Writing Prompts Are Awesome :>

Oh wow, thank you!

@batfam-stuff-posts-0

@jessicaaxel

@ladyhuntress1213

@jaquinlitch

@sajatalat5

@thedrgnlvr

@everythingismax

@habken

@sob3rtodeath

@wolf-aid

I probably forgot people but ily all <3

Merry 2025!

\(^—^)/

PS you survived yet another year! Be very proud of yourself

@animated-scribble @y0ur-f4vor1te-crypt1d @kartsstuffig @44-mr-midnight-44 @silver-eater @free-slug-cat @my-mom-named-me-duck @softenedsunbeams @ccosmicentity @starsofthestorm @jaime-in-chaos @ the person who sent me this (i cant remember your url so sorry man) @ UHM UHM I FORGOT URLS

POV: Your great at something which you hate.

Sometimes, I wonder if I even write because I want to. Sometimes it feels like I write because when people compliment my writing, it makes me feel validated. Over time, I’ve realized external validation can’t compare to internal approval. I’m working on it but I’m doing better now.

A comic to try and sort through some difficult feelings about being an artist and a reminder to not forget who you are.

So useful-

It’s cool if writing really is accurate, it lets you know the author considered the medical and scientific aspects. Love to see it.

The Anatomy of Passing Out: When, Why, and How to Write It

Passing out, or syncope, is a loss of consciousness that can play a pivotal role in storytelling, adding drama, suspense, or emotional weight to a scene. Whether it’s due to injury, fear, or exhaustion, the act of fainting can instantly shift the stakes in your story.

But how do you write it convincingly? How do you ensure it’s not overly dramatic or medically inaccurate? In this guide, I’ll walk you through the causes, stages, and aftermath of passing out. By the end, you’ll be able to craft a vivid, realistic fainting scene that enhances your narrative without feeling clichéd or contrived.

2. Common Causes of Passing Out

Characters faint for a variety of reasons, and understanding the common causes can help you decide when and why your character might lose consciousness. Below are the major categories that can lead to fainting, each with their own narrative implications.

Physical Causes

Blood Loss: A sudden drop in blood volume from a wound can cause fainting as the body struggles to maintain circulation and oxygen delivery to the brain.

Dehydration: When the body doesn’t have enough fluids, blood pressure can plummet, leading to dizziness and fainting.

Low Blood Pressure (Hypotension): Characters with chronic low blood pressure may faint after standing up too quickly, due to insufficient blood reaching the brain.

Intense Pain: The body can shut down in response to severe pain, leading to fainting as a protective mechanism.

Heatstroke: Extreme heat can cause the body to overheat, resulting in dehydration and loss of consciousness.

Psychological Causes

Emotional Trauma or Shock: Intense fear, grief, or surprise can trigger a fainting episode, as the brain becomes overwhelmed.

Panic Attacks: The hyperventilation and increased heart rate associated with anxiety attacks can deprive the brain of oxygen, causing a character to faint.

Fear-Induced Fainting (Vasovagal Syncope): This occurs when a character is so afraid that their body’s fight-or-flight response leads to fainting.

Environmental Causes

Lack of Oxygen: Situations like suffocation, high altitudes, or enclosed spaces with poor ventilation can deprive the brain of oxygen and cause fainting.

Poisoning or Toxins: Certain chemicals or gasses (e.g., carbon monoxide) can interfere with the body’s ability to transport oxygen, leading to unconsciousness.

3. The Stages of Passing Out

To write a realistic fainting scene, it’s important to understand the stages of syncope. Fainting is usually a process, and characters will likely experience several key warning signs before they fully lose consciousness.

Pre-Syncope (The Warning Signs)

Before losing consciousness, a character will typically go through a pre-syncope phase. This period can last anywhere from a few seconds to a couple of minutes, and it’s full of physical indicators that something is wrong.

Light-Headedness and Dizziness: A feeling that the world is spinning, which can be exacerbated by movement.

Blurred or Tunnel Vision: The character may notice their vision narrowing or going dark at the edges.

Ringing in the Ears: Often accompanied by a feeling of pressure or muffled hearing.

Weakness in Limbs: The character may feel unsteady, like their legs can’t support them.

Sweating and Nausea: A sudden onset of cold sweats, clamminess, and nausea is common.

Rapid Heartbeat (Tachycardia): The heart races as it tries to maintain blood flow to the brain.

Syncope (The Loss of Consciousness)

When the character faints, the actual loss of consciousness happens quickly, often within seconds of the pre-syncope signs.

The Body Going Limp: The character will crumple to the ground, usually without the ability to break their fall.

Breathing: Breathing continues, but it may be shallow and rapid.

Pulse: While fainting, the heart rate can either slow down dramatically or remain rapid, depending on the cause.

Duration: Most fainting episodes last from a few seconds to a minute or two. Prolonged unconsciousness may indicate a more serious issue.

Post-Syncope (The Recovery)

After a character regains consciousness, they’ll typically feel groggy and disoriented. This phase can last several minutes.

Disorientation: The character may not immediately remember where they are or what happened.

Lingering Dizziness: Standing up too quickly after fainting can trigger another fainting spell.

Nausea and Headache: After waking up, the character might feel sick or develop a headache.

Weakness: Even after regaining consciousness, the body might feel weak or shaky for several hours.

4. The Physical Effects of Fainting

Fainting isn’t just about losing consciousness—there are physical consequences too. Depending on the circumstances, your character may suffer additional injuries from falling, especially if they hit something on the way down.

Impact on the Body

Falling Injuries: When someone faints, they usually drop straight to the ground, often hitting their head or body in the process. Characters may suffer cuts, bruises, or even broken bones.

Head Injuries: Falling and hitting their head on the floor or a nearby object can lead to concussions or more severe trauma.

Scrapes and Bruises: If your character faints on a rough surface or near furniture, they may sustain scrapes, bruises, or other minor injuries.

Physical Vulnerability

Uncontrolled Fall: The character’s body crumples or falls in a heap. Without the ability to brace themselves, they are at risk for further injuries.

Exposed While Unconscious: While fainted, the character is vulnerable to their surroundings. This could lead to danger in the form of attackers, environmental hazards, or secondary injuries from their immediate environment.

Signs to Look For While Unconscious

Shallow Breathing: The character's breathing will typically become shallow or irregular while they’re unconscious.

Pale or Flushed Skin: Depending on the cause of fainting, a character’s skin may become very pale or flushed.

Twitching or Muscle Spasms: In some cases, fainting can be accompanied by brief muscle spasms or jerking movements.

5. Writing Different Types of Fainting

There are different types of fainting, and each can serve a distinct narrative purpose. The way a character faints can help enhance the scene's tension or emotion.

Sudden Collapse

In this case, the character blacks out without any warning. This type of fainting is often caused by sudden physical trauma or exhaustion.

No Warning: The character simply drops, startling both themselves and those around them.

Used in High-Tension Scenes: For example, a character fighting in a battle may suddenly collapse from blood loss, raising the stakes instantly.

Slow and Gradual Fainting

This happens when a character feels themselves fading, usually due to emotional stress or exhaustion.

Internal Monologue: The character might have time to realize something is wrong and reflect on what’s happening before they lose consciousness.

Adds Suspense: The reader is aware that the character is fading but may not know when they’ll drop.

Dramatic Fainting

Some stories call for a more theatrical faint, especially in genres like historical fiction or period dramas.

Exaggerated Swooning: A character might faint from shock or fear, clutching their chest or forehead before collapsing.

Evokes a Specific Tone: This type of fainting works well for dramatic, soap-opera-like scenes where the fainting is part of the tension.

6. Aftermath: How Characters Feel After Waking Up

When your character wakes up from fainting, they’re not going to bounce back immediately. There are often lingering effects that last for minutes—or even hours.

Physical Recovery

Dizziness and Nausea: Characters might feel off-balance or sick to their stomach when they first come around.

Headaches: A headache is a common symptom post-fainting, especially if the character hits their head.

Body Aches: Muscle weakness or stiffness may persist, especially if the character fainted for a long period or in an awkward position.

Emotional and Mental Impact

Confusion: The character may not remember why they fainted or what happened leading up to the event.

Embarrassment: Depending on the situation, fainting can be humiliating, especially if it happened in front of others.

Fear: Characters who faint from emotional shock might be afraid of fainting again or of the situation that caused it.

7. Writing Tips: Making It Believable

Writing a fainting scene can be tricky. If not handled properly, it can come across as melodramatic or unrealistic. Here are some key tips to ensure your fainting scenes are both believable and impactful.

Understand the Cause

First and foremost, ensure that the cause of fainting makes sense in the context of your story. Characters shouldn’t pass out randomly—there should always be a logical reason for it.

Foreshadow the Fainting: If your character is losing blood, suffering from dehydration, or undergoing extreme emotional stress, give subtle clues that they might pass out. Show their discomfort building before they collapse.

Avoid Overuse: Fainting should be reserved for moments of high stakes or significant plot shifts. Using it too often diminishes its impact.

Balance Realism with Drama

While you want your fainting scene to be dramatic, don’t overdo it. Excessively long or theatrical collapses can feel unrealistic.

Keep It Short: Fainting typically happens fast. Avoid dragging the loss of consciousness out for too long, as it can slow down the pacing of your story.

Don’t Always Save the Character in Time: In some cases, let the character hit the ground. This adds realism, especially if they’re fainting due to an injury or traumatic event.

Consider the Aftermath

Make sure to give attention to what happens after the character faints. This part is often overlooked, but it’s important for maintaining realism and continuity.

Lingering Effects: Mention the character’s disorientation, dizziness, or confusion upon waking up. It’s rare for someone to bounce back immediately after fainting.

Reactions of Others: If other characters are present, how do they react? Are they alarmed? Do they rush to help, or are they unsure how to respond?

Avoid Overly Romanticized Fainting

In some genres, fainting is used as a dramatic or romantic plot device, but this can feel outdated and unrealistic. Try to focus on the genuine physical or emotional toll fainting takes on a character.

Stay Away from Clichés: Avoid having your character faint simply to be saved by a love interest. If there’s a romantic element, make sure it’s woven naturally into the plot rather than feeling forced.

8. Common Misconceptions About Fainting

Fainting is often misrepresented in fiction, with exaggerated symptoms or unrealistic recoveries. Here are some common myths about fainting, and the truth behind them.

Myth 1: Fainting Always Comes Without Warning

While some fainting episodes are sudden, most people experience warning signs (lightheadedness, blurred vision) before passing out. This gives the character a chance to notice something is wrong before losing consciousness.

Myth 2: Fainting Is Dramatic and Slow

In reality, fainting happens quickly—usually within a few seconds of the first warning signs. Characters won’t have time for long speeches or dramatic gestures before collapsing.

Myth 3: Characters Instantly Bounce Back

Many stories show characters waking up and being perfectly fine after fainting, but this is rarely the case. Fainting usually leaves people disoriented, weak, or even nauseous for several minutes afterward.

Myth 4: Fainting Is Harmless

In some cases, fainting can indicate a serious medical issue, like heart problems or severe dehydration. If your character is fainting frequently, it should be addressed in the story as a sign of something more severe.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

who’s first

Odysseus: 600 men making our way back home to Ithaca!

*Polyphemus swings his club around*

Odysseus: 593 men making our way back home to Ithaca.

*Poseidon wipes out the other 11 ships in the fleet*

Odysseus: ...43 men making our way back home to Ithaca.

*Elpenor's drunk ass falls off Circe's roof*

Odysseus: 42 men making our way back home to Ithaca, I guess.

*Scylla targets the torch holders*

Odysseus: 36 men making our way back home to Ithaca. Put that sword away, Eurylochus.

*Zeus strikes the ship with lightning*

Odysseus: 1 man making his way back home to Penelope and Telemachus. And by the gods, I will somehow make it.

I apologize for asking for donations this way, but it’s my last hope. I lost my son, and I can’t bear to lose my daughter and family as well. I am a teacher who lost his job, and my wife and daughter are trapped in northern Gaza under bombing, starvation, and thirst. My father suffers from severe asthma, and his condition worsens in winter due to a lack of medicine. We did nothing to deserve this brutal war and suffering.

I am asking for just 30$ from each of you to help save my family in Gaza. Please donate through the link in my bio (gofundme or PayPal). With your support, we can reach our goal today and give my family a chance at life. Every bit of help means the world to us.

My campaign was vetted by: @gaza-evacuation-funds @nabulsi @90-ghost

@gazavetters, my verified number on the list is (#113)

I’m so sorry for your loss. Right now, you’re going through something the world thought we would never see again. I can’t directly donate but I’ll do my best to share this post. God bless, I pray that your son is at peace.

I had to.

Mood

You can’t be dead if you were never truly alive 🙃

Are you dead?

Bold of you to assume I was ever alive.

I love the Starscream arch in skybound so much

He's also my baby bird🤲

Hi! Sorry if this is weird or anything, this is my first time sending an ask lol

But I just finished reading your writing about the singer/influencer reader and omfg I love your brain. Like imagine the reader did a cover of/wrote like spit in my face by ThxSoMch or Cigarette Ahegao by Penelope Scott (love her sm btw-) cause just imagine the GUILTTT

Imagine the Batfam listening to their music and just hearing the bitterness in their voice as they sing “Screwing everything up, doing everything wrong, In my defence I wasn’t supposed to be around this long, so” HGDECANZZKNFBVD

Anyway, I love your writing and I hope you have an absolutely amazing week! Take care of yourself too- drink water, eat some food and try to get some sleep ml <3

Nah anon you're cool. I love reading asks. ALSO credits to Luludelulusramblings, they made the originally made Influencer reader. Batfam belongs to DC as usual. Singer reader post: here

You know, in the Art History year 1901-1904, Picasso started the Blue Period where he only painted in the shades of Blue. It started due to the death of his friend, later his financial struggles, and of course the current state of the society. Blue Period art was so good but so doleful and depressing that no one wants to hang it in their house. Singer! Reader started their career covering mainstream songs, band songs, maybe even vocaloid. 

Their blue period started months before they planned to leave the manor. It was a simple cover of MARINA’s ‘Are you satisfied?’ A lot of burnt out overachievers ate that cover, even Tim himself. The song is basically the reader questioning the Wayne last name. Sure it was a goldmine to others but to them it’s a ticket to misery. One song cover turned into many song covers, enough to make a long playlist to play at 3 a.m. when you’re about to have a breakdown. 

The whole playlist? Batfam avoids it because it reminds them of the times they could have been giving you love but they didn’t BUT at the same time they can’t really avoid it. It became like those guilty pleasures playlist. Damian loves and hates reader’s ‘The Family Jewels’ cover because it reminds him of the fact that he and the reader are basically on the same boat. They were just children who needed attention and love. He got that attention and love immediately because of the whole league of assassins backstory. He won’t admit it but the weight of the role weighs like tonnes of iron on his shoulders. 

Jason, Bruce and Cigarette Ahegao will roll together so much. That man has twice the amount of trauma Bruce had and his coping mechanism sucks. All the aggressiveness was just a coping mechanism, underneath he’s a man with conflicted feelings and those years of being dead and suddenly being resurrected didn’t help. Let’s face it Bruce is a tired man who lives a double life. He's a man who dresses up like as a bat making sure the city is safe but he can't cover all grounds. The neglect on reader was unintentional but neglect is neglect.

Dick with reader’s cover of ‘Stressed out’ by Twenty one pilots, no explanation needed. ‘This is me trying’ by Taylor Swift with Cassandra, Stephanie, and Tim. Cassandra and Stephanie being raised by villains and Tim being an overachiever to have his parent’s attention. His parents being always away and realizing he basically did the same thing to the reader by making them feel invisible. 

Double guilt if they left the playlist on autoplay and ‘Daddy issues’ plays. Any version but I think the original fits the bill. Reader ends their blue period with a cover of Mother Mother’s ‘Burning Pile’ basically saying ‘Yeah fuck it, it’s over. I’m burning it, I’m leaving it, I’m closing the chapter’. But to the Batfamily, it meant renewal and turning a new leaf, an invitation to make things better.