"When wind turned to dust" A photo realistic charcoal portrait of Joel Miller from the last of us on paper ( 28×41cm) by Tanaya
Add something, if you'd like.
define hole / is a hole a real thing? / Marco Poloni, Black Hole, from The Majorana Experiment, 2010 / Flatfields Fotografien / What We Talk About When We Talk About Holes / Dark (2017-2020) / post / Disco Elysium / Twin Peaks: The Return (2017) / Donnie Darko (2001) / Outer Range (2022) / Kaveh Akbar, from “The Miracle,” Pilgrim Bell / post / Weizmann Institute of Science / Mathworld / post / post / post / post / Anne Boyer, from “Woman Sitting at the Machine,” in A Handbook of Disappointed Fate / Dennis Patrick Slattery, The Wounded Body: Remembering the Markings of Flesh / The Incredulity of Saint Thomas, Caravaggio, 1601–1602 (detail) / The Incredulity of St. Thomas, Bernardo Strozzi, 1582-1644 (detail) / Don McKay, from “Twinflower,” Field Marks: The Poetry of Don McKay, intro. Méira Cook (Wilfrid Laurier University Press, 2006) / thierryetherve / Pathologic / post / Gregory Orr, from How Beautiful the Beloved / Tomas Tranströmer, tr. by Robert Bly, from a poem titled “Track” / Disco Elysium / Anne Carson, Economy of the Unlost / Pathologic 2 / Jonas Burgert, Sand brennt Blatt (2010) / Disco Elysium / Carl Phillips, from “Givingly”, Wild is the Wind / post / Pathologic / The Juniper Tree (Nietzchka Keene | 1990) / John Banville, Eclipse / Twin Peaks / Disco Elysium / VectorStock / True Detective / Night in the Woods
I also want to give credit to @arairah for being the lead holologist on this site and the intermediate source for a lot of this, thank you!
On the subject of Manipur, there is a reference to the state as far back as the Mahabharata. Chitrangada is a princess of Manipur who marries Arjuna. In most accounts she is a warrior princess, probably from a matrilineal society, who does not accompany Arjuna back to Indraprastha after his years of exile.
Representations of Chitrangada in art: 1. By Pobsant Roockarangsarith (X); 2) Ramendranath Chakravorty’s 1941 woodcut of Chitrangada and Arjuna and 3) Avik Chakraborty’s Royal Ladies of Mahabharata: Chitrangada.
Sage sounds just as good as it looks
“For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have. The sea rises, the light fails, lovers cling to each other, and children cling to us. The moment we cease to hold each other, the moment we break faith with one another, the sea engulfs us and the light goes out.”
— James Baldwin, from “Nothing Personal,” in Collected Essays
—On Earth We’re Briefly Gorgeous, Ocean Vuong
What the album Obscured by clouds- Pink Floyd feels like to me
― Haruki Murakami, Norwegian Wood
[text ID: In the deepening spring of May, I had no choice but to recognize the trembling of my heart.]
Yes.
The cover art of Saga #1-15 by Fiona Staples