This is... quite not true.
Let me explain.
Dazai and Chuuya started their "journey" in 15.
They placed their differences aside and worked together in order to survive.
And when Chuuya was drowning in the manga, chapter 101, Dazai talked about those rare, yet existent moments.
They both are two lost souls that distance themselves from people in order to deal with the future pain of losing them.
Dazai doesn't allow himself to be open to the ada and therefore he doesn't allow himself to be "loved", because once it will be all over it will hurt a lot more and it won't be worth it.
Chuuya also distances himself from people, because he knows he will lose them one day like it happened with the Flags.
So they both are two lonely comets.
Funny facts comets travel, in fact, together and as they do begin to disintegrate along the journey, from their core to the outside
They can't be healed, it's too late for them.
But they can have this joint mission of life together until the end, can't they?
Eventually they will cross, who knows.
They do have a lot to lose by being vulnerable to their own emotions, but sometimes they can't just help but-
to allow themselves to feel something more than loss, pain and death.
It's always less painful, enduring a life full of pain, loss and death, when together with an equally broken person.
So, considering the fact that Dazai and Chuuya don't let themselves to be loved.
And that they don't expect anything from no one, because they know kindness is a rare thing to experience...
I made this poorly edited thing.
And because Dazai and Chuuya are Dazai and Chuuya, they break the laws by finding each other.
So I suppose the story repeats itself.
Again.
Wanted to draw him with scribbly lines and conflicting vibes.
I will be talking about how there's much more to the Clock Keepers and how they are an active danger to everyone else, and and an even more terrible threat than even the pit god, at that.
For an introduction, Akane agrees: The biggest threat to the students are the Clock Keepers. But it's a much bigger threat that anyone would expect.
This arc is about the Clock Keepers changing the timeline that we know of into a new one, everything has gone wrong and Nene is the only one left.
But it would seem it goes much deeper than that. After all, the timeline we know of isn't even the original one.
For starters, Akane explains that while there are some who are able to regain their memories of the 'Old World', they would be rewritten with memories of the 'New World'. It's specific for 3 days due to the Festival being 3 days long, an event where the timeflow becomes unstable.
During the Festival Season of 1968, Yugi Amane attempts to get the clock moving so he can manipulate time, and Hanako states that he HAD to get it moving until the end of the School Festival, but he can't remember anything about the clock.
Sounds familiar?
To get to the point, Yugi Amane of 1968 had the memories of a 'previous world', and tried to fix the clock so he can go back. But he failed to do so, and, as a result, forgot everything about the clock.
Until Chapter 124, this is also seemingly supported by Teru and Akane.
Even if they may not be aware, their impressions are right. It's extremely unlikely that this is the first time the Clock Keepers altered time, like playing 'God'.
But now, it's even further confirmed by Chapter 124.
The past has indeed been changed several times. But why do so many people have to suffer in this way, have their souls cut and forever bound to the Boundary, some even going crazy as a result. In a way, it sounds like something the pit god would do, isn't it?
But *why* would the Clock Keepers do that? There's an easy answer. They need to bend the rules. At first glance, the Clock Keepers seem overpowered, unbeatable. They can seemingly turn back time on a whim with no repercussions- But we know for a fact that's not true.
After all, Shijima herself states it. Each Boundary of the School Mystery is bound by rules. Mysteries can't just do whatever they like- There are rules they have to respect. Especially when it comes to such an overpowered ability like messing with time, there has to be a major weakness or price to pay for it, a drawback that Kako discovered how to circumvent. Such an overpowered ability, unregulated? No way.
After all, it's not only the Clock Keepers' servants that are clockwork dolls, they themselves are also clockwork dolls.
Kako cutting up souls everytime the past is changed is not a coincidence. It's so he can have someone else pay for the price of altering time.
Wouldn't that be why Kako decided to travel to 1968, to the time he would find a 12 year old who is so desperate to turn back time?
After all, it's so much easier to find a human willing to pay the price in your stead. Especially if it's a child motivated by desperation. For every timeline change, someone has to sacrifice something. But Kako had found an easier way: Just sacrifice someone else.
Some are able to accept reality as it is and just dutifully abide by the Clock Keepers' rules as their masters, like the cat, and some don't and end up crazy, like the broken doll. Whether from the past, future or another world, they're all the same- They all used to be humans.
This cruel practice is so Kako is freely able to play 'God' without worrying about the rules every mystery has to abide to, and it's even solidified by the victims who can't recall the circumstances themselves. It's a practice that, if revealed, exposes the Clock Keepers' limits.
Why do you think Kako had asked Akane to stay alive until they wake up? Because if all else failed, the Clock Keepers would be able to exchange Akane's soul to turn back time once more. It's literally Akane that's a safety net, not just the Yorishiro.
Wouldn't that also explain why the position of the Clock Keeper of the Present is vacant and only filled by humans?
Why was that position vacant until they found Akane, a boy who similarly wanted the power to control time? The "Clock Keeper of the Present" is simply a disposable asset.
But now, Kako messed up big time. He used time as his playground to attempt to get rid of an actual God, one who now is aware of the danger the Clock poses.
The consequences for this will be lethal for the Clock Keepers, ones who treat time and lives so lightly, and karmic retribution will come swiftly.
As final words, it would seem that Nene finding the truth behind the dolls behind finding Kako is done on purpose so she cannot fall in the Clock Keepers' trap and play her cards right.
Kako will not be able to get away with treating this world as his personal playground.
So, due to Saiki's manipulation, humans are stronger and more resilient than they otherwise would be. Saiki says that in his world, small people can defeat much larger opponents in physical combat, so it's not like this rule only applies to already strong characters. Kurumi is small and thin and can still effortlessly throw a table. Despite everyone's strength being multiplied, Kaidou is still incredibly weak. He can hardly throw a ball two feet and his punches feel like tickles. Would Kaidou have been even weaker if it weren't for Saiki's manipulation? His lack of stength is already significant by real world standards. Was Kaidou supposed to have chronic asthenia and/or a condition that causes weakness?
Endlessly fascinated with the contrast between the (obviously) iconic Corruption Chuuya laugh and the fact that, for almost all of its use time, Chuuya remains neutral to focus/determined during Corruption:
there are actually only 2 panels where he's laughing, notably only after he's defeated his foe, before Dazai steps in:
If you watch the Dead Apple Corruption scene, Chuuya never laughs maniacally, remaining focused the entire time (as he was focused on finding Dazai instead of destroying everything around).
On other side, in Storm Bringer, we see Verlaine laugh while under Brutalization, in the middle of the action when he's already started decimating his enemies (with little resistance). His laugh is described as inhuman and compared to various powerful sounds of destruction.
Chuuya, for his part, smiles his wicked grins when the battle is at its peak with the sharing of blows, but otherwise is only described as howling and yelling (much like he was doing in Dead Apple).
I cannot argue how iconic the mad-with-power laughter of Corruption is, but I find it very interesting how we, the fandom as a whole, have fixated on such a small part of it to the point of assuming the laughter is a constant presence.
okayyyy ive been meaning to talk about this moment forever because i think the way i see it differs from a lot of general fandom opinion.
for context, this is from the dhc section of the dead apple manga. skk are talking about an executive who just died and dazai makes a joke about it, prompting chuuya to deck him in the face and say nobody could believe dazais human. (believe, very importantly. not that he Isnt, just that its unbelievable).
humanity is a key theme to all of bsd, but its Very explicitly central to the skk dynamic. chuuya is an intensely human character in the way that he acts and thinks, and yet! between his ability and ofc the history in the lab, it still gets called into question.
(its pretty solid that our chuuyas the real one, but thats not the point here. sb being an exploration of what it means to be human and whether Actually Being One is all that important to what you are and do, through a Distinctly human character- Thats the point. How you are being more important than what you are.)
then we have dazai on the other hand, where what he is doesnt come into question at all. Even his ability, despite its name, isnt dehumanising to an outside eye, compared to chuuyas corruption or atsushis tiger for example that can take away from their control of themselves. its the how he is, in contrast to chuuya, that comes into question with dazai. he very consistently holds himself outside of humanity both implicitly (through self isolation - shipping container being an extreme example) and explicitly (dead apple dazai talking about humanity as an Outside Observer. he is Not including himself as one of them).
When we are encouraged to doubt his humanity, its dazai Telling us to. he deliberately poses himself as inhuman because he FEELS it. and the dhc moment to me has always felt like chuuya seeing through it and calling his bullshit. Dazais making light of a death to be a dick, to push chuuyas buttons, but also because hes got this constant need to present the worst possible version of himself.
actually if you look at the panels of him when hes talking about the guy being dead, just before he gets dramatic ridiculous exaggerated dazai about it, he doesnt seem to think of it so lightly
(smthn smthn dazai imposter syndrome. the need to deny any of his more human qualities because he feels they dont Fit him. and the links w his questions to atsushi at the beginning and end, his bs 'do i really seem like the type of guy to do x thing'.)
chuuya says hes acting inhuman, that his humanity isnt something people will believe because of the way he ACTS. and then chuuya does an example of his own Chuuya Humanity Act, an act of service for the people he cares about in the form of going to solve the situation himself. AND. ultimately, dazai ends up planning around this later to lead chuuya straight to him so the two of them can deal with it together.
skk pretty consistently ground eo to humanity. dazai through nullification/corruption, but outside of their abilities too (its the thought of dazai - more specifically, not thinking like him - that stops chuuya from killing N in stormbringer and denying verlaines assertion that he shouldnt have been born). and on the flipside, chuuya is part of the reason dazai doesnt khs during or after fifteen. dazais protecting people thing really starts out with chuuya. and again, chuuya makes it his business to call dazai on his shit. (even right the way back in chapter 31 of the main manga, we have that interaction over Q, with dazai saying he spared them only for self serving logical reasons, and chuuya saying he doesnt buy it).
this to me has always felt like part of that. its not 'youre not human', its 'the way you act makes it unbelievable that you are'. its an invitation to prove he is by doing something Real, something worth more than sleeping there til he dies.
and dazai does.
I'm surprisingly okay with powerless Saiki aus but only when he's just as much a superiority complex fueled smug bastard.
Like hes still able to do half the shit he can do, but just to a more reasonably human level. Like he could get straight 100s or a grip strength of 640 pounds. But he still does everything in his power to be as average and unnoticeable as possible while his inner monologue is "good grief all these normal humans. I'm better than them, it's not ego it's fact" just like in canon. He's also just as much "I'm not going to involve myself" but immediately secretly involves himself.
I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.
Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.
Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.
Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.
Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.
I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.
My gender : The noncommittal noise Snufkin canonly makes so he doesn’t have to answer people.
[WHAT IF]
What if, he changed his mind.
What if, they share the same thoughts.