this parallels so hard with percy saying “i’m done running from monsters” when going to see zeus bcoz for percy there is no difference between a monster out to get him and a god out to get him because their reasons are never ever justified. what defines a monster anyway? looking like one? nope. acting like one. and a god targetting a literal child is acting like a monster. holy shit the writers were on fire and holy shit i love the parallels
When Sally says “Not everyone who looks like a monster is a monster.” Can be a lot of characters but I think the one that sticks oht the most is Tyson. Especially how Annabeth has to get over her stereotype that all cyclops are monsters in the second book.
See THIS is why I trust the writers because the whole point of the deadline passing was so we could SEE Poseidon surrendering for Percy. The show has given Poseidon a more active and loving role in Percys life. The gods pride would never let them surrender to one another. But Poseidon knew his brother wouldn’t spare his son’s life. And he knew the only thing that would spare his son’s life was him surrendering. ALSO FURTHER CEMENTING THAT PERCY IS HIS FAVORITE CHILD! The writers pens this episode>>>
women in PHLEGM (poetry, history, language, english literature, ghost stories, music)
THE PITT 1.15 "9:00 P.M."
and let the history books name joe biden, rishi sunak, justin trudeau, emmanuel macron, ursula von der leyen and every other world leader who did not step in to prevent the genocide of palestine as cold-blooded murderers. may they face a shred of the immeasurable pain and suffering they allowed to be committed against 2.2. million innocent lives.
EWAN MITCHELL as AEMOND TARGARYEN House of the Dragon 2.05
the urge is so very strong
Were others as uncomfortable as me when Yijin in ep12 said, 'It doesn't matter that she (heed) doesn't know what she's doing; I know.' Maybe it's a mistranslation, but in the present version, it came across as paternalistic and very odd.
*sigh*
listen, i get you. it’s very easy to misinterpret or misunderstand this line, and i don’t think there’s anything wrong with your reaction. the way we react to text within or without context comes down to our interpretation, and sometimes our instinctive reading does not take into account the larger picture shown in the entire text.
i can’t speak in terms of translation, but i’m going to tag the lovely @consigliere-vincenzo in case they have any remarks about the translation of this scene as a whole (please feel no obligation to engage with this unless you want to!)
what i can offer my take on is the meaning of the line as i hear it and understand it within context, because context is where the majority of meaning is formed.
firstly, i hear two implied endings to this line:
1. she doesn't have to know what she's doing, because i know what she’s doing towards me.
2. she doesn't have to know what she's doing, because i know what i’m doing towards her.
i believe that both of these endings exist at the same time; they are equally implied within the first part of the line, and are equally important for the negotiation of meaning behind it.
what comes across to me in both of these versions is a statement of trust and a vow of reliability.
in the first instance, i hear the meaning of even if hee do doesn’t understand the full meaning of her actions, i trust her to do things the right way. even if she doesn’t realize what her actions towards me imply, i see her feelings and accept them. even if it takes her a long time to translate her feelings and actions into words, i know her well enough to understand her without her needing to explain herself. i know what she’s doing about our relationship and i’m going to stay by her side until she sees it through. i know her well enough to see her heart.
in the second instance, what comes to focus is the difference between yi jin and the “cutie pie character” (never letting him outlive this) in the way they approach a potential romantic relationship with hee do. while the “cutie pie character” doesn’t know what he’s doing, as he’s just as likely to be serious about his relationship with hee do as he is to get tired of her after abusing her feelings, yi jin knows what he’s doing. while the ex-boyfriend is careless about how he treats hee do, yi jin is careful to never hurt her feelings, to never overstep or take advantage of her. while the ex-boyfriend doesn’t know hee do well enough to harbor any real feelings towards her as a person and not just a pretty face or a successful fencer, yi jin knows every facet of her personality and knows that there is real feeling behind his actions towards her, and her actions towards him. while the “cutie pie character” will approach the relationship without responsibility towards hee do’s needs and feelings and prioritize his own, yi jin naturally puts hee do’s needs first and doesn’t even dare to cross the line between friendship-coded behavior and romance-coded behavior, because he values her emotional well-being more than his own. so hee do doesn’t have to know what she’s doing in terms of their relationship, or whether she’s doing things the right way, because she can count on yi jin to know what he’s doing. she can make mistakes for both of them, because he is careful not to make any.
with yi jin, hee do can be vulnerable enough to do things by instinct instead of by logic, by feeling instead of by thought, because yi jin trusts her instincts and feelings, and because yi jin is committed to always putting her first.
as this line is the culmination of yi jin’s speech, all of these meanings are encoded in the statements he makes before this one and supported by his previous behavior and words towards hee do. if yi jin’s reaction towards the ex-boyfriend seems out of proportion to the conversation, that’s because yi jin’s feelings are much bigger than the ex-boyfriend’s. it’s because he cares intensely while the ex-boyfriend is willing to toy with him and hee do that yi jin gets really angry, because who is this person to question their intentions towards each other when his own do not come from a place of genuine love? who is this person to accuse yi jin or hee do of not knowing what they’re doing, when he clearly doesn’t know the consequences of his own actions?
if anyone is being “paternalistic” in this situation, it’s the ex-boyfriend, who keeps infantilizing hee do by calling her by a pet name, and tries to verbally “win” the right to date her, as if the matter should be solved between him and yi jin, without taking hee do’s opinion as a factor at all. yi jin is clearly uncomfortable with this conversation from the start, and systematically counters the ex’s usage of the pet name by placing emphasis on hee do’s name in his sentences (it’s not always translated but listen and you’ll hear it), thus continuously asserting her autonomy as a person and not the idea of a girlfriend. when the ex questions hee do’s judgement, yi jin implies that even if hee do is unable to put a name to her actions and feelings, he trusts her to know what she’s doing, and she can rely on him to know what he's doing.
interpretations are subjective, and your feelings are valid -- but i hope my analysis helps you understand the line in the way that i do.
Ewan Mitchell & Tom Glynn-Carney react to House of the Dragon Scenes
she/her. desi. standbi. certified bollywood buff. multifandom.dupattas. sunflower fields. lotuses. cigarettes in lehengas. phool. kajal. yeh aankhein.लोग जुड़ते गये और बनता गया कारवाँ, मेरी जान
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