Some Of You Might Have Spotted This Week’s Kerfuffle About How It If Was Written By A Dude It Can’t

When Men Write Fanfiction, It Isn’t Fanfiction Because It’s “Academic”
Today in the worst things I have ever read, an author claims that his book is "not fanfic" for a variety of reasons that seem to coalesce in his need to quote literary theorists.

Some of you might have spotted this week’s kerfuffle about how it if was written by a dude it can’t be fanfic, in the guise of an interview with author Lonely Christopher, who claims not to have written fan fiction of Stephen King’s The Shining. The Mary Sue article covers it pretty well (and has a link to the original interview, should you be that way inclined), but we thought we’d highlight some Fan Studies research that could help Christopher put his work in the wider fan fiction context.

Here are a couple of extracts from the interview to get us started:

“LC: The book can be read as a self-contained “novel,” but it’s more than that. I used another text conceptually, structurally, and materially to generate a resultant yet original work. That’s what I mean by “source.”

The text that I was utilizing was the novel The Shining by Stephen King and the subsequent media iterations and interpretations and its cultural ubiquity. So I wrote my story in relation to another, more specifically on top of it. I took the basic tropes of The Shining and replicated and subverted them, and I also took chunks of language and interwove material pieces of Stephen King’s novel.

(…)

Interviewer: You’ve described this book as “intertextual.” Tell us a little bit more about this book’s relationship to other literature.

LC: The book is a concerted rejection of the standards of any type of literature, so in that way it is reacting to the formal elements it eschews, and interacting with readerly expectations as well as the history of the medium.

I guess the reason why this isn’t “fan fiction” is because, first of all, it’s not enjoyable in the same way and then it’s vaguely academic. Aesthetically speaking, it owes much to Stein, Beckett, Robbe-Grillet, and Bernhard. Intellectually, it has a relationship to Barthes, Foucault, Derrida, Debord, and especially Baudrillard. So it is having conversations with different texts in different ways.”

You may recall a couple of relevant articles, such as this one by Abigail Derecho on fan fiction as “archontic literature”. One of the really interesting points Derecho makes in it is how fan fiction writers will frequently repeat the same motif, explore the same scene, but with a difference. (For those interested in the “vaguely academic”, Derecho bases on Deleuze’s concept of “repetition with a difference”.) So we may look at something from a different character’s point of view, or take a group of characters and put them in a coffee shop AU, or try to work out what would be different if a character had made a slightly different choice. You know what that does? It plays with and challenges the reader’s expectations, and allows readers to make meanings from both the similarities and the differences between the two texts.

You may also remember this paper by Mafalda Stasi which looks at fan fiction as a “palimpsest” - the medieval practice of partially erasing and writing over past manuscripts, creating layers of text and meaning. Does that sound a bit like what Christopher is doung by writing his novel “on top of” The Shining? Maybe a bit.

Fan fiction and transformative work intellectual property law scholars like Rebecca Tushnet may also have something to say about Christopher’s taking “chunks of language” and “inter[weaving] material pieces” of King’s novel, and how ideas about this both among the fan fiction community and among rightholders of the commercial works we base our fan fiction on have evolved over time to a point where Lonely Christopher can do this.

More Posts from Feralpaules and Others

6 months ago

The things I've seen about this whole fucking DOGE thing, from reputable sources, so far have been

there's a very good chance that this will basically be cut off before it even happens because it would require some form of approval from the House and Senate

presidents cannot make departments so it would actually be an office

their plans involve massively cutting down on regulations relating to safety and the environment and potentially getting rid of the FBI??? Inexplicable.

their promise of saving the country $2 trillion is literally impossible, like every single politician and financial advisor agrees that there is absolutely nothing that could be done to save that amount of money and very few expenses that can actually feasibly be cut (and would only save a few billion at most)

9 years ago

Downton Abbey Blues

Downton Abbey is over.  Naturally, I’ve been watching the series over again on Prime.  But that and the latest season of Daredevil aren’t enough for me.  So, I thought I’d share some other period shows with awesome ladies being awesome.  They’re listed in chronological order from the time period. 1928-1931: Miss Fisher’s Murder Mysteries (on Netflix) The Honorable Miss Phryne Fisher hasn’t taken…

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4 years ago

Writing from Scratch #1

Welcome to Writing from Scratch!

I’ve been writing a long time, and sometimes it feels like I lose the trees for the forest. Writing from Scratch is a chance for me (and you!) to get back to the basics of storytelling.

If you’ve never written a story before, if you’ve never felt like you could come up with one that would be worth writing, my hope is that if you follow along with me here, you will have the confidence and know-how to come up with an idea, build it into a story, and share it with the world.

These posts will be little, easy-to-digest nuggets. At the end of every post, look for a prompt and share your response in the comments!

What Is a Story?

A story can be defined by what it contains: at least one plot, character, and setting, and a style through which it is told.

Story Bits

To begin, let’s take a look at the second smallest unit of a story – the sentence. A sentence is a set of words that conveys a complete thought. And communication is fractal, meaning each part shares the same pattern as the whole. A story and its components, therefore, will also convey a Complete Thought.

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9 years ago

Why I’m Team Cap (and It Really Couldn’t Be Any Other Way)

#TeamCap and the big problem with the superhero genre #Arrow #Daredevil #CivilWar #MCU #DC

I recently started watching Arrow on Netflix; everyone on Tumblr seems to think “Olicity” is the greatest OTP since The One True Way or at least Destiel (neither Destiel nor Olicity reaching the heights of OTW obvi) and I wanted to understand (this is also how I ended up watching 9.5 seasons of Supernatural, but that is a story for another time). I also recently, like everyone else with a Netflix…

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1 year ago

Most shows with overpowered supernatural characters always try to come up with elaborate excuses to explain why the characters can’t just magic themselves out of every situation. Good Omens doesn’t really do that, but you don’t really question it because you completely buy that these morons are so unequivocally incompetent that they straight up forget that they have the powers of fucking demigods. They’re like high-level d&d characters who only use the same three moves and have completely forgotten about the 73 magic items sitting in their inventory. 

7 years ago

i haaaaaAAATE descriptions of older women in books like “looking at her face it was easy to imagine how beautiful she once was” and the woman is like. 60 years old. 60. so she’s got like, some wrinkles? and gray hair??? but otherwise doesnt look that much different than when she was “young” and she’s still probably beautiful like a description like that isn’t even EDGING on acceptable unless the character is in their 90s and barely resembles what they would have 70 years ago and even in that case fuck you??? they’ve got more important things to do and recollect than missing an allegedly hot body byee

1 year ago
OCEAN’S EIGHT (2018) Dir. Gary Ross
OCEAN’S EIGHT (2018) Dir. Gary Ross
OCEAN’S EIGHT (2018) Dir. Gary Ross
OCEAN’S EIGHT (2018) Dir. Gary Ross
OCEAN’S EIGHT (2018) Dir. Gary Ross
OCEAN’S EIGHT (2018) Dir. Gary Ross

OCEAN’S EIGHT (2018) dir. Gary Ross

4 years ago

Writing from Scratch #3

Flash Fiction: A Simple Plot

The first writing prompts we’re going to tackle will be flash fiction pieces. Flash fiction is a complete story written in under 1,500 words. We’ll be aiming for 250-500 words at first – that is one or two pages double spaced written in Times New Roman 12 pt. font.

The type of flash fiction I’ll encourage you to write will be Eighteen Sentence Stories*, and each of these sentences will have a very specific job.

The first Three sentences will provide the main character, the setting, and the genre (which clues the audience in on what kind of story they are about to read).

The main character should be introduced via an action that reveals their attitude at the start and with one defining job or trait that relates them to the plot. For example, a character may be both a father of three and a pilot. If the problem of the plot will deal with the kidnapping of one of his daughters, then “father” or “father of three” will be the defining job; if the problem of the plot will deal with the starship he’s piloting falling under attack, then “pilot” will be the defining job.

The setting should be introduced via a grounding sensory detail. The lingering scent of cookies left to burn when the parents received the ransom note. Or the pressure of being pinned back into the pilot’s seat under g forces.

The genre should be introduced via something specific and unique to the story. A ransom note is not specific or unique; a ransom note scrawled on the back of a picture that went missing off the fridge the week before is. A space ship is not specific or unique; a living space ship with a giant brain in its core that the pilot must psychically link to via the tentacles that suction onto his temples is.

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4 years ago

Writing from Scratch #3

Flash Fiction: A Simple Plot

The first writing prompts we’re going to tackle will be flash fiction pieces. Flash fiction is a complete story written in under 1,500 words. We’ll be aiming for 250-500 words at first – that is one or two pages double spaced written in Times New Roman 12 pt. font.

The type of flash fiction I’ll encourage you to write will be Eighteen Sentence Stories*, and each of these sentences will have a very specific job.

The first Three sentences will provide the main character, the setting, and the genre (which clues the audience in on what kind of story they are about to read).

The main character should be introduced via an action that reveals their attitude at the start and with one defining job or trait that relates them to the plot. For example, a character may be both a father of three and a pilot. If the problem of the plot will deal with the kidnapping of one of his daughters, then “father” or “father of three” will be the defining job; if the problem of the plot will deal with the starship he’s piloting falling under attack, then “pilot” will be the defining job.

The setting should be introduced via a grounding sensory detail. The lingering scent of cookies left to burn when the parents received the ransom note. Or the pressure of being pinned back into the pilot’s seat under g forces.

The genre should be introduced via something specific and unique to the story. A ransom note is not specific or unique; a ransom note scrawled on the back of a picture that went missing off the fridge the week before is. A space ship is not specific or unique; a living space ship with a giant brain in its core that the pilot must psychically link to via the tentacles that suction onto his temples is.

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7 years ago

There is already considerable speculation about how Congress would react to a replay of the Saturday Night Massacre, when President Richard Nixon ordered his attorney general to fire the Watergate special prosecutor. Senators of both parties have warned the president against dismissing Mueller, some in very strong language (dismissal would cross a “red line” or be “explosive”). Members of Congress would no doubt demand an immediate, serious congressional inquiry into the matters the special counsel is investigating, if not impeachment proceedings based on the dismissal itself.

Trump Can Fire Mueller, But Not a Grand Jury 

One of the reasons Trump keeps getting away with his lawlessness and his lies, is that reporters and pundits keep acting like this craven, Vichy Congress will do ANYTHING of meaningful consequence when he steps up his obstruction of justice to firing Mueller.

We have been in a Constitutional Crisis since McConnell blocked President Obama’s Constitutional right and duty to nominate to SCOTUS, and nobody in Congress or the punditocracy seemed to give a fuck about THAT, so it’s laughable to think that Congress – especially a Congress that allows Trump Toady Devin Nunes to oversee an investigation into anything involving the administration he’s protecting – will do anything more meaningful than wring their hands and make some speeches.

The only way to do anything about any of this is to DESTROY the GOP in the election this year, in a wave election of historical proportions.

(via wilwheaton)

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feralpaules - Farrell Paules, feral writer
Farrell Paules, feral writer

check out my main blog www.theferalcollection.wordpress.com and find fandoms and funstuff on www.theferalcollection.tumblr.com

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