Happy Pride Month Moomin Accidentally Calls His Gf “snufkin” While Snufkin Is Down South Pretending

Here’s my Ranboo art from the Valentine’s Day stream :]

Be nice to him he just got dumped :,,(((

What is Buggy's Endgame? A Post-1082 Analysis

Since the release of chapter 1082, we’ve gotten more insight into Buggy’s character than ever before, especially regarding his dreams and thoughts on past events. So, given our new information, I thought I’d revisit Orange Town Arc to see if 1082 re-contextualizes anything. What’s in the cards for Buggy as a character? What direction does Oda plan on taking him in?

To give you my answer, let me begin in a bit of a random place: the relationship between Shanks and Buggy. 

From the moment Oda first introduced their relationship in chapter 19, Shanks and Buggy already solidified themselves as character foils. Their first panel together is literally a fight over whether the North or South Pole is colder, which is pretty on the nose if you ask me (sorry… I had to). Their red-blue color contrast is also pretty self-explanatory; although green is technically red’s complement, red and blue are often used as visual “opposites.”

Beyond all that surface level stuff, though, what makes these two foils of each other are their opposing values. As a pirate, Shanks wants to “make time to see the world." He has no sense of urgency and no inherent desire to conquer the world — at least, not right away. Buggy, of course, calls this a “soft way of thinking.” Unlike Shanks, he views treasure as the sole purpose of being a pirate. And not just any treasure, but material wealth, gold and jewels which "make its possessor a king."

Shanks and Buggy’s contrasting viewpoints also embody the underlying themes of Orange Town Arc. One man's trash is another man's treasure, and Oda takes great care to emphasize this point, from Chouchou to the mayor.

Luffy's hat ends up taking center stage in Orange Town, however, which I think is a great decision. The straw hat is what tethers Luffy and Buggy to Shanks. It's a weighted symbol, one that helped shape both of their characters — albeit in antithetical ways. Thus, when it’s used as a tool to explore their relationships, it works really well.

Take Luffy, for example. In his youth, Shanks was a pillar of support, friendship, and sacrifice; the straw hat is his treasure because it reminds him of Shanks, but also because it symbolizes what Shanks gave up for him. He owes his life to Shanks, but he uses that gratitude to fuel his own ambition, and to hopefully reunite with Shanks one day as a great pirate.

Shanks allowed him to go after his dream. Luffy knows this well.

Now look at Buggy. He sees the straw hat as worthless, and it’s clear why he does: it’s a painful reminder of the dream that Buggy gave up on, a representation of everything he lacks in comparison to Shanks. And to add insult to injury, Shanks gave that straw hat away to what Buggy sees as an insignificant kid. Of course that would hurt. Seeing Shanks give up Roger’s legacy so easily, abandoning his potential to become Pirate King, when that’s all Buggy ever wanted in life… I mean, wow. It's an amazing role reversal. Buggy gave up on his dream for Shanks, but Shanks gave that dream to Luffy instead.

I think 1082’s context adds some much-needed character depth, and explains a lot of Buggy's rationale. We know Buggy does not value sacrifice or friendship like Luffy does, nor is he the type to go out on a limb for someone. He’s greedy, manipulative when it suits his interests… I could go on forever. So to see that Buggy once sacrificed his own dreams for the sake of Shanks’ — only to have it backfire — makes so much sense. Of course he became a bitter, cynical, and selfish adult. One of the people he believed in most broke his unwavering trust, and he never healed from that experience. (Not to mention that this happened directly after Roger's execution. His faith was already shaken, and it was just one heartbreak after the next.)

The impact of that betrayal only feeds into his greedier tendencies; Buggy is a character who keeps things close to his chest, figuratively and literally. He learned to fear trust, and it shows. All of his adult relationships (Alvida, Galdino, Crocodile, Mihawk) are strictly rooted in business and mutual, self-serving interests. Nothing more.

Just take a look at Buggy and Luffy's reactions to the Bara Bara no Mi story. Buggy can only focus on the things he lost, instead of what he had: a friend who was willing to jump overboard for him in a heartbeat. But Luffy, a character who values the people he loves, obviously has a different perspective. He concludes, “So Shanks saved your life?” Where Luffy sees hidden treasure, Buggy sees nothing but loss.

So why am I bringing this all up? Well, I don’t find it surprising at all that two of Buggy’s most prominent arcs — Orange Town and Impel Down — emphasize his struggle between selfishness and altruism. The internal conflict is played off as a joke in Impel Down, but Buggy has always been simultaneously comedic and complex. He actually parallels Luffy in that sense, but that's another meta for another day.

The position Oda has placed Buggy in is rife with potential. He's now closer than ever to the things which would fulfill his materialistic nature: the One Piece, Captain John’s treasure, and the title of Pirate King. Yet, at the very same time, he's closer to one of his most honest connections in life: Shanks. If there was ever a time for a character to be forced to make a fateful choice, I’d say it’s right about now. People have been wondering why Oda made Buggy a final contender for the One Piece. Why has he “failed upwards” for so long? Comedy aside, I think the answer is a lot simpler than we’re all making it out to be: Buggy’s story just isn’t over yet. 

Oda still has something he wishes to impart to readers, and he clearly believes it will be told best through Buggy’s character. Based on what we know about Buggy — his greed, his guilty conscience, his past with Shanks — I think that story will lead his character to some very interesting places.

Do I think Buggy is going to have a change of heart? Maybe, maybe not. In that regard, he’s already been in a gray area since Impel Down. I wouldn’t be surprised if he accidentally ends up allying himself with Luffy again during One Piece’s conclusion. But with the Cross Guild putting bounties on marines, a (potential) three-emperor interest in going after Blackbeard, and an open-ended Shanks-Buggy plot thread about going to Laugh Tale... Well, there's a lot of places this could go. Would Buggy be willing to give up the greatest treasure in dire circumstances? For Shanks? For the world? Will he become king, and then lose it all? Will he make a sacrifice that parallels Shanks' when they were kids? Who knows!

What do you guys think? Is Buggy going to play a larger role in One Piece’s third act? What is your ideal conclusion for his character in the story? I'd love to hear your thoughts.

I think Luffy would've been. fun to parent

Panel One: Yakko: Come, siblings! Letters from our adoring fans! Wakko: And I've got some too?! Yakko: Yep! Some for all of us! Dot: You must mean MY adoring fans? Panel Two: Dot: We're all great! It's been a bit boring not having to go to work all the time, but I've gotten to practice boxing! Panel Three: Yakko: Gosh, those are so much nicer than those stinkers on twitter! Panel Six: Wakko: Wowza! Thank you, Mr. Man! See, I told you people liked us! But Dot is the cute one! Dot: It's true

"I love you." // "I hate you so much..."

this panel has quickly become a contender for my favorite of the series so far

large tsukasa bias heads up for this post lol, but mostly marvelling at the narrative and evocative power one panel can have because like. god. this panel is SO good. it's so simple!! and yet!!!! even my first time through it made me pause because there's such a palpable energy to it--which, having finished the chapter like 7 times over now haha, i can now say is very strong calm before the storm energy.

i love how this panel functions as like, a thesis statement for tsukasa. he's so perfectly centered, looking head on, his koku joudais on either side of him, the panel cut off right under his stab wound. this panel reads like a portrait.

and the feelings this one single expression evokes!! he's so at ease, and it makes the audience so not at ease.

because we know what "tsukasa" means. we know what tsukasa can do. and the panel immediately proceeding this tells us: akane and the clock keepers don't know what "tsukasa" means. this panel is like a stinger score in a horror movie as a character heads straight into a threat they can't see, while the audience sees the threat plainly but is helpless to warn them.

i especially love this panel coming off of all the chapters we've just gotten. we've seen so many shades and states of tsukasa in the past few chapters, including a very new state:

i've been puzzling over these panels all month, trying to figure out what felt so... distinct? about them, and 109 gave such good context for them. 108 tsukasa feels new because he is a tsukasa we hadn't seen before! this is a tsukasa who lost. but the energy in these 108 panels is really illuminated by the above panel from 109. this is not only a tsukasa who lost, but a sore loser! yet, not actually too deeply bothered; honestly, the best term i can think of here is butt hurt lmao. like. he's not actually scared, he's just sulking. 108 tsukasa looks like he lost a board game, or like he came up against a video game boss he's having trouble defeating--and in this panel from 109, he looks like he just figured out how to win. he's been puzzling over how to get out of this situation, huffy over not getting it immediately when normally he blows through challenges like this, and now he sees his checkmate.

in fact, i think there's a comparison to be made between this 109 panel, and this 92 panel:

the same symmetry, the same smile. centered in the frame, looking head on, undaunted, his koku joudai on either side of him. in his element. putting all his puzzle pieces together, and having fun with it.

i love the line "tsukasa. my name is tsukasa." coming right after such an out of character loss, and right before his return to how we first meet him, how he's been this whole time.

and one last panel comparison, just for the sake of breaking my own heart:

by himself, just tsukasa. not yugi tsukasa, no official title of yorishiro given to himself like the other three get, just tsukasa. this is not the first cage he's had to break himself out of, and he knows he'll find a way out of this like he found his way out of hanako's boundary, even if he has to figure it out himself, just tsukasa.

and he does!--because, like he says: he's tsukasa.

honestly one of my fav things that isn’t ever talked about with Kusuo is that he is honestly when you actually examine him, a pretty normal teenager. He’s insecure, he cares a lot about his mom and is scared of making her mad, he gets invested in other peoples drama, he dislikes PE, he hates being spoiled for things, he has an embarrassing crush that his friends judge him for, he has an awkward relationship with his dad and fights with his brother, he wants to be protected.

Like underneath all the unfamiliar stuff, he is honestly Just Some Guy.

Oda's death becomes even more tragic when you realize Dazai did get there in time to save him.

The first time.

After Ango's betrayal, Dazai reached Oda in time to save him from the poison. Dazai probably spent that night thinking he was going to lose Oda, he sat by his bedside until he woke up again. Sure, he played it cool, like he was just there to update Oda when he woke up, but anyone could have done that.

Dazai stayed, because for awhile he probably didn't know if Oda would ever wake up again.

But he did and Dazai saved him and he could finally let go of the dread clutching his heart, because he made it.

He was on time. He saved Oda.

The first time.

Take me with you 🖤💔🤍

I want this too 😭❤️❤️ ⬇️