Detail of Lemminkäinen At The Fiery Lake, Sketch by Robert Wilhelm Ekman (1867)
"And down in Hades, your father will care for all the rest" -from Euripides' "The Trojan Women"
I will never be free of the Hector sadness. also Scamandrius was technically the last king of Troy which is something I think about sometimes and feel normal and sane.
You want to fall on your knees.
You want to scream and beg about everything, that's wrong. Everything that's right and still wrong. What you should be. What you want to be. How your whole body hurts and the pain seems to go beyond. How it makes the whole world hurt. You plead for death or life or anything but this. You are chocking on your words as you realize... This is not how it works.
And your deity takes your hand. They hold you tight as they say
Do not kneel.
I walk with you. Help you. Teach you all I can. I care for you. But do not kneel in front of me and plead.
You have to stand so I can walk with you.
Bronze sculpture of Dionysus. Materials: bronze, silvering, gilding. Base made of marble. The product contains natural amethysts.
*punches the air* i love gods of complexity! *does a kick flip* i love gods that don't automatically fall into "does no wrong" and "only does wrong" categories *does a handstand* no purely good or evil for me! i want more reflections of us as humans! we are capable of love and hatred, construction and destruction, and so are the gods! *turns into a dragon and spits out a jet of flame* being complex does not mean we should give up trying to understand or venerate them! respect people who also want gods like this in their lives!
Satan as the Fallen Angel
Painted by Sir Thomas Lawrence (1769-1830) in red, white, and black chalk, this creation of phenomenal artistic mastery is a part of a larger group of art pieces. The full collection consists of six different paintings depicting scenes and characters from Milton's Paradise Lost. One is currently at the Royal Academy of Arts, one at Louvre, one in Private Collection, and two are lost.
Satan in this depiction stands in his full humanised glory - imagery typical of the late 18th century Romanticism when the fallen angel lost his beastly, animalistic appearance in art. His features here remind one more of David or Apollo Belvedere in his majestic, heavenly beauty caught right before the fall.