Spidey's Love Language Is Bumping Foreheads

Comic-Accurate Uppies!

Ummm how is nobody talking about dat ass Deadpool carrying his babygirl like it's no big deal?!?! 😭

[Weapon X-Men (2025), Issue #2]

Or the fact he talks about them doing "couples counseling"?!?! COUPLES. COUNSELING. Like, the thing COUPLES do! 💍💍💒🌺💐💖💕

Oh. Oh you fucking know why, Wade! Your entire third movie was about you getting your very own Wolverine!!!

These two make me sick (lovingly). 💀♥️💛♥️💛

Something stupid

This app is oppressing me but the last 4 panels are Wade looking at Logan like he hung the stars and Logan panicking and going away. Wade says "I'll treasure them forever"

Got the idea bc I always forget to draw Logan's tags so BUM Wade's the one that has them.

"But Nugget Wade doesnt wear them either" HE CUT OPEN HIS SKIN AND PUT THEM THERE, THEYRE IN HIM, ALONG HIS HEART. TAKE THAT.

I rest my case bye

my favorite genre of fictional character is like "i am terrifying to almost everyone, i'm very good at killing, i can endure anything, i've become exceptionally good at playing into my reputation, and if you try to give me positive social interaction i will react with confusion and cower in a corner like an abused animal. and i may try to shoot you. but there is also a chance i may imprint on you like a feral dog receiving its first loving touch! good luck."

I CAN NEVER HAVE AN ORIGINAL THOUGHT HUH but this this this this this this this this thisthis this this this

My idea for Oliretta for seasons to come. It most definitely will not go this way in canon, but this was too little (or too much) to turn into an actual fanfic, so I’m just putting the draft out here.

Oliretta spend season 5 battling the cons of their long distance relationship (with some heart-warming moments, too, from time to time) and by the end of the season Loretta returns home. She either quits her show for Oliver (which would leave Oliver feeling guilty) or for some other reason (something unacceptable about the production, and Oliver remains guilt-free) or the show moves to New York because the algorithm has picked up that that city is hot right now.

The closer the trio get to solving Lester’s murder, the more there is half-concerned-half-joking talk about who the next body in the building will be, with Oliver getting increasingly irritated at the prospect of his wife being the one. By this time the fans would either be convinced that all this teasing could not possibly lead anywhere or that it’s a massive bad omen.

If the Arconia stalker is caught this season, too, then there should be a joke about the trio finally being able to live their lives without people watching/recording them and what would ever happen in their apartments that anyone would want to take another look at anyway. Which in hindsight is going to be poignant because, obviously, this is the murder building.

Right after the trio catches Lester’s killer, they want to retire to Oliver’s place to recap, record and celebrate, only when they get there the door is open and there’s blood. Oliver, immediately horrified and convinced that his wife has been killed, is petrified with fright while Charles and Mabel rush inside. They find Loretta all covered in blood, staggering towards them, looking equally terrified (cue a chance for Meryl to showcase her immaculate dramatic acting) but there’s another dead body behind her. (This theory does not include who the victim will be, for I haven’t decided yet. I’d like it to be someone less known this time around, because we’ve lost too many friends lately.)

Side note: This would be a great opportunity for the soundtrack to include a darker, dramatic version of Loretta’s theme, starting from the trio entering the elevator to ride to the 10th floor, so that the audience would get to experience some beforehand angst, and culminating at the end with the trio finding Loretta.

Anyway, this gruesome cliffhanger is explained at the start of season 6, after a year of fretting and frantic theorizing for the fans. Loretta found the victim dying in their apartment and tried to help them, but they died anyway. Loretta herself is physically completely unharmed, and she is not the killer either, although the trio pause on that theory for like half a minute.

Loretta spends the season battling the trauma that this experience has left her with and hiding the fact from Oliver, who she thinks has enough on his plate with the investigation. Also, she feels ridiculous for reacting so strongly when the podcast trio have seen so much more death and all seem relatively fine. She confides in Dickie, which strengthens her bond with her son, and Dickie tries relentlessly to encourage her to open up to Oliver about how much the Arconia has started to terrify her (so much so that she’s staying late at work to avoid spending time at the Arconia, which in turn unsettles Oliver). Mabel also tries to ask Loretta if she’s okay, knowing all too well what it’s like to have someone die, basically, in her arms, but Loretta easily brushes off her concern because confiding in Mabel would be guaranteed to get back to Oliver.

The trio include Loretta in the investigation as far as her moments with the victim call for and Loretta tries not to meddle too much, in the process distancing herself from Oliver, too.

By the end of the season Oliver opens up to Loretta about his concern for her safety at the Arconia and Loretta, in turn, finally reveals how much the case has been weighing on her. They end up promising each other to be more open with each other about their emotions, especially the negative ones that they have been trying to spare each other up to now.

Wholesome side detail: Loretta spends the season knitting little clothes for Oliver’s grandchildren, which helps her calm her nerves, prompts sweet family-themed conversations with Oliver and gets Loretta to bond with Mabel over their love for knitting.

I want to [remembers that suicide jokes only further damage my mental health] fuck you like an animal

🐟

Pirate Peter x Siren/Mermaid Wade 😎

and nathan lane and matthew broderick have been in modern family❤️

i hate my friends so much because how can you point out bloomialystock is just cam and mitch from modern family and then go about ur day.

spot the fucking difference

I WAS BORN IN DUSSELDORF THAT IS WHY THEY CALL ME ROLF!!!!!

I want to talk about the evolution of Theo's appearance.

I mean, look at that glow up! That doesn't even look like the same actor, let alone character.

In season 1 he looks a lot like his teenage self: kind of greasy.

Mabel, Tim, and Oscar looked younger in their flashbacks. And to me at least, Theo really didn't. Out of all of them, he's been given the least opportunity to change, to grow up.

Then in season 2 (really just 2x07; in 2x04 when he's talking to his father he looks like his season 1 self) he looks more mature and put together. He's less awkward, more free.

In season 3, the trend continues and it's no longer subtle. He looks quite different, older for sure. He's more relaxed. We see him engage with his friend and his interests, have more fun.

He looks a lot like his dad, while Teddy is just a painting in the back of Uma's closet nowhere to be seen.

I'm obsessed with how the farther removed Theo is from Teddy the more grown up and well he looks, and I'm obsessed with how he looks so much more like his dad in a season where we don't even hear about them interacting.

(I'm also curious if, upon interacting more with his dad, Theo will look more disheveled, to show backsliding.)

I'm obsessed with how he suddenly looks a lot more like Will.

To be clear I don't think whatever symbolism is there in the glasses + beard addition (on some level we can't help but become our parents no matter how hard we try?) is necessarily intentional— I'd have to see season 4 before forming an opinion for sure, but I do think it's more likely that it's just a normal look for James Caverly and the time skip between seasons meant that it wouldn't be weird for Theo to look pretty different. Plus, they've now set him up as a potential love interest for Mabel, so he should probably look as attractive as possible.

But still, in a show that has an ongoing theme of family, it's all very interesting. I think season 4 will have a siblings theme of sorts (posts about why). I'm hopeful that Teddy will return and we'll finally see Theo and Will interact. (Note: as far as I know, Nathen Lane's absence and Ryan Broussard's low screen time were more so due to scheduling conflicts then creative decisions.) I'm also hopeful that we'll see a little more of Will's feelings about Oliver's heart attack and the circumstances leading up to it— because once again, Oliver prioritized the theater over his family, which is, ya'know, the root of all their issues.

And speaking of conflict, we've seen a plotline about how DNA doesn't matter (Oliver and Will,) and one about connecting with biological family after a long and painful separation (Loretta and Dickie.) I wonder if season 4 will have something of a push-pull between the two. Considering the actors' chemistry, it's hard not to imagine Theo and Will connecting if given the chance. (And I do think they'll get a chance at some point, or they wouldn't let the actors talk about it in the aftershows.) Given Teddy Dimas, it's hard not to imagine them having complicated feelings about that. Rounding back to the potential symbolism of Theo's new look re: (fear of; you can't help) becoming like one's father, Will experienced that in season 2 with his son's play. It's also been a theme/fear in Charles' life, so very much in these writers' wheelhouse.

There's no ending to this post, it's just a part of Theo's character arc I really enjoy, and I'm excited to see it continue.

please like if you use.