dazai no one breaks my heart like you do
drew a bunch of different snufkins. idk much about a few of these so if i got anything wrong, dont bother telling me just think really hard about it and maybe i’ll receive your feedback telepathically in a week or so
OKAY EDIT because multiple people have mentioned it: IM SORRY book snufkin was only depicted with a harmonica. he has an accordion in some of tove’s standalone illustrations and i chose to draw like a very specific snufkin ive seen in a few drawings from her. the accordion was only for a fun comparison and also because accordions are awesome buut that wasnt a very good representation of general book snufkin my apologies
⚠️ SPOILERS FOR CHAPTER 344⚠️
@theinkymystery
they’re zany to the max!!!
more sketches to previous au
thoughts on moominvalley in november?
Moominvalley in November is truly a wonderful book I would recommend to fans of the series in general.
Though, to be honest, I came into the book with the impression that it would be a depressing read considering its oversimplified description by the fans, but I was very pleasantly surprised to find it was a book about a somewhat hilarious dysfunctional found family trying to make sense of the Moomin family's absence. While there are emotionally complex arcs and themes to these one-off characters (plus Snufkin and Mymble Jr) and these arcs touch upon themes that could be considered depressing, I think it's a rich experience in exploring these upset individuals who can't find comfort in the Moomins but instead have to find comfort within themselves and eventually learn to tolerate and even celebrate with eachother.
The characters' dynamics are enjoyable and often silly, and there are a few things to chew thoughts about, and we have descriptions and such that tell us a few things about the Moomins (or at least, Moominpappa and Moominmamma) such as the parents' separate rooms and how they represent each of their personalities and interests.
Overall, it becomes obvious why it's alot of people's favorite book in the series and it's a highly recommendable read if you have the access and time!
14 dazai from last year i forgot to post 🤧
As I was replaying the new Animaniacs trailer for the 100th time in my head, I realized there's one clip that has big ramifications on how I previously viewed Animaniacs canon. How can one clip change canon before the episode's even out? I know it sounds clickbaity, but I think it's warranted. The clip in question is this:
Now, to most fans of Animaniacs, this might not look out of the ordinary at all. After all, this is far from the first time they've seen the tower depicted this way- for decades, in fan fiction and fan art, this is exactly how it's been described and shown when it comes to stories about the Warners being locked in the tower. To my knowledge, though, through all Animaniacs animated media, this is the first time it's ever been officially shown like this.*
*It was shown somewhat close to this in reboot episode 1, but that was after no one had been living in it for 22 years.
What do I mean by "like this"? Previously in the show, whenever we got a look at the interior of the tower, it's always looked something along the lines of this:
It's fully furnished, packed to the brim with all the fun activities the Warners could ever need. It has rollercoasters, basketball hoops, a TV, and, importantly, a kitchen, bathroom, and comfy beds. (We'll assume Yakko chooses to sleep in a ball pit.) It's a veritable wonderland that any kid would be overjoyed to play in. I always assumed it was shown this way to soften the blow for kids who thought too much about the Warners' backstory- sure, they were locked in a tower for 60 years, but it couldn't have been that bad. Look at all the fun stuff they have in there!
When reading and writing tower-related angst, where the tower is depicted as a barren prison, I had always done it with the understanding that it wasn't really like that. Sure, we played it up for angst, but in reality, in canon, the Warners were more or less fine in there. They played games, rode roller coasters, had a good time. I was even gonna make an entire analysis post about what the Warners' time in the tower was really like. Anything else would be just a bit too dark, wouldn't it?
But no. It really was like that. According to the clip in the trailer, when the Warners are locked in the tower, they get all their fun stuff taken away. It really does become empty, barren, and dark. There's no rollercoasters. There's no TV. There's not a kitchen, a bathroom, or a warm bed to sleep in. There don't appear to be any windows, except maybe one prison-barred window at the top. It doesn't even look like they get rations of food. When they're locked in the tower, they sit in shadowy darkness, with absolutely nothing to entertain themselves except each other.
For
sixty
years.
And that's canon.
Dazai: Self deprecating comment that asserts his own bias that he is not good/human and therefore his actions are to be questioned
Atsushi: Immediate empathetic response because he’s never questioned Dazai’s goodness/humanity
—
This is Dazai being surprised that Atsushi does not view him as the inhuman, removed identity that he portrayed for so long. Atsushi does not see Dazai the way himself and many others have always viewed him. Because of this, Atsushi has been able to reach Dazai in ways that nobody ever really has before.
holding each other’s hands over their seals