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More Posts from Earlgreywind-universe-blog and Others

STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)
STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)

STAR WARS: REBELS (2014β€”2018) OBI-WAN KENOBI (2022)

I was thinking on my walk home from work today. I've always imagined Thrawn's exile as a vague blob of three ish years but it hit me that he spent four years in exile. Alone, with no sentinents. With only a token from Ungali and Thalias to represent everyone who loved him.

Waiting for the day his plotting went into action.

Looking at the ring. Thinking of all he had lost. Thalias and Un'hee and Ar'alani and Samakro and everyone else. (I like to imagine he keeps it close for the rest of his days. Eli learns of it when he commissions it to be painted onto the bottom of the Chimaera. He never learns the full story of it. It becomes a thing that he only takes out on certain nights.

And I was like wait, so he was in exile all of Eli's time at the Myomar Academy pretty much which makes it seem so much longer cause wow. That puts things into perspective. But I was also thinking...

So Thrawn spent those four years in exile while Eli was beginning his military career. And before that Thrawn had his military career. And after they met they had their golden 12 years, in which everyone knew they were a pair. Even people that didn't know them knew that Eli Vanto was a name that followed Thrawn's.

And then they parted. Eli was techinally military, but mostly desk job, while Thrawn stayed active. And then when Eli got a promotion Thrawn got purrgilled and he was grand admiral of nothing.

Basically, the point I'm making is they don't have separate military careers at the same time. The timeline was unintentionally made so they take turns making their names and chess moves. But they only move at the same time at each other's side, together. When the only one that can beat them is... Nightswan.

Idk if it means anything but little thing I noticed.

Star Wars Week 2023: Underrated Characters & Details
Star Wars Week 2023: Underrated Characters & Details
Star Wars Week 2023: Underrated Characters & Details

star wars week 2023: underrated characters & details

[Blackmail!] No. Business.

layout 1 + layout 2

I’m Already On My Knees For Him And They Haven’t Even Shown Us The Front Of His Face…

i’m already on my knees for him and they haven’t even shown us the front of his face…

Sketchy & vague digital painting of a black horse running across the surface of the water rendered in soft greens and pinks. The horse and a tree are reflected in the water's surface.
Digital art of an iridescent black horse running across a still lake. He runs towards the left side of the frame, away from a forested area to the right. Bare branches and trunks of trees emerge from the water and the setting sun turns the sky behind the trees orange. Everything is reflected in the water as if it is a mirror, though more black swirls reach in towards the reflected horse, which has a small grin.
Greyscale graphite-style sketch of a man running away from a tall building, clutching a bag against his front. Shadows are rendered in thick blocks. Handwritten text at the bottom reads '1 - The Fool'. There are swirling clouds in the background and a tall clock tower.
Digital art of a tarot card design. Islin, a ginger-haired man wearing glasses, looks back over his shoulder at a tall warped building, which he has just run away from. His face is in shadow but he is visibly in tears, and he clutches a briefcase against his front as he storms away from the building. Black clouds and a dull red sunset swirl behind him while rain falls down from above. Barely visible against the dark shading is a repeated pattern of moth silhouettes with eyes on their wings. The same silhouette peers out over the top of the image, just the eyes visible. At the bottom of the card in capital letters is just the word FOOL.
Colourful and rough line sketch of two mechanical beasts engaged in battle, one pouncing on top of the other, on a plain white bg. There is a medieval bestiary-style rendition of the battle drawn roughly above the two beasts.
Digital art resembling a medieval manuscript. Two mechanical beasts are fighting within an ornate frame. On the bottom is a realistic depiction of a leopard-shaped beast pouncing onto a griffon-shaped beast, breathing fire. The griffon is crouched in place with a long chain emerging from the muzzle of the cannon mounted on its back. Behind them is a depiction of the same battle but in a medieval bestiary style, showing a leopard pouncing on a griffon. To the right of the frame is a dense paragraph of text which is intentionally unreadable.

Another one of these since i haven't done it in a while! Sketch -> finished illustration

Thoughts & process below the cut :>

Out of Bounds: i deleted the sketch of this off my ipad because i didn't like it, and for months it only existed as a screenshot on discord. finally in january of this year i was like Wait Actually and decided to keep working on it. I didn't achieve the look I was going for (kind of foggy and vague. It came out too sharp and high contrast) but it was fun to throw the kitchen sink at it for an afternoon and then call it done finally. I don't remember which horse this was originally supposed to be, I think Macha?

I reused the pose, you'll find the same one in my Pascal sketchbook from the section on gait studies. That's the cool thing about doing 30 sketches at once, you can finish them up any time you like for a different drawing

The Fool ft Islin: the original concept for this is from [takes a moment to decipher the american date system on discord] January 2022

Procreate screenshot showing a rough sketch of a Fool tarot card, this one is a lot less dramatic. Islin is walking away in tears from the mill. Various religious paraphernalia hang in the background.

It wasn't dynamic enough, but I've had this on the backburner for sooo long. I think I completed like 4 cards in between this sketch and the final version lol. But, for a bit of background, this is from my series of major arcana based in Inver, and in particular the events of the 1860s-era book series, Moth Viper Foal (a demo of the first book, Said The Black Horse, is available for free/pwyw in my shop). This scene is a companion to Said The Black Horse, depicting the aftermath of the traumatic fight that caused Islin to storm off. He had been working at the mill as a semiprofessional back alley surgeon when he received an offer to join the church and work as a trained surgeon in their hospital. But when he brought the good news back to his friends it was met with utter rejection, driving him to basically run away to join the church. while gay and trans. thus the card.

he didn't actually bring a bag with him when he ran out but for the sake of the card i drew him with one

Gryfon and Pantera: This is how 99% of holy beast drawings start out, even the super stylised ones. I struggle a lot to draw them in procreate so they start in sai and then i transfer them over. The story of this is already explained in the caption of the original post so I'll just talk about the process which was... honestly torturous. I actually don't like too much textures and effects on things (wild, I know) and this one and Out of Bounds are ones where I kind of preferred it pre-texturising.

The text on the side is the official in-universe report of the event, detailing the casualties, the valiant actions of Gryfon's knight before he died and so on. There's also spoilers in there :>

My main struggle with this art style is how it always ends up slightly TOO sharp and crisp in a way the just a blur filter never can correct. There's not a lot of immersion to break, to be fair, but I think this still does it a little. I need to get more comfortable doing the lines with larger and softer brushes, and allowing imperfections.

Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2
Pedro Pascal - The Mandalorian Disney Gallery: Making Of Season 2

Pedro Pascal - The Mandalorian Disney Gallery: Making of Season 2

TIE Defender

TIE Defender

by Aaron Ashford

A tweet by @ParksandCons: There’s a lot of talk of secrets that have been kept and are to be revealed. Filoni squirms under his hat amongst the talk and begins, β€œWhen Zeb leaves the room and talks to…you want to know and we want you to know, but it’s so much better for you to learn it in the right time and watch it with us all.” - @dave_filoni

gentlebeings, Filoni said this last night. realistically, equal chances he meant Hera or Kallus imo, but let our headcanons be fed and our crops watered.

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