So When Will The Main Antagonist Start To Makes Their Move In Your Project?

People in the North of Gaza are being starved and humanitarian aid is not allowed to reach them. Doctors have requested #FeedNorthGaza to be shared so the voices in North Gaza are heard.

From the river to the sea, Palestine MUST be free.

https://gazaesims.com // Esims for Gaza, to allow journalists to broadcast, and to help families to stay in contact.

https://doctorswithoutborders.org // Doctors without Borders

Palestine Children Relief Fund // To help with the water shortage.

So...how is Scrooge involved with the main antagonist? Given how most of the villains targeted scrooge and three of main antagonists have to do with him rather what he did to them in the past (Magica), someone they work alongside (Bradford), or they didn't met but the villain knows him inorder to get rid of him. (Lunarius)

anon really asking all the right questions fr fr. This villain has another target in mind who it is I won’t say. Their inside women will be attempting at getting to Scrooge through his own wealth

im a little curious

pls rb for higher sample size ^^

Your art style is cute ^^ ❤️✨

Thank you so much 😊

As gen-AI becomes more normalized (Chappell Roan encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use gen-AI because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by tech companies. I draw not because I want a drawing but because I love the process of drawing. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

What is the Colliewood Contracts?

Mickey Mouse cameo

Will Poe DeSpell appear in your project?

*glances sideways at the episode titled the Miser and The Magicians*

It's kind of a shame that the "anti-filler" mentality has reached a point where a lot of writers (and fans) assume that if a show isnt constantly moving the plot forward and establishing lore, its basically filler and wasting space. Personally I think its good, if not necessary for a show to slow down and just have characters hang out, or deal with smaller conflicts.

It feels like a lot of stories just want to rush to the emotional scenes with barely any build up to really make it feel earned and satisfying. I've seen fans pester creators to rush the story along and reach the next big set piece rather than take the time to really know and appreciate the characters.

Why should I care about the emotional stakes in episode 2 when I barely know a character's likes and dislikes? how they handle conflict, their approach to relationships both platonic and romantic. etc,

before the fnaf movie comes out i wanna see something:

reblog if you were a fan of fnaf before the movie!