Here It Is, My Long Winded Tutorial, Complete With Some Step By Step Action. I See A Lot Of People Talk

Very happy to finally post my second tutorial ! You guys have been so kind the last time and I really hope this helps some of you in your art path 🙇‍♀️

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

I've had this little idea in my head for a while now, so I decided to sit down and plot it out.

Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!

Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)

And hey, is this helps... maybe sit down and write a story! :)

Fantastic art

12 Red Herrings to Keep Your Readers Distracted

I’ve seen mystery/thriller authors use the same handful of red herrings too many times to count. So here are some (hopefully not as common) red herrings for your writing. 

1. The Unreliable Narrator's Bias

Your narrator can play favourites and scheme and twist the way your readers interpret the story. Use this to your advantage! A character portrayed as untrustworthy can really be someone innocent the narrator framed, vice versa. 

2. The Loyal Traitor

A character with a history of betrayal or questionable loyalty is an obvious suspect. They did it once, they could do it again, right? Wrong! They’ve actually changed and the real traitor is someone you trusted. 

3. The Conflicted Expert

An expert—like a detective, scientist, or historian—analyses a piece of evidence. They’re ultimately wrong, either due to bias, missing data, or pressure to provide quick answers.

4. The Overly Competent Ally

You know that one sidekick or ally who’s somehow always ahead of the curve? They’re just really knowledgeable, your characters know this, but it makes it hard to trust them. Perfection is suspicious! But in this case, they’re actually just perfect. 

5. The Misleading Emotional Clue

Maybe one of your characters is seen crying, angry, or suspiciously happy after xyz event. Characters suspect them, but turns out they’re just having a personal issue. (People have lives outside of yours MC smh). Or it could be a cover-up. 

6. A Misleading Alibi

At first this character’s alibi seems perfect but once the protag digs into it, it has a major hole/lie. Maybe they were in a different location or the person they claimed to be with was out of town. 

7. The Odd Pattern

Have a seemingly significant pattern—symbols left at crime scenes, items stolen in a specific order, crimes on specific dates. Then make it deliberately planted to mislead.

8. The Misinterpreted Relationship

A character was secretly close to a victim/suspect, making them a suspect. Turns out they were hiding a completely unrelated secret; an affair, hidden family connection, etc.

9. A Forgotten Grudge

Create a grudge or past feud and use it to cast suspicion on an innocent character. Introducing an aspect of their past also helps flesh out their character and dynamics as a group + plant distrust. 

10. The Faked Death

Luke Castellan, need I say more (I will)? A supposedly innocent character dies, but turns out they faked it and were never a victim in the first place. They just needed to be out of the picture. 

11. The Mistaken Eavesdropper 

A character overhears a threat, argument, etc. They suspect B based on this convo, but turns out they just came to a false conclusion. (Or did they?)

12. The Forgetful Alibi 

Someone confesses to hearing/seeing a clue, but turns out they were mistaken. Maybe they thought they heard a certain ringtone, or saw xyz which C always wears, but their memory was faulty or influenced by stress.

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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A master post of Thomas Romain’s art tutorials.

There’s not enough space to post all of them, SO here’s links to everything he has posted (on twitter) so far : 1 2 3 4 5 6 7 8 9 10 11 12. 

Now that new semesters have started, I thought people might need these. Enjoy your lessons!

My collection of clothing references for writing. 

These brushes aren’t the most complex, but they are what I made on the fly to make drawing hair easier, instead of hand drawing every detail like I’ve done most of my life lmao.

You can find the png files for a bitmap here, along with screenshots of my settings [I use this brush in Medibang Paint Pro, a free art program]. My settings use it as a scatter watercolour, I think it works well with the watercolor for color blending but you could theoretically use it just as a scatter.

Though, the brush settings are something not that important: the size, particle size, scatter strength, opacity, compliment, and color mixing are all things I change frequently when working.

Free to use, just don’t claim as your own. If you want to support me, you can leave a tip at my Kofi.

so a lot of artists talk abt same face syndrome and like yeah practice diverse faces but nobody talks about same body syndrome nearly as much like…if all you can draw are twiggy skinny boys with no variation other then height  and only draw hourglass girls with big boobs then like…you’re not a great artist and you really need to practice other body types because when i see a line up of characters that are all twinks and hourglass figure girls and theres no fat characters theres no muscular characters theres nothing but just skinny twiggy boys and girls with wide hips and big boobs then its like wheres the flavor wheres the variation not everyone looks like that and if anyone bitches and whines about “ohhh its hard to draw fat people” “ohhh its hard to draw big strong burly men” “oh its hard to draw a fat strong woman” “its hard drawing a muscular girl!” then fucking practice. you arnt going to learn to draw these body types if all you draw are skinny boys and hourglass girls and you’ll never improve and i dont feel any sympathy for you

HEYY my 2nd color tips pdf is now available ! ^o^ hope you enjoy!

BUY HERE or HERE