When I Have To Write A Summary For The Fic I Was Excited To Post

I really super wanna write but wait now my grandmas sharpening a knife while making eye contact with me. I have to go cut the cheese into slices 😔

sometimes reading about bkdk being in love really gets me through the week

And in the end 💚🧡

the dialogue I write in my head as I’m falling asleep is always so great, I wish they’d invent a me who remembers it in the morning

Short For Grenade update/excerpt !

every time i think im making solid progress with this fic, it keeps getting longer on me lol, so here's the most recent bit ive written:

“My, my, what a passionate statement,” Mitsuki pointed out, poking his knee. Katsuki frowned.   “I hate you,” he hissed.  “You are just chalk full of those feelings today, kid.”   Katsuki groaned loudly and extricated himself from his mother’s gentle grip, stomping up the stairs with a few curses tossed over his shoulder to avoid her less-gentle, bitch-ass cackling at his expense.  “C’mon Nade!” Katsuki called, grinning proudly to himself when he heard the sound of her nails scrabbling up the stairs behind himself. “Good girl,” he praised, waiting for her to trot into his room before he closed his door. 

Still in the living room, Masaru fell into Katsuki’s abandoned space on the couch, intertwining a hand with his wife.  “He didn’t slam it,” Masaru pointed out quietly, a wide, wobbly smile crawling over his face.  MItsuki eyed the staircase for a long moment before raising their clasped hands to place a kiss on her husband’s wedding band.  “Guess we’re not fucking this whole parenting thing up after all.” Masaru’s hair was greasy where it brushed against her neck, his body warm in all the places they were connected, and Mitsuki was…happy. She carefully stroked Masaru’s bangs away from his forehead while he began to sniffle on her shoulder, the sound of Katsuki’s raucous laughter echoing through the house, followed by the gleeful, yipping bark of Grenade the fucking dog.  Maybe…maybe they really weren’t fucking up, she thought to herself- maybe for the first time since they’d brought Katsuki back from the hospital, away from the watchful, knowing gazes of the doctors and nurses, and Mitsuki was left wondering just what the hell she was supposed to do with her baby now.  “You’re such a damn sap,” she murmured, tightening her grip on Masaru’s hand.  Masaru chuckled wetly, lifting his face to press a lingering kiss to Mitsuki’s temple. His eyes shone behind his glasses.  “Grenade,” he said wondrously, because neither of them could recall the last time Katsuki had stormed up to his room, angry, and not slammed the door.  And nothing else really needed to be said.   Mitsuki tipped her forehead against Masaru’s.  “Grenade,” she agreed in a whisper.

pro hero shinso!!!!

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the way you jump from creating silly, hilarious fake tweets to really beautiful pieces of writing is so inspiring to me. I'm happy I could read ur stuff and deeply appreciate every comment you've left, even if it takes me a while to reply lol <3

tysm!! im glad that the things i create were able to inspire you this year! that’s so cool :)

and im really happy we were able to connect on here! i look forward to seeing what new things you write in 2025 (and the new bkdk things you reblog lol) <33

literally 😭💚

For me, I try to replace words like said with something more specific, but only if the dialogue needs it. So like:

“I hate you,” he said.

can be a lot less effective in an argument scene than,

“I hate you!” he shouted.

So advice #1 is add specificity so you can paint the image that you want your readers to have. If I’m struggling to find the specific word I want to use I’ll sometimes try OneLook Thesaurus, but honestly sometimes the simple ones you think of first work best (he shouted vs he vociferated, yk?)

But sometimes you don’t even need the specificity in the dialogue tag to make the image clear, you can focus on description and leave the dialogue standing on its own, like:

Tommy gripped Clarence by the collar, his nostrils flaring.

“I hate you!”

As long as it’s clear who’s speaking, stand alone dialogue can be really effective and it’s smth I’ve had recommended to me before. So advice #2 would be to simply drop some of the said’s or ask’s that aren’t doing much for your dialogue. (But this doesn’t mean it’s automatically better to cut out all of them, especially if some of those tags do a lot of work for the pacing of your dialogue, it’s really up to your own judgement as the all-knowing author)

And advice #3 is just that writers notice the said’s and ask’s way more than a reader ever does, bc to a reader those words tend to become part of the landscape of what they’re reading and feel very natural but if you choose a synonym of said that feels really out of place, then they’ll definitely notice it

So overall I’d say don’t get too in your head about it :)

Having a lot of said’s and ask’s is totally normal, it’s really just up to you if you think they’re not doing enough work to paint the picture you want or if it might be punchier to have to dialogue be without tags! Might even be worth it to look at a piece of writing you really like to see that author’s balance of said/asked vs more specific tags vs no tags at all, especially to note which ones you, as a reader, like the most

Hope this helps and best of luck with your novel!!

I'm using said and asked way to many times in my writing. Where do you all get your synonyms from??

And don't tell me 'Google'