I’m so confused but I don’t know why I expected anything else
Your back has been aching for weeks now, every movement sending jolts of pain through your nerves. This morning as you slowly and gingerly get out of bed, you can feel your whole back throbbing. Though you want to sleep longer, you know you have to make something to eat, as there isn’t really anyone else around to do it. Hesitantly, you press your hand to your back, swallowing thickly as you find your skin incredibly hot to the touch, noting some swelling as well.
Deciding on a nice cold shower, you shakily stand and begin hobbling to the bathroom. After barely five steps, your vision suddenly whites with agony. Screaming out, you fall to your hands and knees, clutching at the floor with a white knuckled grip. There’s a sickening ripping sound, followed by a few wet thumps, and you feel something hot and wet splatter all over you.
You’re still in pain, but there’s some relief now, as if a pressure has been released. Shakily you lift your head, eyes widening in horror at the display of gore that now covers the room. You just barely register something soaked in blood, arching out to the side from your back, before you pass out, the ordeal simply too much for you to handle.
my roommate and i are temporarily taking care of a Very Small Tiny Kitten that her aunt found in a boarded up shed and shes GONE and its just me in the house with the kitten and its Too Small i cant handle this
Some of the best chemistry/relationships in fiction exist between characters who are/become friends. Here are some tips for making friendships come alive on the page:
One of the most interesting aspects of fictional friendships is the way the characters interact with each other whilst important plot points are occurring.
If your characters have easy banter, teasing one another without missing a beat and managing to bounce off each other even in the toughest circumstances, it will be clear to the reader that these two are/should be good friends.
Friends know each other well. They know the other’s character so well that they can easily find something to tease each other over. However, this also means knowing which topics are off-limits.
If you want to write a good, healthy friendship, your characters shouldn’t use humour/sarcasm as a way to hurt the other. It should be good-natured and understood as such from both sides.
Different friendships will have different types of chemistry. Some friends may tease each other with facial expressions. Others may already anticipate a snarky remark and counter it before it’s been spoken. Others will have physical ways of goofing around.
Some friends might not tease each other at all. Banter isn’t necessary; it’s just a good way to make your characters come alive and make their friendship one that is loved by readers.
What’s important is chemistry - the way they automatically react to each other.
Think Sam and Dean in Supernatural or Juliette and Kenji in the Shatter Me series.
Unless you purposefully want to write an unhealthy/toxic friendship, your characters should both be supportive of the other.
This means that, even if one is the MC and the other the side-kick, both should be cognisant of the other’s feelings and problems, and should be considerate in this regard.
Few things will make your MC as likable as remembering to check in and be there for their best friend even when they are in the thick of a crisis.
You need to show your characters being vulnerable in front of each other and being supportive in ways that are tailored to the needs of each friend.
So, if one of the characters really responds to physical comfort, the other should know to give hugs/rub their back when they’re not feeling well. Similarly, if one of them doesn’t like being touched and responds to material comfort, have the other bring them ice cream and join them for a movie marathon. Whatever works for your characters.
What gets me every time is when a character is falling apart and won’t listen to/be consoled by anyone but their best friend (but this is just personal preference).
This really only applies to characters who have been friends for quite a while.
Good friends know each other’s backstory - the highs and lows and mundane details. They know they layout of their family home and they probably know their family members well.
Friends will often talk about these things, only having to mention a few words for the other to know what they’re talking about i.e. “The ‘09 Thanksgiving disaster” or “You know how Uncle Fred is”
This will instantly make it clear that your characters are close and have come a long way together.
Perhaps there are issues at home/trauma from the past that the other character will immediately understand. So, if one character appears with a black eye, their friend might know that the father was probably drunk the night before and got violent. Or if the character has a nightmare, the friend might know that it was about childhood abuse etc.
This can also apply to good things i.e. if one of the characters gets a nice note in their lunchbox, the other might know that their grandma is in town.
Whatever works for your story should be used to indicate the level of unspoken understanding the friends have.
Few things will make your readers love a friendship more than the friends being fiercely protective of each other (in a healthy, non-territorial way).
Has someone hurt one of the characters? The other should be furious and want to exact revenge. Does someone say something demeaning to one of the friends? The other should defend them immediately and vehemently.
This can also take on a humorous twist if one of the characters starts dating someone. The friend can make extra sure that said date is sincere and promise to exact vengeance if their friend is hurt.
This can also be a great plot device, since it could explain why the MC’s best friend joins the quest/goes along on the journey. Perhaps this is the main plot point: a character seeking to protect/avenge their friend.
If you want to go in a toxic direction, this can be taken too far i.e. a friend who never lets the other spend time with anyone else/stalks the other/is patronising etc.
Even if the two characters are vastly different, there should be something that keeps them together besides loyalty.
This is especially important for characters who become friends throughout the course of the novel.
This doesn’t have to mean that both of them go hiking every weekend or want to become pilots one day. It could be something small, like a love of cheesy movies or a shared taste in music. Maybe they both enjoy silence/don’t like other people. Maybe they are both social justice warriors, but for different causes.
This could also be common characteristics instead of interests. Perhaps both are very ambitious/funny/social.
There should just be some factor that ignited the friendship and brings the two of them together.
This doesn’t necessarily have to be a big part of your story, but you should at least have it mentioned to make the friendship appear more authentic.
Japanese tea bag maker Ocean-Teabag has been making waves by creating little parcels of aroma in the shape of marine animals. Luckily for us, their wide range of tea bags are available at online Japanese novelty retailer Village Vanguard, maker of such fine products as Space Tea and cat-shaped kitchen utensils.
Ocean-Teabag’s earliest designs included beautiful dolphin tea bags filled with blue mallow tea leaves. Steeping them turns your otherwise normal pot of water into a tranquil ocean. Proving to be a hit among tea lovers, Ocean-Teabag expanded their repertoire to many other sea creatures including the sea turtle (butterfly pea jasmine tea)…
the distinctive ocean sunfish (Japanese hojicha — roasted green tea)…
the graceful manta ray (tropical mango tea)…
and even a blood-thirsty shark (blended herb tea).
The newest addition to their robust series of marine creatures is a tea bag shaped like an innocuous sea cucumber. This little parcel is filled with jasmine tea, as well as a smidgen of sea cucumber powder to lend some authenticity. Ocean-Teabag warns that some people who have a sensitive tongue may find it tasting a little fishy.
The company also crafted a deep sea series that will satisfy even the most adventurous of tea drinkers out there. A few such examples are the anglerfish (earl grey tea)…
the creepy giant isopod (Eastern Beauty oolong tea)…
the horseshoe crab (white apricot tea)…
…and lastly the king of them all, the enormous giant oarfish. ( Delicious Assam tea of epic proportions! ) Just like its namesake, it measures a whopping 19 centimeters (7.5 inches). Drinking tea becomes an art when half of your tea bag hangs out of your cup.
While the notion of turning your cup of tea into fish-inhabiting waters is not new, these tea bags will hopefully conjure up images of gentle ocean waves in your mind.
WHERE TO FIND THE TEA
Genuinely can’t put into words how fucking fuming I am that people are not going to see Captain Marvel because they think it’s a film about “putting down men”. She is a powerful superhero who is going to be more powerful than other male characters in the MCU, this doesn’t mean she’s putting them down. Thor is clearly a more powerful character than Valkyrie in Ragnarok but none of us have come online and said the film is sexist/puts down women, it’s just the character’s qualities. Why can’t we just enjoy this new super hero for her amazing qualities and either celebrate the fact she’s a woman, or just not let it effect you’re judgement at all until you’ve seen it. The comments I’ve seen online are honestly delirious. Genuinely people worrying that she will be, and I quote, “an unlikeble character who will use her powers to show up other men in the MCU”, so basically if she does anything powerful or cool in endgame these losers are gonna write it off as what I will assume they define as “feminist propaganda”. Honestly if anyone is thinking like this PLEASE just get a life, take the film for what it is: a superhero movie about an extremely powerful and awesome individual who, yes, will most likely be one of the most powerful additions to the MCU, shut up and enjoy it, or don’t, but don’t use gender as your reason for claiming it’s a bad film.
@writing-prompt-s where are you? All the prompts and stories I submitted are gone and I am incredibly upset
tbh the real advice I’d give to anyone is, do shit alone. go to a museum & go at your own pace & leave the instant you’re done. go somewhere you’ve never been and just wander around, duck into & out of places as it pleases you. linger as long as you’d like.
Hello and welcome to my main blog, which is mostly my odd, or what I deem funny experiences. I have a writing blog where I post things for no real reason(includes prompts)
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