Recently I discovered a poll asking if people thought the Supernatural Tsukasa and the Red House Tsukasa were different, and the results surprised me! A majority of voters thought they were not the same. Not only that, but I've seen many people in the fandom start believing they are separate people, if they hadn't already believed it before.
I think this stance can very easily be explained by the scene in Chapter 111 where Amane comes to the conclusion that the Tsukasa who went missing isn't the same as the one who came back:
While people might be divided on the details, the conclusion is basically the same: whatever that is inside of him, it's not Amane's brother.
And I can see why they think this! In fact, it used to be a popular theory back during the release of chapters 78-82 when we didn't know the specifics of what happened. Heck, we still don't know many of the specifics...and many people continued believing the Tsukasas were different anyway!
There's decent evidence to support this, too. When Tsukasa returned, he had sharp teeth and supernatural powers. He knew that Kunishige's wish was that the head priest would die. He's demonstrably different from the innocent little Tsukasa that sacrificed his life for Amane.
If that wasn't enough, even his own mom came to the conclusion that Tsukasa wasn't her son! This is basically the same conclusion Amane comes to in Chapter 111. That's 2/3 of Tsukasa's family members thinking some evil entity is larping around in his skin--not a good look!
In any case, while I could try and convince you guys there are two Tsukasas and the Tsukasas are different, that's not what I'm here to do. If you read my blog you already know I'm 100% on the side that Tsukasa is Tsukasa and always has been, and nothing AidaIro has shown me so far has been convincing enough to change my mind. In this post, I am here to argue that the Red House Tsukasa is the same as the Supernatural Tsukasa and that he merely works in tandem with the ancient god living inside him.
This is the chapter when a lot of people dropped the theory that there are two Tsukasas, including me. (Yes, I used to believe there were two Tsukasas--people change!)
Kou and Nene had determined that the Red House Tsukasa was the real Tsukasa and that the one Amane killed was a fake. They come to this conclusion because this Tsukasa was trapped in the Red House for 50 years and acts a lot nicer and sweeter than the one we know.
The issue is, Kou tells this Tsukasa that Amane is going to kill Tsukasa and die at the age of 13...and unbeknownst to Kou, the seemingly innocent little Red House Tsukasa is EXCITED at the idea! Tsukasa, thankful to Kou and Nene, helps them escape the house but stays behind. This scene is when a lot of cool stuff happens.
First, we learn that Tsukasa wasn't actually trapped in the Red House and he always knew how to get back home, but that he never left because he was worried about what would happen to Amane. However, once Kou told him that Amane wasn't happy after Tsukasa left and that Amane kills not just Tsukasa but also himself, Tsukasa realizes he doesn't know that much about Amane and wants to learn more. The most shocking part of this scene to me was that Tsukasa's excitement at dying was very similar to the lighthearted way the Supernatural Tsukasa brings up his death with Amane.
Second, we see Tsukasa not only has the entity he sacrificed himself to to save Amane stored in his chest, but that he holds a conversation with it.
The entity being shown in his chest is actually a popular argument for the "Tsukasa isn't Tsukasa" theory, but I feel this scene proves otherwise. Tsukasa is not the unwilling host of this entity, as one might expect, but instead almost treats it as a friend. They have a sort of symbiotic relationship going on, and Tsukasa makes the decision to go back wholly of his own, despite them both knowing how to get back the entire time. He even says "let's go back TOGETHER," which supports the idea that they work together and that it isn't simply piloting a Tsukasa meat puppet.
We can argue Tsukasa is the victim to the entity's machinations, that the entity needed Tsukasa to do it willingly or that the entity took full control of Tsukasa after he succumbed to the flames or what not and tricked him, but so far AidaIro has only shown cooperation between these two characters. It's not unreasonable to suggest that Tsukasa gaining supernatural powers after he comes back isn't a sign that he's a different being entirely but that he's just working with one.
This one will be a quick section, but considering Mother Yugi is basically the origin of "Tsukasa isn't Tsukasa" I wanted to cover why I think she's wrong.
In Chapter 79 Kunishige recounts how Mother Yugi took Tsukasa to their shrine because she thought her son was possessed by a demon after being spirited away. Kunishige thinks she's crazy at first, and so do the priests, who find nothing wrong with Tsukasa. Put a pin in that btw.
However, Kunishige later learns she was onto something because Tsukasa is not only an incredibly unsettling child but he correctly predicts the death of the head priest of the shrine and tells Kunishige his wish, for the head priest to disappear, would be granted tomorrow. This proves Tsukasa has otherworldly power, since he knows Kunishige's wish without Kunishige telling him, and also might have the ability to grant wishes, something the entity in his chest is shown to be capable of.
Now, I personally think the fact that the priests found nothing wrong with Tsukasa is HUGELY in favor of my theory. I understand how you can argue that the entity somehow avoided detection because it's powerful, or because there was nothing left of the original Tsukasa or something, but I still think the fact the priests detected nothing wrong is extremely weird. What if that's because Tsukasa is still in control?
I think the fact Mother Yugi was convinced Tsukasa isn't her son and wasn't persuaded otherwise is important, too. In fact, I think it might directly correlate with the conclusion Amane makes in Chapter 111. I think Amane is more or less coming to the same conclusion his mother made, something he hadn't wanted to believe at first but eventually, finally, succumbed to. I have to imagine his mother's insistence that Tsukasa wasn't Tsukasa left a big impression on Amane, and it's something that's bothered him for years.
I can't exactly blame them both, either. By the time Tsukasa came back, he'd lost a lot of his innocence. Keep in mind that they think Tsukasa was gone for six months. Any normal 4-year-old kid might have been traumatized by leaving his family for six months, but Tsukasa just acts creepy and possessed. And despite him meeting Nene and Kou 50 years in the future, it's possible it really was only six months for Tsukasa! Time worked differently there. Still, it's not hard to see how the extreme circumstances he was in might have changed him. Not only was he stuck in a haunted death house, he later learns the wish he granted for Amane wasn't Amane's true wish and that Amane kills Tsukasa. This is all pretty life-changing information, and when you tack on the fact that he's buddy-buddy with an ancient man-eating god, it's really not that surprising Tsukasa has changed so dramatically, especially when he's still at the tender age of 4.
For something that's supposedly replaced Tsukasa entirely, it certainly gets very personal with Amane, doesn't it?
I said before that Red House Tsukasa in Chapter 82 acts similar to Supernatural Tsukasa. How they find delight in death. But I don't think this is the only point of similarity between them, either. In Chapter 81, Red House Tsukasa is under the impression that Amane hates him.
In Chapter 111, after Amane tells Tsukasa he hates him, Tsukasa tells him he already knew that.
Mind you, this line comes seconds before Amane comes to the conclusion that Tsukasa isn't Tsukasa.
Think about it. Tsukasa tells Amane that he knows Amane hates him, echoing a sentiment that the Red House Tsukasa shares. And Amane, after hearing this, comes to the conclusion that this Tsukasa is an impostor.
Isn't that... really sad?! I mean, I'm not going to say that Amane's whole reasoning for Tsukasa being a fake is that he thinks Amane hates him, but...before this scene, Amane was saying he couldn't destroy his yorishiro because he cared about Tsukasa too much. And for Tsukasa to say something he's thought ever since Amane pushed him as a little kid, and for THAT to make Amane say he thinks Tsukasa is fake... it really shows they've never understood each other at all.
Tsukasa's never been shown to get extremely upset about being hated by Amane, either, so you can't say Amane is right just because Tsukasa is laughing in Chapter 111. Tsukasa initially seems shocked when he was pushed, and overall seems a little sad about it in Chapter 81, but he still remarks that Amane hates him with a smile. He's selfless about it. And later, when he learns Amane kills him, this feeling gets more complex. Despite Kou's attempts to convince him otherwise, I think Kou's reveal only made Tsukasa more convinced that Amane hates him, and this is shown in Chapter 111 when he laughs about it. It's just a funny joke to him at this point.
I...genuinely cannot reconcile this behavior with Tsukasa being a fake. I just can't! Why would the entity be this personal with Amane? Why would it share opinions that the supposedly "real" Tsukasa had? If AidaIro really is trying to write a story about a little boy being replaced by a supernatural entity, then they could at least do a better job of making them act different. TBHK makes it clear that supernaturals can experience human emotions just as strongly as actual humans, so it wouldn't surprise me if the god has its own personality and feelings, but for them to just...be the exact same as the human it replaced? I'm not buying it.
There is no difference between the Red House Tsukasa and the Supernatural Tsukasa that can't be explained away by the fact that people change as they grow older. Everything about Tsukasa's character arc as I've presented it is completely logical.
With so little info on the ancient man-eating god, it's kind of impossible to reach a proper conclusion at this point. All we really know about its personality is that it hungers for flesh and will grant any wish in exchange for it. With this in mind, it's incredibly easy to see why people think the god and Supernatural Tsukasa are one and the same, especially when the cast tends to treat them as such. I could just as easily write a post in favor of them being different as I could of them being the same.
And I think this is what AidaIro ultimately wants! I think AidaIro wants us to second guess ourselves. If I know anything about Aidairo, it's that they like to keep up on our toes and shock us with surprising twists. Who really knows what they have hiding up their sleeves?
Still, I feel the theory that the god replaced Tsukasa raises more questions than answers, and I hope I managed to explain my side of things.
–Dazai Osamu, No Longer Human (1948).
Gear 5 Foreshadowing/Analysis
One of the things that absolutely delighted me about gear 5 was how natural it felt for Luffy. It was Luffy to a T - which is what makes it so incredible! That's the best part of him :)
I learned about Gear 5/Joyboy/Sun God Nika like a month after starting One Piece, and I was just able to see how every element of the show was building up to this.
luffy vs. kaido fight spoilers under readmore
GEAR 5 GEAR 5 GEAR 5!!
Part of the reason it feels so natural is because of how it shows that the Devil Fruit's Awakening builds on Luffy's growth and understanding of his powers, particularly his use of all 4 gears, which are all incorporated and clearly referenced in the Gear 5 fight:
Gear 1- Luffy interacting with lightning!! Because since we have known since Skypiea, rubber is nonconductive, meaning luffy isn't affected by it. Luffy grabbing the lightning strikes and using it to catapult him around? That's gomu gomu no rocket! On top of that, he manages to become the lightning and swoop towards Kaido (in a move that looks a lot like Python). He's able to combine his base rubber powers in a wild and wacky way, and absolutely loves it :)
Gear 2 comes in play in this incredible screenshot from the fight after Luffy restarts the Drums of Liberation. Gear 2 is also about controlling bloodflow and breathing - and by extension, the heartbeat!! Its all there. Thank Gear 2 for luffy's auto-defibrillation skills.
Gomu Gomu no Giant is the logical progression of Gear 4 Boundman, (which builds on gear 2 and gear 3 as well). It's like a version of Luffy without the additions
Gear 3: ... Yeah, this one is pretty obvious.
But the most important aspect of Luffy it brings in from his previous fights is his silliness. From the shocked face Crocodile gives him when he sees Water Luffy to Kaido's eyes popping out as he uses him as a jump rope. Things that seem meaningless, like his Gomu Gomu no UFO move. (I had to include this because I thought about how Joyboy it was from the moment i saw it. He's just joyously having fun in weird ways!! <3)
The magic of Gear 5 is in how everything from before comes together and combines seamlessly, which brings us to section 2:
Foreshadowing of Joyboy
Luffy has always been the sun. Tanjiro has nothing on Luffy for Most Sun Coded Anime Protagonist. Luffy is from the East Blue on Dawn Isle. One could say he rose from the East. The beginning of his story is called romance DAWN. This is from other posts that delve into it more, but luffy has been liberating people from the start- Koby, Zoro, Shells Town. Thats just how he rolls, it's part of his existence- Luffy will see someone oppressed, think "Is anyone going to help them free themselves?" and not wait for an answer. Punching a celestial dragon? That's ridiculous. But Luffy was made to do ridiculous things.
Skypiea, which is where we learn about Joyboy, has Luffy facing off against Enel and winning easily because of his nonconductiveness - the true god destroying the false one.
On Fishman Island, he frees Shirahoshi from her prison and promises to take her to see the sun. Another aspect is the symbol of the sun pirates being changing the celestial dragon's slavemark into a SUN. Luffy also takes away the giant shadow of Noah hanging over them.
Dressrosa? Known for it's SUNflowers.
When Luffy loves and accepts sanji, freeing him, the sun literally dawns on him. One of my fave moments with him. (To go into sanji & his wano arc i would need a whole different 1000 word essay on him. Bbg u are simply so fucked up)
Wano arc amps up the dawn = freedom references by 100. referencing the dawn 24/7, having luffy become a slave
Luffy has always been free because he is himself.
snufkin: melody of moominvalley moments that have made me bark out an ugly laugh (so far)
Just my idea of how Snufkin got his harmonica!
[Previous comic]
[initial concept comic]
死にたがり
I wonder what happened with Tsukasa in this timeline? Why is the hole on his face? Why are his shorts and feet BLOODY?
right?? peak tbhk giving us more questions than answers lol I’m so excited to find out!!
I’m personally still operating under the assumption that the clock keepers changed something in 1968, which is when amane was trying to use the clock to mess with time in some mysterious way, so maybe they let him change in a way he was previously unable to? or in a different way than he did originally?
what seems to be true right now:
1. amane did not die when he was four
2. tsukasa still made some sort of deal with the god
so, operating under the assumption that something changed in 1968, whatever was changed then was after tsukasa made the deal to save amane’s life.
the backwards letters in tsukasa’s speech bubbles also imply to me he is way more god-influenced than the tsukasa we met in the red house arc!! this could be because kou and nene never went there to convince him to go back in this timeline?
but there’s something interesting you mentioned!! which is tsukasa’s appearance is very different here!!
he seems to be wearing the same shirt, but his suspenders and socks are gone, and his clothes are dirty. original red house tsukasa seems unscathed despite all his time there.
I think his clothes could be covered in blood, but they could also be covered in ash? maybe he was pushed back into the fire he set? why has the red house/the god stopped taking care of him? why is he in the school and not the red house? why was tsukasa originally spat back out somewhere in town and not on the property of the red house itself?
I definitely think amane got the clock to work and is responsible for this—I find adult amane incredibly suspicious!!
the watch he gave tsuchigomori is stopped, like the clock keepers clock originally was
and it’s incredibly suspicious he was talking to students about the tsukasa rumor with a reassuring smile on his face. this is hanako after all!! his calm, reassuring smiles are historically often untrustworthy!! (also in all honesty this is kind of a hope… I love when amane goes off on his own moral compass being a little unhinged)
the clock keepers specifically sent hanako back when he was feeling rejected by tsukasa and claiming tsukasa was an imposter, not his brother. maybe this is the future that happens when amane acts on that feeling, rather than how conflicted and forlorn we see him feeling about tsukasa in the original 1968.
it’s devastating, but I love the possibility that a past made through a boy’s grief and sense of rejection and pain has led to something like this… a more worn down, more haunted tsukasa.
is this who tsukasa becomes when amane doesn’t believe in him?
(honestly kind of hoping it’s something else though, bc it’s almost too sad to think of amane not believing in tsukasa, to the point of sending him back there…)
These two characters give me as much serotonin as nothing else 🙂
Saiki K has this interesting sort of chill atmosphere and monotony about it. It's called "the disastrous life of Saiki K" but the disasters are often like... him not having enough pocket money for something, or having to get through a sports festival. Occasionally the disasters are him having to save the world or his brother being an actual freak, but the show treats these times almost with the same stakes and importance as everything else.
I find this really interesting because what just feels like a "vibe" at first becomes an actual plot-point later on, with Saiki rewinding the Earth every year and repeating the same stage in his life over, and over, and over again... nothing has any real consequences, it's as dull as it is funny, and while it is a comedy I feel like there is this quiet sense of horror underneath it all. The intro with the flower petals falling and then being rewound kind of illustrates this for me - Saiki constantly controls everything around him in an attempt to hold it in some kind of stagnant peace, slowly growing accustomed to the people around them but none of them truly moving forward, like everyone is being held in a dream.
I don't really know where I'm going with this, it's really hard to put into words, but does anyone get what I'm talking about? Is this coherent in any way?
Rating: T
Pgs 1-2/20(?)
<>Pgs 3-4
Will have S2 spoilers around Pg 10!
I will be sharing early access pages as well as notes and the process of how I create this on my patreon!
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the duality of men