Jax’s “acting normal” especially in his conversation with Pomni has about 2 explanations I’d say:
1. First and most simply- He doesn’t have the energy to torment someone in that moment. Just the easy conclusion to come to from watching the episode normally.
2. Second- That’s the “real” Jax, not the tormentor. Probably brought out by the realistic setting, and addition of consequences or “punishment.”
After Gangle asks Caine to make “punishments” and when he’s sent to his… “training” he looks genuinely disturbed and even afraid.
…Which is definitely something we haven’t seen from him yet! And then we see him act normally for the rest of the episode! This makes me think the Jax we see in the Circus, the bully, the asshole- He only acts that way because he is, or believes he is free from the consequences it would have in the real world. Having little reaction to Ragatha’s state, asking Pomni how she’s doing, and then following an order reflects how he acted in his real life, as an average or unassuming person.
Whether the jerk we usually see is a genuine expression, some kind of “mask” to hide something, or, most likely in my opinion, both. That’s not how he acted in his real life.
This episode is focused on Gangle, focused on her masks. But I think the theme of masks expands over the episode as a whole. Especially with Jax and Ragatha- Ragatha speaking her mind thanks to the “stupid sauce” (lol) and Jax being pushed into acting normal and almost even friendly. The opposite of what we’ve seen of them but undeniably realer or hidden versions of themselves.
thoughts on moominvalley in november?
Moominvalley in November is truly a wonderful book I would recommend to fans of the series in general.
Though, to be honest, I came into the book with the impression that it would be a depressing read considering its oversimplified description by the fans, but I was very pleasantly surprised to find it was a book about a somewhat hilarious dysfunctional found family trying to make sense of the Moomin family's absence. While there are emotionally complex arcs and themes to these one-off characters (plus Snufkin and Mymble Jr) and these arcs touch upon themes that could be considered depressing, I think it's a rich experience in exploring these upset individuals who can't find comfort in the Moomins but instead have to find comfort within themselves and eventually learn to tolerate and even celebrate with eachother.
The characters' dynamics are enjoyable and often silly, and there are a few things to chew thoughts about, and we have descriptions and such that tell us a few things about the Moomins (or at least, Moominpappa and Moominmamma) such as the parents' separate rooms and how they represent each of their personalities and interests.
Overall, it becomes obvious why it's alot of people's favorite book in the series and it's a highly recommendable read if you have the access and time!
i'm gonna commit suicide bc of this btw
As I was replaying the new Animaniacs trailer for the 100th time in my head, I realized there's one clip that has big ramifications on how I previously viewed Animaniacs canon. How can one clip change canon before the episode's even out? I know it sounds clickbaity, but I think it's warranted. The clip in question is this:
Now, to most fans of Animaniacs, this might not look out of the ordinary at all. After all, this is far from the first time they've seen the tower depicted this way- for decades, in fan fiction and fan art, this is exactly how it's been described and shown when it comes to stories about the Warners being locked in the tower. To my knowledge, though, through all Animaniacs animated media, this is the first time it's ever been officially shown like this.*
*It was shown somewhat close to this in reboot episode 1, but that was after no one had been living in it for 22 years.
What do I mean by "like this"? Previously in the show, whenever we got a look at the interior of the tower, it's always looked something along the lines of this:
It's fully furnished, packed to the brim with all the fun activities the Warners could ever need. It has rollercoasters, basketball hoops, a TV, and, importantly, a kitchen, bathroom, and comfy beds. (We'll assume Yakko chooses to sleep in a ball pit.) It's a veritable wonderland that any kid would be overjoyed to play in. I always assumed it was shown this way to soften the blow for kids who thought too much about the Warners' backstory- sure, they were locked in a tower for 60 years, but it couldn't have been that bad. Look at all the fun stuff they have in there!
When reading and writing tower-related angst, where the tower is depicted as a barren prison, I had always done it with the understanding that it wasn't really like that. Sure, we played it up for angst, but in reality, in canon, the Warners were more or less fine in there. They played games, rode roller coasters, had a good time. I was even gonna make an entire analysis post about what the Warners' time in the tower was really like. Anything else would be just a bit too dark, wouldn't it?
But no. It really was like that. According to the clip in the trailer, when the Warners are locked in the tower, they get all their fun stuff taken away. It really does become empty, barren, and dark. There's no rollercoasters. There's no TV. There's not a kitchen, a bathroom, or a warm bed to sleep in. There don't appear to be any windows, except maybe one prison-barred window at the top. It doesn't even look like they get rations of food. When they're locked in the tower, they sit in shadowy darkness, with absolutely nothing to entertain themselves except each other.
For
sixty
years.
And that's canon.
I wonder what happened with Tsukasa in this timeline? Why is the hole on his face? Why are his shorts and feet BLOODY?
right?? peak tbhk giving us more questions than answers lol I’m so excited to find out!!
I’m personally still operating under the assumption that the clock keepers changed something in 1968, which is when amane was trying to use the clock to mess with time in some mysterious way, so maybe they let him change in a way he was previously unable to? or in a different way than he did originally?
what seems to be true right now:
1. amane did not die when he was four
2. tsukasa still made some sort of deal with the god
so, operating under the assumption that something changed in 1968, whatever was changed then was after tsukasa made the deal to save amane’s life.
the backwards letters in tsukasa’s speech bubbles also imply to me he is way more god-influenced than the tsukasa we met in the red house arc!! this could be because kou and nene never went there to convince him to go back in this timeline?
but there’s something interesting you mentioned!! which is tsukasa’s appearance is very different here!!
he seems to be wearing the same shirt, but his suspenders and socks are gone, and his clothes are dirty. original red house tsukasa seems unscathed despite all his time there.
I think his clothes could be covered in blood, but they could also be covered in ash? maybe he was pushed back into the fire he set? why has the red house/the god stopped taking care of him? why is he in the school and not the red house? why was tsukasa originally spat back out somewhere in town and not on the property of the red house itself?
I definitely think amane got the clock to work and is responsible for this—I find adult amane incredibly suspicious!!
the watch he gave tsuchigomori is stopped, like the clock keepers clock originally was
and it’s incredibly suspicious he was talking to students about the tsukasa rumor with a reassuring smile on his face. this is hanako after all!! his calm, reassuring smiles are historically often untrustworthy!! (also in all honesty this is kind of a hope… I love when amane goes off on his own moral compass being a little unhinged)
the clock keepers specifically sent hanako back when he was feeling rejected by tsukasa and claiming tsukasa was an imposter, not his brother. maybe this is the future that happens when amane acts on that feeling, rather than how conflicted and forlorn we see him feeling about tsukasa in the original 1968.
it’s devastating, but I love the possibility that a past made through a boy’s grief and sense of rejection and pain has led to something like this… a more worn down, more haunted tsukasa.
is this who tsukasa becomes when amane doesn’t believe in him?
(honestly kind of hoping it’s something else though, bc it’s almost too sad to think of amane not believing in tsukasa, to the point of sending him back there…)
Kinda criminal that he has a transformation power-up that color coordinates any outfit as a side effect, and the anime just… keeps him in bleached jorts.
nom
Sketches after finishing the Snufkin game <3
It's that time of year again where moominvalley invades my brain more than ever, the game was so beautiful and full of endearing surprises :')
right i thought i’d finally post this its from april gonna be honest but i havent drawn much recently because lots of stuff has been happening. yeah this ones #cringe
Do you think tsukasa would have been self-destructive even if he had had a normal life? (without evil entities or supernatural sacrifices)
Probably not. Everything that is happening now is the result of Amane's efforts to save Tsukasa from the entity. If the entity doesn't exist, Amane would die from the disease (probably, considering that it's not the entity that's making him sick).
If he survived the disease, they would live peacefully, but I still believe that Tsukasa would feel rejected, because of Hanako's natural behavior, but Tsukasa would have no reason to leave.
He had gone to save Amane, but if Amane never got sick, then it would just be a matter of relationship.
We don't know if Tsukasa is really cruel at times because it's part of his nature or if it's because of the entity, so we'll have that doubt.
But if Amane died, I would have serious doubts about what Tsukasa would do… although I have a hunch.
Word Prompt: Briefing
Hits the button to go to the next slide and it's a 20 second cube transition
[Art Date: February 27 2025]