unpopular opinion: i think joker folie a deux was beautiful. not as amazing as the first, but plot-wise, i loved it. the message of both films touches so many people struggling with mental illness (including me). This was NOT made for the general public but for fans who connected with arthur on a emotional level (i was one of those people). great film. critics don't know shit. this was a story about a man who tried to fit in with society, but society spat him back out. people wanted a joker story, but we got an arthur fleck origin story. A broken man not loved by anyone or anything. he was going to start a family but even the love of his life left him. Harley loved the joker, not arthur. The whole story is so sad. Most realistic joker ever.
thank you, Joaquin for being the beautiful man that you are.
This is perfection.
AL: Munson family motto, buddy. Gas, grass or assā
EDDIE: Yeah, yeah, nobody rides for free.
ELIZABETH: ābut weāre broke, so we hot wire.
THE MUNSONS. Your average all-American family.
Ave Satanas, Perpetua. Long may you reign. š¤š
P E R P E T U A
He's so majestic.
I'm not surviving a 2 second glimpse. I'll be passed out on the floor of the cinema.
some cirice eye contact and closeups to help prepare us for his face on the big screen [x]
(i'm not ready i'm not ready i'm not ready)
FUCKKKK OH MY GODDD STOP ITTT ššš
a tiny drabble about why Copia seemed to have been crying prior to the post-credit scene.
As Frater Imperator stood in the cold Abbey hall, he couldnāt help thinking about how much he didnāt want to be there.
He loved being Papa. He loved walking onto the stage to thousands of adoring fans screaming his name. He loved performing for them, giving them a moment of happiness that they could hold onto even after he was gone. He loved spreading Satanās message and giving the weak, abandoned, and unloved a place they could call home.
He never wanted to stop being Papa.
The worst part of all this was that he wasnāt asked to step down. He was not given a choice.
Instead, heād woken up to find his motherās dead body and a letter delivered by Mr. Saltarian.
He hadnāt even gotten to tell her goodbye.
Copia had always been afraid he would end up like Terzo. He was terrified that once the Clergy was done with him, they would force him off the stage and take his life.
Now, he almost envied him. At least his life had ended and his soul was in Hell with his brothers and the Unholy Father he had spent his whole life serving.
Copia was alone. He had no family, no friends, no support to keep him going. He had to stand in his stiff, fancy suit and pretend that he was happy to have been promoted to take his dead motherās place. He wasnāt even given a chance to grieve.
And, on top of it all, he had to welcome some stranger into his home and let him take his place.
Nihil and his mother had emphasized the importance of living in the here and now, but the here and now was awful. He hated it. He wanted to go back. He wanted to hug his mother and tell her he loved her. He wanted to bask in the love of the people heād spent so many years giving his heart to.
He didnāt want to be Frater Imperator.
But he was, and there was nothing he could do to change it.
Maybe, if he was lucky, he and the new guy could grow to be friends.
At least then, he wouldnāt feel so alone.
well, shit.
i need several minutes.
god hes so beautiful
high quality gerard for today
No you know what. I thought Joker 2 was good. And Iām tired of pretending that it wasnāt. Reasons under the cut bc of spoilers.
Because the thing is⦠Arthur was never the incel power fantasy that a lot of people made him out to be the first time around. He was never a true figure of āwhite male rageā because fundamentally he was a figure of an extraordinary level of social/classist and interpersonal abuse that led him to violence that liberated him from that (as is the case with MANY mentally ill and socially disenfranchised people in the world), but the violence was absolutely never the thing that defined him as a character, but thatās always the first thing that people miss when a character is reduced to black and white elements in the zeitgeist. But this movie definitively proved that all of the incel dude filmbros, as well as average detractors who reduced him to that āwhite male rageā narrative the first time around were not reflective of him as a character because in the end, even ARTHUR HIMSELF held himself accountable for his crimes, even fessing up to killing his mother in the eleventh hour. And his subsequent death after this revelation even further drives home the point that how he exists as a figure of nuance could never survive in the world that created him OR the world that allegedly āembracedā him. And I think thatās kind of beautiful from a meta-narrative standpoint and VERY faithful to how the first film operated.
He wasn't laughing.. He was crying.