i will write everything. original work, fan fictions, fan art, advice, whatever. | 22 | Sky/Oak/Echo | he/they | 18+ Only author of And It Starts Again
458 posts
So this whole AU is based on the idea of the butterfly effect. One small detail can change the whole story.
What would have happened if the students had more time to solidify relationships before Monokuma started with the motives?
Hope’s Peak was relatively peaceful until that first motive was released, and even then Sayaka only acted on it due to fear and desperation. I think that of Monokuma had waited like a week to present the motive videos, Sayaka would have had a deeper and more genuine connection with the other students, and she wouldn’t have tried to frame Makoto.
So basically, the game starts out exactly the same, except there’s more time for the students to mingle and get somewhat used to life in the school. Makoto has a couple of rough patches with people (*cough* Byakuya and Mondo *cough*) but overall everyone’s been getting along. Monokuma presents the first motive, and Sayaka has her breakdown. This time, however, it’s not just Makoto who goes to comfort her. Most of the students are trying to cheer her up and support her.
A couple of nights later, Sayaka comes pounding on Makoto’s door, telling her story about someone trying to break into her room. She’s extremely close to convincing Makoto, but she loses her nerve at the last second and breaks. She tells Makoto everything and, because Makoto is like Jesus or something, he forgives her immediately. Sayaka goes back to her room, and spends her night jamming out with Leon like she had promised.
Time passes. No one else tries anything due to the risk being too high, and positive feelings about their classmates as a whole. Taka and Mondo start on their Gay Shit™, now with the added bonus of Makoto not being traumatized and also participating in Gay Shit™ with them. Mondo and Chihiro are also getting along really well.
Second motive is introduced, and Taka immediately decides to share his secret with the class so that the Mastermind can’t use it against them. Spurred on by this decision, Mondo follows his example. Soon everyone’s sat down with each other, revealing their secrets and talking through them one by one. Group Therapy ensues.
Time passes, and Monokuma is getting really sick of this Found Family shit so he tries again. This time the motive is money. Here’s how this one goes down:
Monokuma: Whoever kills another student and gets away with it gets 10,000,00$ how about that?
Everyone: …
Everyone: Anyways-
Celeste ponders it for a minute, but at this point she’s too close with Chihiro to really consider it, so she painstakingly let’s it go. (Outing myself as a CelesHiro shipper because the aesthetics are just too good)
At this point Junko - the real one not Mukuro because Junko was chosen as the Mastermind for shock value and I do not approve - decides she has been away from her sewing machine for long enough and starts working on projects for all of her classmates. This means MAKEOVERS because I said so.
Last ditch effort, Monokuma reveals that Sakura is the traitor because she hasn’t killed anybody yet. Sakura’s like: “I’m really sorry but like he has my family so I didn’t really have a choice. He’ll probably kill me soon, but I’m not gonna kill any of you.” Kyoko and Makoto immediately decide that this isn’t acceptable, and decide to try and put an end to the killing game.
Big ass investigation takes place and the students enter their first Class Trial, everyone is still alive. Things happen and the Mastermind is revealed to be Jin Kirigiri because he would’ve made so much more sense than Junko, and if a single persona asks me to elaborate I will.
Everyone makes it out alive, and this tremendous victory is shown to be a beacon of Hope to the rest of the world. The Future Foundation is established, with far more power behind it this time, and Hope’s Peak is turned into a proper sanctuary for people who haven’t yet fallen into despair.
Bing Bang Boom everybody’s alive and the world is healing you’re welcome everybody.
Short animation to celebrate Sakura’s birthday today!!! (no sound, don’t worry!)
Woulda loved to color and clean it up and such but there is no way I would’ve made it in time. Been at this thing for a while and Im so happy to be able to finish it, I hope y’all enjoy as well :D
sorry for danganronpa again i just wanted to draw the silly
i know people give Leon a lot of flak for his murder bc he claims it was in "self-defense," but let's be real with ourselves. What the fuck else was he supposed to do? If he just left, what, he has to go next day and be like yeah we both tried to kill each other and i broke her wrist. Can you pass the salt? Also Sayaka 100% would've turned everyone against him bc like she's Sayaka. So yeah I kind of have more sympathy towards this guy. Like Sayaka was going to straight up murder him. For literally zero reason. Like, I kind of get why she wanted to murder someone but it is never explained what made her choose Leon specifically.
There's this added layer of sadness to the Sole Survivor that I've never seen anyone talk about, and that's the fact you as the protagonist haven't just been stripped of your identity not just in a metaphorical sense, but a very literal one as well. Despite being frozen for 210 years, the world before would still be fresh in your mind.
Imagine walking down into The Third Rail for the first time to hear the angelic singing of Magnolia echoing throughout the establishment, and as you turn the corner to see her performing in the spotlight, your expression immediately changes as you realize... that's your dress she's wearing.
You're in Diamond City and head over to the office to talk to Mayor McDonough about asking permission to check out Kellogg's house, and when you're talking to Geneva at the front desk you notice she's wearing your mother's necklace. Or worse, you bump into Ann Codman and she's the one wearing it, and you barely get a chance to get a second glimpse at it before she huffily walks away.
You see old memories of yours for sale that you can't buy back because you don't have the money, finding belongings of yours in the most unlikely of places. Things of yours owned by people who can't be convinced that those items are still yours to you, because they can't believe you're really from all those years ago so they mock you instead.
Seeing old photos of you happy from your life before, being placed among photos of other people in buildings being used as some kind of decoration. A bitter realization and a constant reminder that you, the things you use to associate with and the people you use to associate with really are just relics of the past.
“In case we don’t see ya: good afternoon, good evening and goodnight.”
Castle Swimmer is being published into physical books! ✨coming in 2025!
Hold up. That's... Huh. That's really interesting, actually. I don't think I've ever seen anyone talk about it but. Like. The relationship between Monokuma and Monomi is kinda revealing.
Okay. So. In Danganronpa 1, when Junko is first revealed as the Mastermind, the first topic of conversation is about killing Mukuro. It is what the trial's for, after all. And the fact that Mukuro's her sister, specifically Mukuro is the older twin, leaves everyone with questions.
Junko flies off the handle about how lovely despair is and how it was better for the plan to kill her and how Mukuro's despair must have been so sweet and how her own despair at killing Mukuro was so sweet and all of that Junko stuff.
But. Before she does that? She says this.
Hey. Uh. Hey, Junko? It sounds like you've got some bitterness here. Some deep-seated abandonment issues and resentment towards your older twin for signing on with Fenrir.
Which makes it very interesting when you later say that you quickly deduced Mukuro would be unfit to act convincingly in the role of Ultimate Fashionista Junko Enoshima. That you had to kill her or else she'd blow her cover because she's just not pretty and talented enough to be you.
It sounds to me like you murdered your sister because you've been holding a grudge against her for abandoning you.
...
AND THEN comes Danganronpa 2. And Junko's like, "I've remodeled Usami into MONOMI, and she's going to be MY little sister who I can mistreat and make miserable because that's how people act towards little sisters!"
Like. Junko? I think you might have some issues.
...
Some other issues, besides the whole serial-killing world-destroying despair-fiend thing.
Despair Sisters My old doodles last year. I like Junko's face I drew 🥰
Extra Q&A with Mastermind!Korekiyo Shinguji | Favorite Trial🕯️🌹 I answered and illustrated these questions for the Danganronpa Mastermind AU Q&A 'Killing Harmony' PDF, which was part of the 'I AM the Mastermind' zine package @mastermind-zine Main Illustration & Design 🕯️🌹
So it’s canon that Taka didn’t eat anything after Mondo’s execution, right? Well, not eating is his response to any kind of stress or anxiety, so it wasn’t the first time he went days on end without eating.
The thing about Deacon, Danse, and Hancock that I find most relatable is the fact that they are surrounded by so many people they get along with, but yet don’t consider anyone a friend (except maybe Hancock) until Sole.
It’s like they put themselves out there by offering to be Sole’s companion with subconscious hope that it may lead to somewhere (although they may not be sure where or that’s why they are doing it). And then it pays off in the end.
(And they didn’t offer that to just anyone.)
this is Mondo Oowada and welcome to jackass
I used to be under the impression that if Taka felt like he was cornered he would absolutely fight his way out but now I'm not sure if he has it in him to hit anyone outside of sparring. I kind of just think even though he could thrash the majority of people in a fight, he would rather take a punch than risk breaking a school rule and defend himself. And even then he would probably apologize profusely if he thought he had hurt someone, even if he hadn't.
Also, I don't know if this is controversial but I think he came into Hope's Peak completely unwilling to spar with a girl. It was only when he met and sparred with Sakura, Hina, Akane, Mukuro, etc in gym class and after school activities that he had the realization "oh, wait, women aren't actually that fragile and I can fight them in a controlled environment without breaking them" after he was beaten in many many sparring matches.
Even then, he only agreed to spar with them after so much convincing that it nearly didn't happen. And he did it gently and had watering eyes if he so much as tapped them too aggressively. By the end of the year he knew the score and fought them as equals. In fact, he really enjoys fighting Sakura, in the same way he enjoys challenging Celeste's luck by playing board games with her. If anything by the end of the school year he's more gung ho about fighting the girls than the other boys in the class.
I don't know if it's a mentality given to him by his grandfather, his moral compass being skewed in the slightly wrong direction, the fact he's scared he might be accused of something if he touches them, or the fact he never interacted with a girl in depth before Hope's Peak, but this HC basically boils down to he drank too much respect women juice and accidentally became patronisingly sexist until he had it (affectionately) beaten out of him by powerful women.
saimatsu week day 3 not on day 3: reunion
they do be sobbing
happy birthday queen sorry for the killing game you went through
i am kindly asking you to draw mondo more he looks so pretty in your style
butterboy
I would literally sell my kindey to see how you draw Kyoko just saying
Here's also stuff for people who asked for Kaede and Taka and Mondo.
tip: a concentrating and distracted artist tends to be more honest. But watch out