C-est-ta-fille-rousse - ✌🏽

icemav coded

so i’ve been binge-watching Brooklyn Nine-Nine all day and I am totally on board with the “John Mulaney should guest star on the show as Jake’s high school best friend/lowkey boyfriend” idea, but I raise you

Once everyone putting it together that they weren’t “just friends”, Amy (out of confusion more than anything) asks “Wait, Jake, you dated John Mulaney in high school?”

And just as Jake is responding “Uh, I guess so?”

John Mulaney says “Wait, your name is Jake?”

Turns out John Mulaney spent the entire time thinking Jake’s name was John (and, of course, this is at the end of the episode, and John Mulaney has only ever referred to Jake as “Peralta”).

John as in “Salt & Pepper Diner” John. As in “Scatter” John.

As is “Jake Peralta has been featured in half of John Mulaney’s best bits over the years, but nobody put it together because of wild misunderstandings”

does it ever drive you crazy… just how fast the night changes?

The way this scene made me actually sob:))))) I’m fine:)))))

my absolute favourite genre of Hangster fic might be "are they really enemies with benefits or is Bradley just stupid"

i think im gonna be sick

Source: Screen Rant

rian johnson has managed to evade all common ethical problems in his screenwriting and i want everyone to know that the knives out mysteries are a perfect representation of how to write about a certain community respectfully AND simultaneously not make a big deal of how good you are at being a diverse writer.

in knives out and glass onion, both main characters are women who have been wronged by the other main character(s)—in marta's case, she experiences xenophobia from the thrombey's constantly; in andi's, she came up with a billion dollar idea which was stolen by a white man. when she took him to court for it, her entire friend group sided with this man; this directly affects helen after andi's death.

andi and marta's stories specifically represent real experiences for women who are minorities in america, but the stories are told without being too ham-fisted or obvious about it. these aren't stories about racism, xenophobia, and misogyny, they're stories involving racism, xenophobia, and misogyny, which i feel is something you don't often see. they're not triyng to prove a point by telling these stories, they're just stories being told—it's a difference that's hard to describe, but you know it when you see it. it's got less of a looking-into-the-camera-for-emphasis vibe.

alongside this, benoit was never a white/male savior to neither helen nor marta (respectively). he helped helen when she came to him about andi and he stood behind marta when he saw the tox report, but he never took over the case and they were never treated like damsels in distress. in the end, helen and marta took control of their own revenge and benoit nudged everyone else to the side while they did it. benoit is not the hero of these stories, helen and marta are.

this is good fucking writing!!!! i need film bros to be positively insufferable about rian johnson NEOW

edit 12/26/22: i've been told that ana de armas is a white latina. genuinely i did not know, she always looked brown to me and i haven't seen her in anything other than knives out, that's truly my bad. i've updated the post now to change the language about marta, other than that everything remains!

hangster or icemav friendship kiss 🫶🏻

The gayviators