When Women Say A Bunch Of Smart Shit With Big Words I Can’t Even Understand? Extremely Sexy

I love saying “of course” instead of “you’re welcome,” like of course I’m helping you that’s what I do, you were foolish to even consider an alternate dimension in which I’m not helping you. you idiot. you absolute buffoon.

google search: how to take a break from the linear flow of time

Not a day passes where I don’t embarrass myself but it’s ok because I’m on the path to destroy my ego so I won’t be embarrassed anymore

the main issue I have with being alive is that I can remember times when I have, in front of others, opened my mouth to say words

“We find comfort only in another beauty, in others’ music, in the poetry of others. Salvation lies with others, though solitude may taste like opium. Other people aren’t hell if you glimpse them at dawn, when their brows are clean, rinsed by dreams.”

— Adam Zagajewski, Another Beauty, trans. Clare Cavanagh

On July 1942, 2, most of the children of Lidice, a small village in what was then Czechoslovakia, were handed over to the gestapo office of the gestapo.

These 82 children were then transported to the of extermination camp 70 kilometers away. Once they arrived, they were gassed to death. This remarkable sculpture by Marie Uchytilová commemorates this massacre.

A group of Bronze Sculptures, paying tribute to the children who died. Its construction was decided in 1969 by the woman sculptor, Marie Uchytilova. As a symbol of an imaginary tomb of the 13 million most innocent victims of the war - children, she chose as model, 82 children of lidice asphyxiated in the gas rooms of chelmno.

She took 20 years to make this beautiful sculpture because she used the vintage documents to reproduce the faces of the missing children and to represent them according to their exact size.

why do people think humans are the peak of evolution. bears get to eat berries and salmon all the time and sleep half the year. how is that not so much more advanced than working every day until i die!

Otto Dix (German, 1891-1969), Sonnenblume am Atelierfenster [Sunflower at the studio window], 1949. Oil on fibreboard, 99.8 x 65 cm.