moment with Hunter and Omega, but in most other shots each of these consoles has only one seat (eg. Tech and Echo in prior frames). I think this is actually NOT a magically appearing seat. I think it's the other console seat, because I suspect they can be moved. I base this one this shot from Replacements:

That looks like a seat with a moveable base.

Obviously this is bad design for a ship which is doing barrel rolls and what-not, so I have to assume they're magnetically locked. Even if it is the same seat, in the shots right before that one above, Omega walks up and it's not in that space. So it's almost like the scene was longer and was shortened, and we missed a few frames of her or Hunter unlocking it and moving it over.

Meta Discussions

tl;dr: I think of the Marauder as a small fishing vessel or a van-conversion RV. You can put a lot into a small space if you get creative.

Bathroom I know the writers have made weird assertions there isn't one and omg they all smell gross from no hygiene but that makes zero sense. Soldiers are constantly under stress, they're getting injured, they need to stay clean when possible or they're going to get sick and die from a systemic infection in short order. Anyone who's glanced in the general direction of military history knows this. You can argue about clone expendibility all you want but the Batch minimally qualify in that regard, being Nala Se's pet project. Can you imagine losing one of them to a staph infection because there's nowhere for them to bust out some no-rinse antimicrobial soap or get their scalp clean? I'm not saying they'll be doing photoshoots in between missions (well maybe Hunter would ) but, come on. (And are you going to tell me Mr. Sensor Sensoria is cool with doing long hauls with 4 people who don't bathe? Just, no.)

But that much aside, anyone who's ever been in an RV, a commercial airliner, or a modest-sized sea vessel knows you can cram a bathroom into a tiny space. Yes, you're going to be spinning in circles doing things, but the benefits of a spot to clean up, manage waste, and tend to injuries far outweigh any other use of that area. So regardless of what the writers say, a transport without a minimal refresher (to use the SW term) is counter to the ship's designed use. It has to be able to accommodate Wrecker, of course, but in the end it can double as storage when not in use. There is zero reason to not have one. Added to this, we now officially have a length for the Marauder, which is 30.3 meters (see below). RVs which are 1/5 of that size have bathrooms. You're going to tell me the Marauder doesn't?

If nothing else, since the TCW episodes and the beginning of S1 have pointed to them going on extended deployments with long hops between stops, they're going to need one or constantly be handling waste in much less efficient and sustainable ways.

Added to all of this, it's specifically called a modified variant of an Omicron. We're probably meant to think this means 'Tech would like to fly faster than the GAR and ship engineers think is reasonable for a shuttle' but IMO it extends to changes like this as well. So, there's a refresher in there, feel free to choose a spot. Right across from the fold out racks is a good candidate because in most imagery it's just weapons storage, and there's an entire upper-deck space which you could use for that.

Galley Definitely not one of these. The Batch are eating rations any time they're not on Kamino. You can make an argument they (and all clone units) have cook kits for improvised eating in the field; in the Batch's case I suspect that's a given, as they'd just start doing it because who's going to stop them? Additionally, the sheer amount of rations you would need to carry around to feed Wrecker would be ridiculous. (Remember when Wrecker talks about never being full in S2E13? I feel like this is an indication they did and still do, in fact, have to improvise a lot of additional caloric intake. Hunter probably thought Cut and Suu's farm was a genius idea. 'Grow your own food! Wrecker will never be hungry again! Fucking incredible.' Then Tech got the ship impounded.) I think you can argue for one being added, like with the refresher. Do they actually need those weapons racks anymore? Definitely no. But, it's not on there by default.

Beds As you can see in the concept art above, there are at least 3 racks that fold out from the wall on the port side. They're at a minimum wide enough to accommodate Wrecker, they may also be long enough for him to not need to curl up (unclear because in this shot from Bounty Lost his knees are bent and he's hugging Lula):

Three is a weird number since originally there were four of them. I figure the options here are:

The pilot/copilot/second row seats all look 100% more comfortable than the racks. We actually see Tech sleeping in one, at one point, so this has actual evidence to support it.

It's war time, they're never all asleep simultaneously. Someone is always flying the ship or on watch.

The floor is in effect the same as a rack, arguably preferable as you can't fall off it in the event Something Happens while you're out. So, one of them might actually be ON the floor sometimes.

They're not really intended to sleep on the ship for extended periods, but narratively we're lead to believe they have, many times, and needed to make adjustments to it as a result. Notice how quickly Wrecker whipped up a bed for Omega? IMO, not the first time they've done something like that--they did it for themselves first.

Cargo Hold Based on that screenshot of Omega above and the below shot from Cut and Run, the 'hold' of the ship is actually a storage area overhead, running the length of the ship. In that shot above of the rack, there are a series of yellow rungs which imply you can climb up somewhere on the port side. This is probably alternate access to that same overhead storage space.

In Cut and Run we see Echo, Omega, and Tech hide in it, coming back out from a slide-open hatch:

Given Tech's height this is probably somewhere around 1.5m high.

We can be reasonably certain the hold isn't under the ship, or at least storage there is minimal, due to a couple of things:

In all instances where the hyperdrive has been pulled, it's under the ship on the belly, and takes up a reasonable amount of space. Eg., in Retrieval, here's a bunch of stuff which has been pulled from the ship:

In instances where they're working on the ship from the outside, like in Cornered, the sides and belly never have panels open which contain empty space unless the ship's hardware have been removed to reach something:

So, the cargo hold is probably that space on the top from Cut and Run. It doesn't have much room; reasonably speaking, the area with the weapons and sleeping racks was probably a cargo hold as well, they just converted it to a more general purpose area. (So IMO this is a stronger argument for putting a commercial airliner-style bathroom in place of the weapons racks, particularly once they bail on the Empire.)

Dimensions - updated 11/3/23 Dawn of Rebellion has a Bad Batch section, and indicates the Marauder is 30.3m in length, 36.65m wide (presumably with the wings extended, and 12.41m tall (this probably includes the central stabilizer).

I will edit this to update it as we get more pictures. Since the toys that I know of have no basis the show from an internal perspective I didn't include anything from them.

Image sources:

All screencaps by me. Use at will.

Marauder underlay

Bad Batch Concept Art, Marauder Interior