❛  this Is The Choice — This Is The Point Of No Return.  ❜ / Grimm To Ulqui

❛  this is the choice — this is the point of no return.  ❜ / grimm to ulqui

🐝  *  ―  𝑻𝑯𝑬 𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑶𝑭 𝑻𝑯𝑬 𝑶𝑷𝑬𝑹𝑨 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺. // @chipen

words are too abstract for reprimand. ulquiorra sees no fault in honesty, however quaint. what drives his senses into alert is the prospect of a fight: grimmjow isn’t the type of creature that will sit and obey, not without a baseless display of strength and the back row of teeth clenched and ready to bite authority. that is the charm of carnivorous species, their mouths are made for mauling.

though his voice attracts ulquiorra’s attention, bringing his steps to a halt, there’s little else to tempt him into wasting more time than necessary to hear an explanation.

❛  this Is The Choice — This Is The Point Of No Return.  ❜ / Grimm To Ulqui

‘ so you say. ’ patterns are obvious. bait is dangled in the shape of a discussion, perhaps he wants to divert ulquiorra’s focus elsewhere, using provocation. very well, two can play this game. ‘ or are you implying desertion? neither lord aizen or i have any interest in wayward soldiers. ’ 

cowardice is too direct, and he still hasn’t gotten the answer he wants to hear yet. grimmjow can’t hide truths for too long. the other espada have since scattered, each to their own section of the palace, so the only remaining figures in the hall are the two of them, separated only by the empty space and a couple of steps that, if his temper were any similar to grimmjow’s, he would’ve crossed the bridge moments ago. he’s more manageable when hungry, not like this.

ulquiorra eyes him once more, unsure what to make of this talk, ‘ for argument’s sake, let us believe there is a choice. what is your intent? i had assumed fighting was your main drive. you’re unpredictable as always. ’

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1 month ago

toying around with the thought that maybe mukuro's persistent, looming presence in the plot even after he's been imprisoned by Vindice, although superficially disguised as a method of espionage, for someone of his intelligence and self-awareness there's a big probability that he does it in order to stay sane, being in solitude as he is. submerged in water, deprived of all his five senses, it must come at the cost of sanity and that's precisely why only the most dangerous criminals are sentenced to that type of confinement in rebornverse so it's an interesting concept to think about, that illusions are what keep him connected to reality.


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5 months ago

This is genuinely apropos of nothing but I am thinking about how annoying I find it when people insinuate that shipping is like, somehow diametrically at odds with being invested in a narrative for its own sake because like……I have rarely ever been interested in a ship that was not itself an expression of the narrative themes and character arcs. Investment in the narrative IS the very reason I care about a ship.

I feel like it makes no sense to pretend like these are entirely separate activities (although I understand for some people they are/can be) when to me MOST of the time, for most of the things I seriously ship, they are inextricable.


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4 months ago

hey so if you see a guy with a red mullet + braid, sunglasses, long black coat, a foreign accent, has a perpetual 🤪 on his face —- he’s trying to get at the crazy cult man ur in love with and should die

Hey So If You See A Guy With A Red Mullet + Braid, Sunglasses, Long Black Coat, A Foreign Accent, Has

what do you mean another guy is talking to suguru? what does he look like? HEY stop running!!

@hourdive


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5 months ago
Ghost Of The Strongest

Ghost of the strongest


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1 month ago

"You look like you've got something to say," Koito glares at Ogata defensive in advance.

a brat will always be a brat.

maybe it’s the irony of fate, should ogata believe in fate at all, or maybe another force was secretly at play, and they’d always be bound to meet halfway, in the same position as all those years back. ogata huffs out a mirthless laugh, ghost-pains where his eye should’ve been - had been not longer than a few days before - anchor him to the present. second lietunant koito, sprawled on the ground, helpless, a wounded puppy for all the barking he did around tsurumi’s feet on the daily. it’s annoying, it makes him want to break him badly.

he doesn’t, only keeps the urge at bay, for now. his gun remains still against the back of koito’s head, feeling his muscles tense below the barrel. he won’t hold out for much longer, the aching wounds becoming more persistent by the second, but he finds enough strength in himself to roll koito over and on his back, heel digging in the crook of his adam’s apple and sharp collarbone. ogata knows what it feels like, to feel cartilage giving into the pressure of a heavy step. it would be so easy…

“heh, i sure do. didn’t realize you were so concerned about me that you’d come visit. i’m moved.” ogata watches him with a dark gleam in his eye, mockery undisturbed, only heightened by the morphine traversing through his veins finally kicking in in-between words. “it’s not the first time you’ve been cornered like this. how many times is that going to happen until it sticks, that you’re not cut out for this?”

his foot presses lower, above koito’s ribcage, and the gun hovers on the space between his eyes. the gun's been unlocked from the start; it's unfinished business. at last his foot was in the throbbing expanse of his chest, which had only grown broader, a man's frame, even larger than ogata's had been when he was koito's age. heartbeats rumbled against bare skin. sweat pools like jewels on his temple, framing those features, as though painted from the finest inks. as if everything about him is a mirror of his lineage.

“spoiled brat.” the vowels come sharper than japanese, rusty from misuse. he searches for that feeling again, sour on his tongue, invokes the anger that had made him try and riddle his pretty skull with bullets back then.

instead he watches, quietly, as koito squirms. fights to regain control. the kick comes faster than he assumed his body could take, but he strikes koito’s face with the unceremonious grace that you’d haul corpses on the battlefield. he throws a last glance over his shoulder, for memory’s sake, perhaps. or because he just wanted to see him cry a little, as he’d done at tsurumi’s lap many times before.

@muddsludge


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2 months ago

why are you guys liking my thirst post i thought nobody was online


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8 months ago

actions speak louder than words non - verbal / action prompts from yours truly. (add a "swap" to swap the sender/receiver in the prompt (or just do it manually).)

back, sender gives receiver a back hug.

beckon, sender beckons receiver closer with a finger.

blood, sender cleans blood off of receiver.

book, sender helps receiver get a book from a higher part of the shelf.

care, sender takes care of receiver when they're sick.

catch, sender catches receiver by the waist after they bump into each other.

choke, sender saves receiver from choking by giving them the heimlich.

cold, sender places their jacket over receiver's shoulders.

cry, sender wipes tears off receiver's face with their thumbs.

dance, sender sticks a hand out to receiver and invites them to dance.

dip, sender skinny dips in front of receiver and invites them to join.

dog, sender's dog pulls them in receiver's direction.

drive, sender drives receiver somewhere in their car.

drag, sender drags receiver into a room and closes the door behind them.

draw, sender draws receiver like one of their french girls.

face, sender turns receiver's face towards them.

flower, sender gives receiver a flower.

footsie, sender initiates footsie with receiver under the table.

forehead, sender presses their forehead against receiver's.

grab, sender grabs receiver's wrist to stop them from leaving.

jump, sender jumps onto receiver's back.

kiss, sender kisses receiver.

link, sender links arms with receiver while walking.

massage, sender offers receiver a massage.

patch, sender patches up receiver's wounds.

piano, sender teaches receiver how to play the piano.

pin, sender pins receiver's hands behind their back.

pluck, sender plucks something out of receiver's hair.

press, sender presses receiver against a wall.

propose, sender proposes to receiver.

quiet, sender gestures for receiver to be quiet.

rest, sender rests their head on receiver's shoulder.

serenade, sender serenades receiver with a song.

sign, sender walks into a sign and receiver sees.

size, sender measures the size of their hand against receiver's.

shoes, sender removes receiver's shoes for them.

sun, sender rubs sunblock onto receiver's back.

tattoo, sender gives receiver a tattoo.

tie, sender helps tie receiver's tie.

tuck, sender tucks receiver's hair behind their ear.

umbrella, sender lets receiver under their umbrella.

warning, sender presses a knife against receiver's neck as a warning.

zip, sender needs receiver's help to zip up the back of their dress.


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  • chipen
    chipen liked this · 6 months ago
  • einshi
    einshi reblogged this · 6 months ago
einshi - * 𝙢𝙞𝙙𝙣𝙞𝙜𝙝𝙩
* 𝙢𝙞𝙙𝙣𝙞𝙜𝙝𝙩

penned by geese

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