Manager... What'll... happen to me...
hii! can I request the nxx boys with a reader who used to be in an abusive relationship (now an ex) and an example situation when one of the boys raises a hand the reader thinks their going to git them so they flinch or when the boys cook the reader a table full of food the reader starts to sob because they're not used to eating in big amounts (ik I have that problem) all separate pls c:
srry if it's a bit too much u don't have to accept the request!
Hi friend! Sorry for the wait! This type of request is not a problem for me, but I will put it under a "read more" to be safe!
TW abuse mention; implied abuse; PTSD
❤️ Artem ❤️
Your first instinct upon seeing all the delicious dishes that Artem placed on the table was for your mouth to start watering.
Your second instinct was to consciously shut down that response before Artem could notice, and you managed to cut it off before even a drop of saliva could escape your lips.
You'd trained yourself how to do that in your last relationship, a long time ago.
When Artem finally sat down to join you, you didn't make eye contact with him. You just dipped your head politely and began to eat from the plate he had placed in front of you. If you avoided looking at the other dishes he'd placed on the table, from colorful grilled vegetables to aromatic jasmine rice, then you wouldn't crave them as much.
Artem needed more food than you anyway. He was larger, smarter, busier. He needed the energy, and you should be grateful he whipped up a plate for you at all.
That was what you had learned a long time ago. To be grateful for what you had and not to beg for what you didn't deserve.
Perhaps you ate too quickly, however, because your plate was empty within minutes. You sat quietly, waiting to see if Artem would stir up conversation. (He wasn't a highly talkative person, so you were equally content with sipping from your water glass in silence.)
Finally he spoke, and nothing could have prepared you for the concerned murmur of, "If you're still hungry, you can take more. Everything here is for us to share."
"... Huh?"
Now you couldn't help yourself from gawking at him, wide-eyed and perplexed. "N-no, I'm fine. You already made me a plate!"
Artem pensively prodded at a pepper. "Only to start you off," he explained. "I wasn't sure what your favorite foods are, or what you would enjoy most, so I gave you a little bit of everything and decided to put the rest here in their original dishes so you could decide on your own what you wanted to eat." His brow knitted in consternation as he added, the worry in his tone subtle but unmistakable, "Did you think that was all I would let you eat?"
The worry on his face dramatically increased in mere seconds. He nearly jumped out of his seat as he leaned over with a napkin to dab at your eyes. "You're crying. Are you crying?"
Clearly he hadn't expected this reaction from you, and honestly, you hadn't expected to react this way either. The only person more confused than him right now was you. All of this? For you to eat as you please? Any dish, any amount?
"I... You... You're so kind, Artem," was all you could manage to mumble out between your tears.
"I'm nothing special," he insisted, his deep ocean gaze gentle but firm. "I care about you. A lot. So please... eat up and take care of yourself, alright?"
~♡~♡~♡~♡~
💛 Luke 💛
"Luke, we're going to be late!"
Running on the same wavelength as the brunet sometimes did more harm than good. You had both arrived way too early for the escape room that you planned to do today with some friends, so you had camped out underneath a shady tree and watched ducks floating by on the lake.
Who knew counting ducks could make you fall asleep just like sheep?
"It's like a 5 minute walk! The building is right there!" Luke protested, but even his amused grin couldn't hide the hint of concern in his voice. "That's nothing for me!"
"Okay, then you will be on time, but I don't follow the Luke Pearce cardio regimen!" you whined. "And if you leave me in the dust, I'll never forgive you!"
You knew he wouldn't run off without you, so your "threat" was mostly in jest, but the fear that flickered across his eyes almost made you feel guilty.
Almost, but not guilty enough to stop you from sprinting ahead.
"Wait, wait!" Luke cried out suddenly as you began to dart off without him.
His words stopped you in your tracks, and you spun around as fast as you could to turn back towards him.
The heat coursing through your adrenaline-pumped veins immediately froze as a large hand came flying towards your face.
No. No! I messed up! I'm sorry!
With a shriek, you dropped to the ground, arms raised defensively above your head.
I took it too far. I wasn't funny. He's mad. He's mad he's mad he's mad and I deserve this. I deserve this.
Cowering on the ground with your eyes squeezed tightly shut, you braced yourself for impact. Maybe it'd be a smack, maybe a slap, maybe a punch. You weren't sure, but you knew it was coming.
"I'm sorry. I'm sorry."
... why wasn't it coming?
Hesitantly you opened one eye, expecting to see rage ablaze in Luke's passionate coral eyes.
But instead you saw pure fear on his face, as his skin had gone white as a sheet and his hands pulled in close to his chest, shaking.
"Did I... scare you?" he asked carefully, his voice hoarse.
Why was he afraid? Wasn't he mad? Wasn't he...
Maybe your gut reaction was... wrong?
"I'm sorry," you whispered, and you slowly lowered your arms.
Luke looked as though he wanted to step forward, but he held himself back so as to avoid startling you. "You had a leaf in your hair," was all he said. "I wanted to get it out."
"I'm sorry," you repeated. You felt like a broken record, but as shaken as you still were, what else could you say?
Luke lowered himself onto one knee and tentatively reached a hand towards you, like he were coaxing a small animal. He seemed relieved as you inched a little closer to him.
When you finally got close enough for him to remove the leaf, he instead pulled you into his arms.
"Who do I need to kill, [Y/N]?"
"Luke, no."
~♡~♡~♡~♡~
💜 Marius 💜
You tried to keep your eyes off the clock, but the more time that passed, the more difficult that became.
While you had no doubt that Marius von Hagen, of all people, could easily get another reservation at a high-end restaurant, you knew he had been looking forward to taking you to this particular spot for weeks now. But luck had not been on his side this week, as Pax was swamped from left to right with deals to close and disputes to settle. Marius had been sleeping even less than usual; he wouldn't admit it to you, but even if he covered the bags under his eyes with makeup and chugged coffees, you could see the fatigue in the way his eyes had lost a lot of sparkle.
You loved the mischievous gleams and artistic sparks in his eyes, and if this date was only going to cause him more stress...
"Hey, Mar--"
"You will see me at 2:00 tomorrow, or you will find another buyer! Capice?"
Everything else in the room melted away all at once. The clock. Vincent's apologetic face. The Pax sign behind the desk. The huge windows revealing the sunset. All of it, all of it faded into oblivion as soon as that deep, loud, angry voice hit your ears.
Like a thunderstorm had let loose a ferocious flash of lightning and deafening clap of thunder just above your head, all your senses kicked into high gear to focus on one thing:
Stay alive. Stay alive. Get low, get quiet, stay alive.
You weren't sure when Marius hung up the phone. You weren't sure when Marius walked over to you. You weren't even sure where you were.
Perhaps it was for the best that you couldn't see what Marius saw right now: the person he loved most in the world, crouching behind a couch with hands clapped over their ears, eyes squeezed tightly shut, and murmuring quietly and rapidly in an effort to stay grounded.
Marius von Hagen had money, power, and influence beyond what most people could dream, but even he couldn't stop a trauma response in its tracks.
You flinched as you felt a large weight drop on top of your head, but slowly you unclenched your jaw as you realized it was a large but gentle hand, stroking your hair rhythmically.
You dared to open your eyes, slowly fluttering your eyelids open until Marius' concerned, exhausted face came into clear view.
"I'm sorry I yelled," he murmured.
You shook your head, and as you pulled your hands away from your ears, you tried to reach out and pat him on the shoulder. But your hands were still shaking, and you cursed yourself silently as you realized you wouldn't be able to comfort him like this. "You've been under a lot of stress."
Marius let out a low, self-deprecating chuckle. "That's no excuse. I can't fulfill my very important role if I lose my cool like that."
"The President of Pax isn't allowed to get upset?"
Marius snorted. "Not that role. Nobody cares about me as president, anyway. I mean as your lover."
Before you could even fully process his words and tell him how touching and sincere they were, Marius gently flicked your forehead.
"Besides, I'll be less stressed now that I called off the deal with that old curmudgeon. Ready for dinner, babe?"
~♡~♡~♡~♡~
💚 Vyn 💚
Stealth. Stealth. You were the embodiment of stealth.
Phase 1 had been easy. Since you were staying in Vyn's guest room tonight as he had to get up early (or at least attempt to) tomorrow, he hadn't noticed you tip-toeing out at midnight. That room was around the corner from his own bedroom, after all, and his closed door meant he couldn't see you sneak over to the stairs.
Phase 2 had been a little more challenging: the stairs themselves. In order to avoid any creaking that could give you away, you had decided to crawl along the side and test each step to figure out where the sturdiest part was. (You had also made a mental note to inform Vyn that the third step from the bottom definitely needed to be repaired, because it squeaked like a rusty hinge.)
Phase 3 was almost complete and going off without a hitch. You had just turned the corner into his kitchen, and now the refrigerator door was in plain sight. The hardwood was a bit of a pain compared to sneaking around on carpet, but your socks should be sufficiently muffled on the kitchen tile. You inhaled deeply and gave your stomach a reassuring pat.
'Soon. Soon we will be appeased.'
Gingerly you stepped across the tile, gently you opened the door, and with a victorious smile, you inspected the glowing contents of Vyn's refrigerator.
Jackpot!
As you debated whether to grab yogurt, cheese, or some celery to scoop up peanut butter, a low voice sounded behind you.
"If you want a midnight snack, might I recommend something low sugar so that you can fall asleep shortly after?"
You nearly screeched as you slammed the door shut and whirled around with your back pressed against its cold metal surface. Suppressing a whimper, you raised your arms defensively in front of your abdomen and face as you looked up to an amused pair of glimmering golden eyes.
"I... I'll go back to bed. I'm sorry. I didn't..."
Excuses swarmed your head like a mess of bees, but you doubted any of them would spare you from your inevitable fate.
They had never saved you in the past, after all.
"Please don't be mad...."
You regretted the words as soon as they came out of your mouth. That would just make Vyn angrier! You couldn't bear to look at him, so you turned your head away and held your breath as you waited for his response.
"Why would I be mad?"
Surprised by these words and how genuine they sounded, you dared to take a peek at Vyn. He didn't even look sleepy as he gazed at you with knitted brow and a fretful frown on his pale face. "If anything, I'm... disappointed." He sighed softly and extended a hand to you. "Let me help you up, darling."
You weren't sure your quivering legs would support you even with Vyn's help, so you kept one hand on the refrigerator door as Vyn helped you to your feet. "Disappointed?" you echoed, unable to quash your curiosity.
"Of course. I am, after all, an excellent pastry chef, if I do say so myself." His gaze softened as he guided you slowly to one of the seats behind the kitchen counter. "The thought that you'd rather snack on cheese instead of a fresh tiramisu, matcha tart, or mille-feuille... well, that is quite the blow to my self-esteem."
Was he... trying to lighten the mood? You couldn't be sure if he was serious or joking. "I... shouldn't be hungry. You gave me plenty to eat."
Vyn didn't seem bothered by that. "No 'should' or 'shouldn't' applies here. You are hungry, and I simply cannot allow that." He chuckled and opened the refrigerator, tutting softly as he reviewed its contents. "I'll have to regretfully inform you I am low on eggs, but perhaps next time I can make you a crème brulée."
As relief flooded over you, you allowed yourself to smile. "... I don't think I trust you with a torch at this hour, anyway."
Vyn drummed his fingers against the counter. "Harsh, but understandable." He sighed. "Now then, please select a dessert, unless you want me to psychoanalyze everything that happened just now instead."
"Strawberry shortcake, please!"
Project moon shitposts brainstormed by me and my friend (1, 2, 3)
My name is Saja. I’m a wife, a mother, and a woman who once believed her story would be simple. I thought my days would be filled with watching my daughter grow — from her first smile to her first steps — surrounded by the small joys of everyday life.
But life had other plans.
War has returned to our home. Again. And once again, we find ourselves living under skies that never seem to rest.
There was a moment — a fragile, breathless moment — when the bombs paused and the world seemed to remember us. It gave us hope. We thought maybe, just maybe, we could start to rebuild. But now, we are back in the dark — hiding, holding on, praying.
I’m writing this not as someone seeking pity, but as a mother who has no other choice but to speak.
Imagine holding your baby in the middle of the night, not because she cried, but because the world outside roared too loud for either of you to sleep. Imagine whispering bedtime stories not to lull her into dreams, but to keep the fear from settling into her tiny bones.
This is my life.
This is my daughter’s life.
And even now — especially now — I believe in softness. I believe in kindness. Because when everything else is taken from you, hope becomes the most valuable thing you have.
Why I’m Reaching Out Our home has been damaged. Our lives changed. But through it all, my daughter wakes up every morning with a smile. She reaches for me with trust, with love, with faith that I will keep her safe.
That’s why I keep going.
I’ve launched a campaign to ask for help — not because it’s easy, but because silence is no longer an option. I am asking for support not just for me, but for my baby, and for the quiet strength of so many mothers like me who are fighting, every single day, to hold their families together.
How You Can Help: 🤍 Help us restore parts of our home so we can live with dignity 🤍 Support women and mothers in Gaza with access to care and resources 🤍 Keep the light of hope alive for a generation born in the shadows of war
💛 If you can, please support our journey here:
If you can’t give, please consider sharing. Your voice might be the reason someone else hears ours.
From My Heart to Yours Maybe our lives are worlds apart. Maybe you’ve never lived through war. But if you’ve ever held a child and wished the world could be better for them — then you understand more than you know.
I don’t want my daughter to grow up thinking the world turned away.
Please, if you’ve read this far — thank you. Thank you for seeing us. Thank you for caring. We are still here. Still hoping. Still holding on to every kind act like it’s a lifeline.
because I haven't seen a whole heap of decent information about this... I thought I'd do a beginner's guide to dissociation
disorders that can cause dissociation include:
DID
OSDD
PTSD
depression
OCD
BPD
DPDR
anxiety
eating disorders
some people also experience dissociation due to chronic pain
being dissociated can feel like, but is not limited to:
feeling disconnected from the world
feeling "blurry", "buzzy", "foggy", or "out of it"
not feeling any emotions
not feeling any physical pain
not remembering whole periods of time
feeling like you're floating outside of your body
your brain constantly going in and out of focus
dissociation is generally broken down into two categories:
derealisation: the feeling that the world around you is unreal, foggy, or just out of reach
depersonalisation: the feeling of being outside of yourself, or of not feeling real
I hope this is a helpful post, and that I've made people more aware of what dissociation actually is. if you have any follow-up questions, please feel free to ask!
In the following, I will try to explain the Limbus battle system as good as I can. As you might've seen, this is a turn-based game, but before y'all leave: this isn't turn-based in the way you might think. You 'share' your turn with the enemy. Both you and the enemy will act at the same time. Sort of.
This will digest regular combat. I will probably make a post about Abno combat later. This is also written with an audience in mind that has not played the previous game, so no knowledge about that game's battle system is needed.
Before the battle
Before you actually go into the fight, you will be able to choose the members of your team on the field. The amount of members allowed in depends on the level. Those not on the team will contribute with their passives that can activate alongside those of your fielded ones.
Battle command
In combat against anything but Abnormalities, you command your Sinners by forming a chain from the left orb to the right orb you see. This is what I call, 'Skill Linking'. When you reach the end, you can start the battle and see the results of your Skill Linking. The fight will go from left to right, so those leftmost on the board will act first, etc. The order is determined by their speed values (which you can see above their portraits and above their sprites). This really is just a number that determines the order, don't think too much about this. By default, they will attack the foremost enemy first.
The Skills are not colored for no reason. Should you manage to connect multiple Skills of the same color, then you will activate Resonance. This increases the damage you deal - even more so when you connect 3 of the same color in a row, in which case it's named Absolute Resonance. Start out by just thinking of it as increased damage, the exact percentages I don't really have up-to-date info on. Resonance can also activate passive abilities.
When Skills are used, they are turned into a resource that matches their color. You keep track of this resource at the right side of the screen. This resource is important in the activation of E.G.O.
After Skills are used, new Skills will fill their column to fill the void. Skills are randomly selected from their own kit. You can't use a Skill again until you've used the others first. When you have used their entire kit, they empty the bag and put them in (again, randomly chosen).
As battle continues, a new column will be added for a random Sinner. This allows them to act twice. In the image above, note the column next to Yi Sang.
When enemy and ally meet - or not... (Or: On Clashes and Attacks)
Every attack is either Blunt, Slash or Pierce. Enemies and allies have different resistances to them. This should be easy. An enemy can be weak to Slash, but be normal to Pierce attacks. This can be utilized to both attack the enemy's weak point, and to prevent an attack to a Sinner's weak point.
Now to the meat of the theory.
Coin flipping and Clashing
Gear up, because if you don't pay attention, this will seem gibberish.
Every time anyone attacks, a coin is flipped to determine its result. You will also be able to hear the result. There are two types of bonuses: Positive (+) and Negative (-) ones.
If the coin lands heads, the Skill will get power added if it's a Positive bonus. If it's not, then power is subtracted. You get nothing extra if you land tails. The outcome of a coin landing influences the following ones (if there are any left).
Each Skill has its base damage, which will be your base number.
When anyone attacks someone without the target having an attack set in that slot, it'll be one-sided. When ally and enemy target eachother, the two will engage in a Clash. I said before that the default targeting is for the enemy nearest to them; so naturally, they will end up meeting now and then.
When you clash, you roll all of your coins into one big number. All your bonuses you may or may not get (depending on the coin flip) gets added into that number. Naturally, the one with the higher number wins. The loser gets 1 coin removed from them. In the image above, you can see the enemy losing 1 coin.
For example: you start out with 3 as your base power, with 3 coins, and a +3 bonus if you roll heads. You do so, so now you're on 6. Then you roll tails. You have 6 again. You roll heads again. You're now on 9. All these numbers are added: 6+6+9 = 21, which is your final number.
Should both you and the enemy still have coins to flip, you go through the motions again. This clashing ballet, however, is not eternal as the dancing will stop when either you or the enemy runs out of coins or either of them gets their attack canceled (more on the latter below). The side that can still move will continue to attack and also gains an additional bonus based on clashes won. You really, really want to win here, but this should go without saying.
AoE Skills
AoE Skills damage multiple enemies. (I put that in for the people who didn't see that coming.) One will be the main target, others will be the sub-target. Said main target will (in normal combat) be determined by the 'range' of the skill itself. Think of it as in how in Magia Record, the Magia have different ranges.
Each AoE skill has a max amount of enemy 'attacks' it can target. Certain 'attacks' it targets though, will take up more 'space' in that amount.
Fail an AoE in a clash, and you fail all clashes against those targets. Be careful.
Doing anything but attacking?
But what if you DON'T want to attack?
Listen, I know it's very enticing to keep attacking. But sometimes you just gotta...not do that.
Defense is purely a reaction. It doesn't have any set target, so they can't cause clashes. They protect against incoming attacks (according to their times of usage).
To defend, you can either Guard, Evade, or Counter.
From left to right: Defend, Evade, Counter.
Defend is simple. It's a shield (based on an amount of HP) that protects against incoming attacks. It reminds me of a certain skill in a certain other game I can't name here, but it works like that. The amount of shielding HP is set and not influenced by anything like passives or any status effects they might have.
Evade is trying to avoid to be attacked entirely. This is also fairly easy to understand. If you roll a higher evade number, then congratulations, because you've succesfully evaded that attack. The upside of this is, I think, that if the enemy has nasty shit that activates 'on hit' (no matter whether it deals damage), you will be able to avoid those effects. The other upside of this is that, if you win, your evade is 'stored' so you could possibly dodge multiple attacks. If you're lucky.
Counter happens after you're attacked. Out of the three Defense types, only Counter has a color like the Skills do and can generate resources (and engage in possible Resonance). From what I see, it's exactly what it sounds like - a counter-attack, a retaliation.
Sitting ducks are tasty!
Did you notice the yellow lines in the health bars? Those are Stagger tresholds. If anyone takes damage past the yellow line, they will be rendered Staggered. I can best describe it as, being rendered a sitting duck. Your damage resistance is all set to Fatal (x2.0, I assume) and you can't attack. If you get Staggered in the middle of a Clash, then yeah, you lose either way from that moment on as you will stop doing anything but taking damage.
Stagger lasts until the end of the turn. Breaching multiple tresholds can further increase damage, but not the duration. Even so, Staggering the enemy is a perfect way to really get to pop off any battle.
Remaining Sane
Unlike what it seems like, your Sinners do have a certain amount of Sanity. It's a number that ranges from 45 to -45, and can be seen in the blue orbs on their portraits. You enter each battle tabula rasa, at Sanity 0 (Sanity amounts is carried over in Story and Mirror Dungeons, the only occasion where it is).
Sanity fluctuates depending on the course of battle. Should a Clash be won or enemy be killed, then Sanity goes up. Should allies die, then Sanity goes down. Think of it as becoming more hopeful and positive, or progressively crazier and desperate.
Positive Sanity increases the chance of coins landing on heads, and the inverse is also true: Negative Sanity causes more coins to land on tails. As certain Sinners gain a negative bonus on Heads, you may take this into consideration.
Enemies, except Abnormalities, have this Sanity, too. When they're at low Sanity, they will Panic. It's not explained what this is, but it will make fighting against them easier.
The Master of this emotion...
Now on to my favorite parts of the battle system, which are...
E.G.O Skills! These are your Magia/Ultimate Skill/etc. They cost an amount of resources (the one that you gain by using Skills, remember? You will be able to check which you need) and take a toll on the user's Sanity. They, however, are very powerful and they can be viewed as equipment. Yes, you read that right - in contrast to most 'Ultimates', they come with their own set of Resistances and can make weaker Resistances strong. This is advantageous, especially in prolonged battles.
These skills can, should you have the resources, be used anytime, anywhere. They can be used when Sinners are at low Sanity. Should you do that...
E.G.O can go wrong and Corrode. This will result in a different, usually stronger attack. The closer the Sinner is to negative values, the larger the chance is that this happens. You might be wanting to keep Sanity levels low to get more damage out of E.G.O. - if their Sanity isn't the lowest of the low, then they will continue as normal, after all... The bad thing is, that when Sanity is absolutely in the gutter, then the Sinner themselves will remain stuck in their Corroded state, and paint the City red with anything that moves, regardless whether it's ally or enemy. It's Doppel on steroids, essentially (as well as sorta kinda how it should work there, lore-wise).
With all of this, this has become quite the long post. I hope it's still readable enough (also because English isn't my mother tongue) to be digestable. And, finally...
A Future Beyond War Starts With You 💙
My name is Naser. War took everything from me—
my mother, my sister, my home, and the life I once knew.
In a single moment, my world was shattered,
leaving behind only memories and the weight of loss.
But even in the darkest moments,
I refuse to give up. ✊
Because I still have something worth fighting for—
my three younger brothers.
🔹 One dreams of becoming a doctor 🩺—to heal others so they don’t have to suffer like we did.
🔹 Another wants to be an engineer 🏗️—to rebuild what war has destroyed.
🔹 And the youngest? He just wants to be a kid again 🧸—
to wake up in a safe home 🏠,
to laugh, to play, to feel peace.
🏡 We need a home. We need education. We need hope.
Right now, we are not just fighting for survival—
we are fighting for the chance to live, to grow, to dream again.
We are fighting for a future where my brothers
can become the doctor, the engineer,
and the child who gets to have a childhood.
💙 This is where you come in.
I’m not asking for much—just a chance.
A chance to rebuild.
A chance to give my brothers a future beyond war.
Your support—whether through a donation or simply sharing our story—can make all the difference.
Even the smallest act of kindness can create ripples of change. ✨
🙏 Will you help us rebuild?
Together, we can prove that war doesn’t get the final word—
hope does.
Thank you for standing with us. 💙✨
My name is Abdelmajed. I never imagined I’d be sharing my story like this, but life in Gaza has become unbearable. I am a survivor of the war here, and in the blink of an eye, everything I once knew—my home, my safety, my community—was ripped away from me.
The war has transformed Gaza into a graveyard of broken dreams. The buildings that once stood as symbols of life and resilience are now piles of rubble. Every corner is filled with the echoes of explosions. Every moment is shrouded in uncertainty. There is no security. There is no stability. There is no light at the end of the tunnel.
Basic needs have become luxuries. Food is scarce. Clean water is even scarcer. Hospitals are overwhelmed and under-resourced, and there is almost no medical care to be found. Every night, families go to bed hungry, praying they’ll wake up to see another day. The cost of basic necessities has skyrocketed, and it’s become a daily battle just to survive.
I’ve seen things I never thought possible—standing in long lines for a piece of bread, rationing every drop of water, and watching my people suffer in silence. I have lost everything—my home, my safety, my dignity.
Escape from Gaza is my only hope, but it’s almost impossible without financial help. The cost of evacuation is far beyond my means, and without support, I’m trapped in a warzone with no way out.
I’m reaching out to you now, in the hopes that someone, anyone, can help. I am not asking for luxury. I am asking for a chance—just a chance—to live. A chance to escape this never-ending cycle of fear, destruction, and loss. A chance to rebuild my life somewhere safe, where I can begin again, where I can find hope once more.
Any amount you can give will help me get closer to safety. Even the smallest donation will make a difference—it could be the lifeline I need to survive. If you are unable to donate, please share my story. The more people who hear it, the better the chance that I can find the support I desperately need.
Your kindness and support mean the world to me. You’re not just helping me escape a war; you’re giving me a chance to live, to rebuild, to breathe again.
Thank you for listening. Thank you for caring.
As of posting, it has never been outright stated in the game that Mizuki is transgender, although the fact can be inferred from several hints in the story, mainly from how their classmates act around them. Outside of the story, there are several visual codes that suggest or even confirm the fact that Mizuki is trans.
A lot of color coding and symbolism is used to suggest that Mizuki is transgender, perhaps the most obvious example being their Fragment SEKAI, which uses the same color palette as the transgender pride flag. You can read more about that in this post.
Both the 2D and 3D MVs for IDSMILE, Mizuki's first commissioned song, switch betwen a pink (typically feminine) and blue (typically masculine) color palette, but are pink for the vast majority of the song. In the 2DMV, the background changes to blue for the first part of the final chorus, before returining to pink before the end of the song.
In the 3DMV, the lighting changes to blue during the instrumental, then shifts between pink and blue during the bridge, and then remains as pink for the final chorus.
A similar use of lighting can be seen in Mizuki's trained The One Who Gave Me Courage 4*. Mizuki's room is lit in blue, with pink light filtering in through the window, which Mizuki is leaning towards.
This point was submitted by @glitter-and-strangle-hugs
And if you look closely at Mizuki's Nightcord icon, you'll notice that it uses the same blue, white & pink color palette as the trans pride flag.
This point was via a reply from @misty-is-a-dragon
All of the symbolism and color-coding aside, the fact that Mizuki is transgender is actually confirmed by their middle school appearance. When they were in middle school, Mizuki had a typically masculine haircut and wore more masculine clothes. They also wore Kamiyama's male uniform, indicated by the tie used, the side of the blazer that the buttons are on, and the fact that they are wearing trousers.
You might also notice that in their middle school bedroom, they have a cloth covering their mirror, but in high school the cloth is folded over and the mirror is visible. This could be linked to their appearance at both points in time, and Mizuki being more comfortable with their feminine presentation.
A final, song-based example of Mizuki’s trans coding is that they (alongside Mafuyu) covered Villain, a song with a transgender narrator. Mizuki also has a solo Another Vocal of the cover, which you can listen to in the video above.
The song IDSMILE also adds to the case, since the lyrics describe Mizuki’s situation of being afraid to tell people their secret [about their gender identity] and distancing themself from their friends by keeping it hidden.
gotta admit, I'm impressed with their dedication to the bit
Cliff, he/him 🏳️⚧️ give a clown caffeine and you'll create a one-man circus
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