No One Mourns The Wicked.

My name was ‘Dave’ on instagram awhile back - for trolling purposes - and I had ten requests for messages and group chats about joining cults/white supremacy groups.

Don’t get me wrong, I signed up to all of them, but why ‘Dave’. What about that name inspires the thought, ‘yeah, Dave says slurs’.

baldkugo,,,, baldkudeku

5 Things Literary Magazines Look for in Short Stories

Submitting your work for publication in a literary magazine can be nerve-wracking. They outline what they’re looking for when they open for submissions, but it can seem pretty vague.

Here are a few things they generally look for when searching for the next stories they’ll publish.

1. A Story That Sticks With Their Submission Requirements

Literary magazines plan their editions at least a month in advance, if not more. They may create new editions based on a theme, a seasonal motif, or another connecting idea that pulls every story and visual design together.

Always check the submissions page for their requirements. If a magazine wants to create a spooky edition for October but you submit a heartwarming historical fantasy story that has no spooky elements, you won’t get selected.

Requirements also include essential details like page length, word count, and formatting instructions. The editorial teams know how much time they have to read submissions and how much space they have for selected stories in their upcoming edition. Following these requirements makes you much more likely to get selected.

2. A New Perspective

People don’t buy literary magazines to read the same stories over and over again. They’re looking for new perspectives and points of views in stories that have fresh ideas. The editorial team also doesn’t want to read the same types of stories every time they open for submissions.

You can bring a new perspective or twist on their required themes or story details by thinking outside the box to connect with your readers while bringing something fresh to the table.

3. Vivid Characters

It’s almost impossible to enjoy a story when the characters don’t feel real. You can avoid that by creating character profiles or outlines for your cast. Imagine their backstories or write scenes from the most important moments of their life.

Also, consider what they want from your story’s plot. What’s their goal? What will they learn? Vivid characters are dynamic, so they should grow into a different (possibly better, but not always) version of themselves by your story’s resolution.

It’s also helpful to use free online tools to create characters. I have a huge list on this blog post for generating their faces, mapping their world, and inventing other details so they feel like real people to you and your readers.

4. A Meaningful Purpose

You might write a story just to get published, but that might lead to a story that lacks meaning. Published short stories have some kind of meaningful purpose to make them matter to the editorial team and readers.

Your readers might learn a life lesson from your work or process some shared human emotion or experience through your characters. It’s helpful to consider a theme for your story before writing it so it always has a clear purpose.

5. Unexpected Plot Elements

Readers want to be entertained. Entertaining stories sell magazines. Remember to add a few unexpected plot elements or twists as you’re writing a story with the intent to publish it.

I have a few ideas in this blog post that might inspire you, but you can also create plot twists by shifting your perspective.

If a story has a character who stops to talk to someone in a crosswalk, your readers will likely assume they’re about to get hit by a car or pushed into traffic if the scene has rising tension. Counter their expectations by asking yourself, what’s the opposite of what they’re expecting? Your character might face an oncoming car with a distracted driver by lifting it over everyone as it’s about to crash into pedestrians. Maybe they learn how to fly or lie flat on the road as the car passes over them.

Purposefully thinking about what your readers will expect and choosing to do the opposite is a great way to add unexpected plot elements that also pique the interest of editorial teams.

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It’s also important to remember that you’re likely submitting a story alongside hundreds if not a thousand other writers. It depends on how popular or well-known the literary magazine is.

You can write a great story and still not get published because a big part of that experience is getting lucky. You have to hope the right editor who will appreciate your narrative style and story choices will be the one to open your submission.

Sometimes writers take years to get published. Give yourself some grace as you send your work off. Whether or not your stories get accepted, you’re still learning from the process and developing your writing skills. Eventually, your work will shine in the place it’s meant to be.

My fav thing to do when thinking abt plot points for a story is trying to figure out the most emotionally damaging thing that’ll either make or break my characters from then on

Its the same ppl from 2017 just 7 yrs older

Sometimes I don’t even realise something is an expression because it’s so overused that it just sounds like what you’d learn from the basics of English. Like, “here’s pronouns, verbs, also look *insert common expression”.

I was talking to my cousin and I said something like “he was tryna not make it obvi and she didn’t automatically pick up what he was putting down.” And she said “wait, pick up what” and I, “what he was putting down”. A beat. “What was he putting down” and it took me forever to explain it was an expression because I’ve never registered it as one.

how are we feeling gravity falls fans?!

Quick Tips on Writing Better Characters

Here are a handful of quick tips to writing stronger characters and understanding them better as a writer.

Give your characters a title. This can help with worldbuilding and placing your protagonist into the environment. What do others call your characters? The emperor, the bastard son, the Grinch, the chosen one, the class clown, the evil witch, the popular girl, etc.

Use your settings to enhance your character. You can use the locations of your novel to mirror or contrast your character. Do they blend in or stand out? What they focus on can say a lot about them (ex. a fearsome character mishearing things on a dark street, a princess in a ballroom only focused on the exit.)

Know your protagonist's motives and goals before you start writing. What is something they need that fuels their actions throughout the novel? Money, freedom, an artifact, food? To protect their sister at all costs and survive the Hunger Games? 

Now that you know their motive, make it more complex. A character's motive can be made more complex by putting them in high-stake situations that force them to make decisions. For example, Katniss wants to protect her sister, a very common motivation. However, present-day conflict makes her to do it in the most extreme way by volunteering in the Hunger Games. The plot forces her to make an extreme choice fueled by her motivation.

Your protagonist should be active. It's okay to have your story's events sometimes happen to your character (this is referred to as the character being passive, ex. a tornado sweeping them away) but your protagonist should be active a majority of the time. This means they should always be making decisions, thinking, reflecting and progressing through obstacles.

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