so funny to me that in 7 seasons of clone wars it is literally never brought up that obi-wan is anakin's commanding officer
thinking about how the armorer
didn’t fight din for the darksaber after he said he’d taken off his helmet even though a) mandalorians will be cursed if an unworthy person wields it and b) she would have won easily
told din about the living waters instead of just saying there’s no way to redeem himself now that mandalore is a dead planet
let him keep his armor despite the whole “beskar belongs to mandalorians” thing
conclusion: the armorer believes din will restore mandalore in order to redeem himself in the living waters. also she is pro din for mand’alor
Things that are still writing even if you don't think they are (an incomplete list)
thinking about a story
creating a new document
brainstorming
researching
thinking of a title
explaining your story to someone else
reading other stories and noticing things like word choice, sentence structure, plot development, characterization
thinking of a great line that doesn't have a story yet
getting a picture in your mind that you want to put into words someday
being inspired by others, even if you don't know what to do with that inspiration yet
making notes about how you want to tag your work
editing
cutting out lines or scenes that don't work
stopping work on something that isn't working right now
starting over
writing a summary
rewriting something you've written before
I can appreciate a man who's normal but I LOVE a man who's comparatively normal. A man who seems like a mess in a vacuum but as soon as you compare them to their friend circle you're like "oh. Oh wow. You're their idea of sensible."
Thank you again to everyone who entered our zine contest! Your art will be showcased in a digital companion booklet offered at no additional charge to everyone who purchases either a digital or physical copy of the zine. See below all the contestants and their social media handles, in order from left to right.
@biorusted ⋆ @doodledraw ⋆ @treescantjump ⋆ @forcesensitivebantha
jtstv.art ⋆ densetsu1000_illustrations ⋆ @purplelapislazuli ⋆ katherineart
@evanui27 ⋆ obsessionsart ⋆ @jaderavenarts ⋆ @astragarde
malloritaylor ⋆ ohroros ⋆ constellation_salad ⋆ @worlds-forgotten
profdrlachfinger ⋆ @sarahluann ⋆ princepsed
crowleybadomens ⋆ rachelbotti
people who post gifs of din djarin: we all know what we're looking at 👀
me, an aromantic asexual with a din hyperfixation: i have no idea what you're looking at but i'll still watch this gif twenty times
ranking my favorite mandalorian ships:
5. din x omera
4. din x no one
3. queerplatonic din x omera
2. frog lady x frog man
1. the razor crest
“Ask him about the job on Alzoc III.”
“I did what I had to.”
“Oh, but you liked it. You see, I know what you really are.”
A mando prequel story!!!
Aiming to start posting it by the end of February or in March!
fans: how did padme die?
george lucas: she died in childbirth
fans: oh that's so s—
george lucas: of heartbreak
fans: ...
the way obi-wan is the first to hold the children, the one who actually welcomes them into the world, it's the way he looks at baby luke with SUCH WONDER, HOPE, DEEPEST SORROW & LOVE
something something the way obi-wan & padme are each other's proxies which enables the transference of motherhood and how obi-wan is the one who gets 'cradling a new born child' close-up shot usually reserved for the mother instead.
*foaming at the mouth in utter derangment* isn't it....isn't it ironic how lucas said he needed vader as the father but needed a father figure so he created obi-wan for the OG trilogy, but the prequels accidentally (and unintentionally) place him in the narrative position of the mother.
by have him directly take over from padme; both LITERALLY and SYMBOLICALLY. their similarities in demeanour, personalities and their relation to anakin - as apologists, as devotees, as those who believe in him- makes their narrative roles transferrable.
how making padme die in childbirth and obi-wan be the first to hold the children to - figuratively- be the one who brings them into this world, keeps them safe and watches over them makes him a mother figure in exile, in direct opposition to anakin.
maiden -> mother -> crone
quotes from:
time of death by cavan scott
lone wolf by abel g. pena
I think both the show and Din himself associates removing his helmet with death. maybe not always literal death (in ch8 he would rather die with his helmet on than live and take it off), but there’s a sense that he would meet a permanent and irrevocable spiritual end of some kind, something he won’t be allowed to come back from. I think in his mind he pictures it as a singularly traumatic event where nothing that happens after will matter, because whether he lives or dies, he won’t be a Mandalorian any longer. This would be the bookend moment to losing his parents as a child, which is the day he STARTED being a Mandalorian. It’s a very cinematic, very easy way of thinking about his life.
But that doesn’t happen! IG-11 removes his helmet and he has to keep on living as a Mandalorian. That transgression is a bit easier to rationalise if he’s being incredibly literal about the Creed (IG isn’t technically “a living thing”, as he says), which I don’t think Din is normally prone to doing, but it’s enough to keep the panic about losing his identity under control. In ch15 though, he shows his face to a bunch of Imperials and then has to put his helmet back on and keep being a Mandalorian, which would normally be a plain and simple End Of My Life event. but in that moment he puts his helmet back on anyway and keeps fighting, because being a Mandalorian means protecting the kid more than it means hiding himself from other people.
The common interpretation I see of this sequence of events is that Din is learning there’s more than one way of being a Mando, reinforced by his contact with Bo and Boba. And I suppose you can make that case, but for me personally I think it’s much more interesting to understand it as Din having to confront a deep contradiction in his own beliefs, which is whether to prioritise his armour and his own self, or his duty to those he loves. Din’s ties to his mando-hood have always been based in his larger community, but in the show itself he’s framed as a perpetual loner, a singular individual unit in a vast galaxy that is unconcerned with his well-being or his beliefs. And Grogu is presented as the first time he has to confront the idea that he is more than himself and his responsibilities, that he has to take care of himself for other people, and that his principles need to accommodate for that shift in priorities. It doesn’t mean he suddenly has this moment of clarity where he thinks “oh god, I’ve been living by this set of rules my entire life and they don’t actually matter”; it’s moreso “I am finally in a place in my life where I have to make real compromises, and I would rather compromise my own personal safety and comfort than my relationship with my own son.”
Which is such a great arc for him to go through!!!! It isn’t a phoenix-rising-from-the-ashes moment, nor a ledge-i-can’t-come-back-from moment. It’s a continual and subtle shift in his beliefs that he has to consciously attend to and confront every single day. Din has to practice being a Mandalorian for Grogu, which is different from being a Mandalorian for himself or his covert.