by Thomas Romain (Space Dandy, Code Lyoko, Basquash!, E.P. Kiss Dum, Cannon Busters). Another one…
made another one of those palette challenge things, i wont be taking requests for it rn but feel free to reblog this and have ur followers challenge you
ya can repost it on other websites or w/e but for the love of god credit me, i even made it easy for u and slapped my url right on the top so u cant say u forgot who made it
Great Reference , a good hand how to draw is always needed ^_^ But, the thing is I MUST draw it for real :/
weibo.com
i rr like ur art and i was wonderin how you pick out your color schemes when you draw? like do u just kind of yolo it or do u have like a thing u do lol
thank u !!! actually i already tried to explain one way i pick colors here , tho thats pretty old and only refers to analogous color schemes so… im gonna try to update it a lil bit! (btw everything ill say from this point on is just based on my own experience, im no art student and im sry if anything i explain makes no sense….!! ANYWAY moving on)
1) probably the thing i use the most are analogous color schemes bc theyre easy to do and look very calm and harmonous:
the two colors i show on the color pick thing are the ones farthest to the left and right, every other color is somewhere between them! bc of this the drawing looks calm and natural. most of the different colors u can see are created by playing around with the saturation!
2a) something i only recently started using frequently is the analogous color scheme with a highlight:
the most part of the drawing is done in analogous colors, but i added a highlight to kinda of… “break open” the closed off feeling that analogous schemes usually have! for that highlight i tend to use a higher saturated color on the other side of the color wheel, or at least one that doesnt “match” the other colors.
2b) most of the time i do the highlight not like this tho, but in the lineart:
thats a lot more subtle !
3) and sometimes i just do…..whatever lmao
Hey Ross, I'm currently 15, a Junior in high school, and love to animate. I don't think going to an art institute/university is the right move though when I get out of HS - financially or for many other reasons. Community College is a huge possibility though, as it's less expensive and would still teach me more things about animation all together. For the most part, I believe animation can be a self-taught experience, but I'd like to hear your thoughts on this.
That’s great dude. Don’t feel like you HAVE to go get an education in animation to succeed. I tried it, but it wasn’t for me. I found I wasn’t really learning enough compared to what I learnt just fiddling and making mistakes by myself. I mean look at Arin, he didn’t even finish high school yet he taught himself to be an animator. Some people learn better being pushed by an education system, some are better left to figure things out for themselves. If think you’re better going it alone then GREAT! You’re an autodidact!
Here’s some stuff I’d recommend you focus on while getting started:
Learn Flash or Toon Boom.
Maya/3DS Max/Zbrush if you’re interested in 3D (I have a minor background with it)
Study life drawing and human anatomy. Try this if you’re at a loss for material: http://www.posemaniacs.com/
Keep an organized folder of art reference (find it by following art tutorial blogs or your favorite artists). I have gigabytes of reference in my folders.
Get your head around cinematography. Watch legendary films and figure out what makes the shots great. One exercise is to take your favorite shots and make silhouette thumbnails of how things are placed, helps you break it down in your head.
Composition! It’s crazy and even those who get it sometimes don’t get it.. but just look it up online to get your head around it. It’s all about placement and arrangement of shit.
MAKE FRIENDS! Talk to other artists like yourself who are starting out. I met Arin online through Newgrounds when I was 16/17 and we’ve been friends ever since. It’s important to have like minded friends!
Keep a sketchbook, draw all the time. If you prefer doing it digitally then that’s fine, but keeping a sketchbook is a magical thing. Also helps with your line confidence, at least I think so.
If you want to develop your own stories to go along with your animations, consider the following books: Screenwriting 101 (I LOVE this book, really great read AND it’s written by someone pretending to be The Hulk), On Writing: A memoir of the Craft (Stephen King! Haven’t read this one yet but friends recommend it) and also Save the Cat! (this one is more so about selling scripts and writing to a formula, don’t take it as gospel.. But it’s interesting).
Voice act! Shit man, just get a decent microphone when you can. Make goofy voices, do imitations. Get silly! Lots of animators have at least some experience doing voice acting!
WATCH STUFF. Seriously, I can not stress this enough. Everything is derivative from other works and that’s okay. Inspiration comes from everywhere and anything. My late friend Monty also preached this, he even proudly told me some of his early influence for RWBY such as Black Rock Shooter. Finding influence breeds passion. You’re not slacking off watching cartoons, you’re researching.
ANIMATE! Do it however you can! Stop motion lego, flipping paper.. I don’t care. Just do it. Whatever you learn, It all translates across any version of the medium.
ANIMATORS SURVIVAL KIT. This book is a must and most animation schools highly recommend it. It was written by Richard Williams the director of Who Framed Roger Rabbit (among other things). If you’re not big on reading, then you’re in luck because it’s MOSTLY pretty pictures. http://www.amazon.com/The-Animators-Survival-Richard-Williams/dp/0571202284
Lastly but not least.. Just don’t stop. The people you see online and on TV right now, they’re not kicking ass because of some god given talent. They’re there because they didn’t stop. They persevered through it all and kept going, no matter what anyone else told them.
Good luck!
NSFW because there will probably be nude refs | this is a side blog to sort all of the art stuff I need | none of it is mine
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