Bunnyoftheapocalypse - Bunny Of The Apocalypse

Comic by PetFoolery

Hands up if you'd also adopt that little noodle! ✋

Follow the bread trail

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Such an exquisitely beautiful image.

collarme:

(via sexual)

Something about the way the plates of his metal arm shift when he moves is so hot. Sue me.

Nooooooo!!!! Not Facebook!

When Tumblr goes down.

Bucky Barnes & Alexei Shostakov in What If...? Season 3 Trailer

Presenting: CATWS in 3 minutes

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hiyao Miyazaki

Anthony Mackie and Sebastian Stan’s Compliment Showdown

Sebastian Stan for Los Angeles Magazine 🌛

It's just that, help, I can't handle with his hands! ❤️‍🔥