Alright, let’s break this down. If Izuku Midoriya had been born a girl, the entire conversation about Bakugo and Izuku’s relationship would be completely different. The ship wars? The debates over whether it’s platonic or romantic? They wouldn’t even exist. Instead, Bakudeku would be praised as one of the greatest slow-burn rival-to-lovers stories in anime history.
Why? Because fandom—and honestly, media in general—has a massive double standard when it comes to male friendships versus male-female dynamics. If two male characters have intense emotional ties, it’s almost always framed as “just friendship,” even when the relationship is filled with deep emotions, personal growth, and the kind of tension that would make any heterosexual pairing an obvious romance. But when a male and female character have that same dynamic? It’s immediately viewed as romantic, or at the very least, something that could become romantic.
Now, let’s apply that logic to Bakugo and Izuku.
The Classic Rival-to-Lovers Trope
Rivals-to-lovers is one of the most beloved tropes in fiction. People love the idea of two characters who start off on opposite sides, clashing and challenging each other, only to grow in ways that make them understand one another. It’s a dynamic full of passion, tension, and deep emotional shifts.
Bakugo and Izuku fit this trope perfectly. They have history. They have misunderstandings. They have emotional wounds tied to each other. And most importantly, they push each other to grow in ways no one else can.
If Izuku were a girl, their dynamic would be seen as peak shonen romance. You’d have the stubborn, fiery rival (Bakugo) and the determined, compassionate protagonist (Izuku). Fans would swoon over the idea of “childhood friends turned rivals turned lovers.” The same way shonen anime often teases romance between a male protagonist and his female rival, people would fully expect Bakugo and Fem!Izuku to end up together.
Instead of people saying, “Bakugo hates Izuku too much for it to be romantic,” the conversation would flip. People would say, “His anger comes from deep-rooted feelings he doesn’t understand,” or “He pushes her away because he actually cares too much.” You know, exactly the way people talk about every male tsundere love interest in anime history.
The “I Push You Away Because I Care” Trope
Speaking of tsunderes—Bakugo is one. He’s emotionally stunted, struggles with vulnerability, and lashes out instead of expressing his feelings properly. But that’s part of why his relationship with Izuku is so compelling.
If Izuku were a girl, the narrative of “I’m cruel to you because I don’t know how to deal with my feelings” would be obvious. It’s the same thing we see in dozens of other anime relationships. If we swapped Izuku for a female protagonist, Bakugo’s behavior would be framed as frustration at his own feelings—because he sees this girl, someone he once thought was weak, surpassing his expectations and making him feel things he doesn’t want to confront.
People would romanticize the idea of Bakugo slowly realizing that his anger isn’t just about rivalry—it’s about admiration, about the fear of losing the person who has always been by his side, even when he didn’t deserve it.
The Moments That Would Be Seen as Romantic
Now let’s talk about specific moments in My Hero Academia that would hit completely differently if Izuku were a girl.
1. The “Stay Out of My Way” Scene
• Right at the start of the series, Bakugo tells Izuku to stay out of his way, acting like he doesn’t care. But the moment Izuku does get stronger, Bakugo reacts with frustration, jealousy, and confusion. If Izuku were a girl, this would immediately be framed as the classic tsundere doesn’t know how to handle his crush getting stronger than him trope.
2. The Training Camp Rescue
• When Bakugo gets kidnapped, Izuku loses it. She throws herself into danger without hesitation. In anime with male-female dynamics, this is always romanticized—the idea of someone willing to risk everything to save the person they care about. If Fem!Izuku had done this for Bakugo, shippers would be screaming about how much she loves him.
3. The Rematch at Ground Beta
• This is the moment that solidifies their relationship as something deeper than just rivalry. Bakugo finally opens up, revealing his guilt, his frustration, his fear that he wasn’t strong enough to prevent All Might’s fall. He chooses to be vulnerable with Izuku, something he doesn’t do with anyone else. If Izuku were a girl, people would instantly call this a love confession in disguise—Bakugo breaking down his walls for the one person who has always truly understood him.
4. The “You’re the Best” Moment
• When Bakugo acknowledges Izuku’s strength and says, “You’re the best,” it’s already a huge deal in canon. But if Izuku were a girl? People would be calling it one of the most romantic moments in shonen anime. A rival who once belittled the protagonist finally admitting that she’s incredible? That’s classic love interest energy.
The Double Standard in Fandom
We’ve seen this pattern before. Other anime have had rivalries where, because one character was a girl, the tension was immediately read as romantic. Look at Sasuke and Naruto—people often compare them to Bakugo and Izuku, but because both are male, the default reading is “brotherhood.” Now imagine if Naruto had been a girl. People would have demanded that ship be canon.
Even in My Hero Academia itself, we see this with ships like IzuOcha—because Ochako is a girl, every moment of concern or admiration she shows for Izuku is interpreted as romance. But when Izuku shows the same concern for Bakugo, suddenly it’s just friendship? The logic doesn’t hold.
So Why Isn’t Bakudeku Universally Shipped?
Because they’re both male. That’s it. That’s the reason.
If the exact same story played out, line for line, but Izuku were a girl, there wouldn’t be debates. People wouldn’t be arguing about whether their relationship is platonic or romantic. It would obviously be romantic-coded. Bakudeku would be the top ship in the fandom, no contest.
Instead, because it’s two guys, there’s resistance. People are more comfortable interpreting their bond as “brotherly” because that fits the traditional mold of shonen anime. But in reality? Their story, their dynamic, their growth together—it all fits the framework of a deep, complex, and undeniably compelling love story.
Conclusion
At the end of the day, it all comes down to the way people perceive relationships in fiction. Male-female tension? Always a potential romance. Male-male tension? Almost always downplayed as friendship. If Izuku had been a girl, Bakudeku wouldn’t just be a ship—it would be the ship.
And honestly? That just proves how strong their dynamic actually is. Because even without the gender swap, people still see it. They still feel the connection, the emotion, the weight of their story. And that’s what makes it real.
nothing scarier than being a fan of a fic and then becoming mutuals with the author. like hi shakespeare. big fan of your fake dating au
Y’all know what I hate? People arguing about what ship is more valid or what ship is toxic or expressing their UNDYING hate towards a ship. It’s ridiculous. People can like what they like—why does it have to turn into a battle every time? It’s one thing to have opinions, but tearing each other apart over fictional characters? That’s just a waste of energy.
Ships are personal. Some people see chemistry in one dynamic, others see it somewhere else. And that’s fine. What’s not fine is when people start attacking each other like their opinion is the only right one. It’s fiction. It’s meant to be enjoyed, not fought over like it’s life or death.
At the end of the day, no one’s forcing you to like a ship. Just don’t be a jerk about it.
Edit: Also coming from someone who ships a little bit of everything this is very important to me (╯︵╰,)
*rups temples* Its 7 in the morning….
@worldsgreatestheroreal zuku i swear to fuck did one of your bitch ass friends take the hearing aids from my room
this is more like it 🤭❇️✴️
"Maybe I am the problem"
(A Quirkless Boy's Guide to Loving Dynamight by xlyks on ao3)
This was a little rant on Discord I made after Watching MHA: Heroes Rising
I said what I said
This is the realest shit I’ve seen all day
BRO WHY DID I HAVE UNHEALTHY COPING MECHANISMS I NEED TO SHAVE MY FUCKING ARMPITS 😭😭😭
AAAAA OMFG I THAT AMOUNT OF TIMES OVER TRIED SAYING THIS TOO PEOPLE AND THEYLL BE LIKE “ dont spread misinformation” or “that’s not true, Horikoshi drew it” I’m going to explode omg
First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.
Original japanese for those who understand.
The best traslation I found and most people are agreeing with.
Key sentences are:
1.The real final chapter is 429, 430 is more like a curtain call.
2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.
This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.
(They're talking about Vol 37 cover)
And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.
It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?
The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.
Dabi, 431 and by Horikoshi
Toga and Ochaco in 431:
Toga and Ochaco by Horikoshi:
All Might's signature for Katsuki (Horikoshi would never mess this up):
Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.
Katsuki's odd teeth what the fuck. (His hand looks good to me)
Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.
And this awful background (center) was the main giveaway.
Horikoshi's backgrounds are so professional:
At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.
I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.
Character's development wise now.
Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?
Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.
430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.
Ok.
Now specifically about that ship canonization and bkdk.
Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.
I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.
Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.
About 431 again though.
I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.
And I think this could be Horikoshi's case.
I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.
I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.
PS:
It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"
I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.
Thanks for reading!
𓆉𓆝 𓆟 𓆞 𓆝 𓆟𓇼 •Atsuki Aname•She/They • Pinterest) @art3mis_twt • Artist; Writer; Rp/Blog•1/12 (Capricorn) 𓆉𓆝 𓆟 𓆞 𓆝 𓆟𓇼
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