These aren’t just awards; they’re reminders of how art can save lives, challenge perceptions, and bring beauty into our worlds.
🏆 Winner: Baby Reindeer (UK)
Care is not an invitation for possession. Self-hatred may get in the way of justice.
Raw. Unflinching. Devastating. Baby Reindeer doesn’t hold your hand—it grips your soul and refuses to let go. This Netflix original dives headfirst into the messy, painful realities of trauma and abuse. It’s a tough watch, but it just might change how you see the world.
🏆 Winner: Player 120 Cho Hyun-ju – Squid Game Season 2 (South Korea)
People are more than their circumstances.
Feminine yet fierce, tender but tough, Hyun-ju is a wake-up call to stop boxing people into stereotypes.
And her bond with Player 149 Jang Geum-ja? Absolute dynamite. This silver-haired grandma might not get gender identity, but her care for Hyun-ju speaks louder than any words. Together, they’re proof that humanity is messy, complicated, and full of surprises.
🏆 Winner: Hell / Hellbound Season 2 (South Korea)
Human hubris isn’t about defying divine forces—it’s pretending to know what we don’t.
If Season 1 got characters questioning their beliefs, Season 2 left them spiraling. This supernatural K-horror goes beyond the shock factor to grapple with big questions about belief, morality, and the consequences of our assumptions.
🏆 Winner: Eternal Night Star River / Cringey Official English Title (Mainland China)
This finale hit us with the ultimate truth bomb: You can only love others fully when you love yourself first. (But Ziqi’s real problem? It’s not some conventional “demon” identity—it’s believing he is one.) Emotional, uplifting, and just the right amount of bittersweet.
🏆 Winner: Avatar: The Last Airbender (US)
Cultural depth? Check. Epic fight scenes? Double-check.
Avatar draws inspiration from Inuit and various Asian traditions, blending them into an action-packed adventure that’s as visually stunning as it is culturally rich. For fans of intricate world-building and diverse fighting styles, this series is a must-watch.
🏆 Winner: Luxuriant Blossoms / Blossoms Shanghai (Mainland China and Hong Kong for cinematography)
Every frame of Blossoms Shanghai looks like it belongs in a film museum.
Wong Kar-wai’s signature style shines through, making this a feast for the eyes. And yes, the “director’s color-graded version” fixed those earlier hiccups, giving us the lush visuals we deserved.
🏆 Winner: What Comes After Love (South Korea and Japan for soundtrack)
Each track is like a perfume note—delicate, layered, and unforgettable.
The music isn't just background noise; it’s an essential experience, taking you to new places with every note.
Here’s the thing: there’s already a ton of online chatter about acting, directing, and writing. Why add to the noise? Awards in these areas just feel unnecessary—especially since acting, in particular, is so vulnerable to cultural differences. What’s more, assigning a “Best Drama” title is always subjective. Why should you impose your idea of what factors to include or exclude and how to weigh all the factors on everyone else?
On a personal level, Tibetan Sea Flower (or Adventure Behind The Bronze Door) is the drama that hit H hardest this year. Its breathtaking visuals, pulse-pounding directing, and sci-fi adventure kept H hooked. But let’s be honest—why should that matter to anyone else? Is it as thematically meaningful as some of the other dramas on this list? Probably not. Is its storytelling flawless? Not quite. The show repeats a certain trick, and when some big mysteries are revealed, it opts to tell rather than show.
For H, though, some of these choices make sense. Tibetan Sea Flower is part of the larger Lost Tomb franchise, and its place in this intricate, interconnected universe justifies a lot. It’s built for those of us who love Easter egg hunts and piecing together the big picture—something H finds thrilling. But is that enough for it to resonate universally? Not necessarily.
H's more level-headed pick for “Best Drama” would be any series recognized with the Potential Lifesaver Award—dramas that go beyond entertainment to deliver messages that genuinely matter. That's even if the drama conferred the honor were an artistic disaster. Is that something you can accept?
Finally, a word of caution: awards are often shaped by sampling errors. The dramas that get shortlisted—or even noticed—are frequently determined by marketing prowess and social media buzz, rather than their intrinsic quality or impact. Keep that in mind when appraising any list like this one.
📝Guest-authored by your cheery machine, with some edits, based on original version here. Hey, say you prefer the human grump's!
Everyone else's reaction to The Acolyte: Not DEI again.
Your soapbending T-Rex: Moar, MOAR!
Devotion The Poets' Camp Prince Consort Xue Shao: [Y]our mother (Empress Wu below) killed her to fulfill the romantic fantasy you conjured on a whim!
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We won’t forget. Remember April 14, 2014 and the 304 passengers on board.
nothing has made me feel like an ancient grumpy crone more than the “using chatgpt for school is fine actually” sentiment among youths
Still mind-blown by this concept. It's arguably even more imaginative than Liu Cixin's scifi works, since people expect so much from books and screen creations but so little from disabled individuals, who have career dreams and need financial protection.
Read this whole article about mushroom mavens of the Victorian Era, it is delightful.
"[Banning] published some of her observations in botanical journals, including lively accounts of her foraging experiences. In one, she recounts bringing home a few (aptly named) stinkhorn mushrooms: “… there was an outcry through the house, one enquiring of the other what the loathsome smell could be, and where it came from. Each moment was filled with anxiety, lest my precious fungus, for which I had already endured so much, might be seized and carried off … .” Indeed, the stink comes from the gooey mass of fungal spores on top of the mushroom cap. She astutely proposed that the stench lures in flies and other insects, which then transport the spores afar like a bee transports pollen." "[Banning] published some of her observations in botanical journals, including lively accounts of her foraging experiences. In one, she recounts bringing home a few (aptly named) stinkhorn mushrooms: “… there was an outcry through the house, one enquiring of the other what the loathsome smell could be, and where it came from. Each moment was filled with anxiety, lest my precious fungus, for which I had already endured so much, might be seized and carried off … .” Indeed, the stink comes from the gooey mass of fungal spores on top of the mushroom cap. She astutely proposed that the stench lures in flies and other insects, which then transport the spores afar like a bee transports pollen."
Full Article on JStor Daily Here
Even the most fervent critic of metaphysics must have pondered from time to time: what is the meaning of my existence to this world? Feeling hopeless about her prospects in grades-obsessed South Korea on the day of the college entrance examination, mathematically challenged highschooler Jang Dan-bi jumps into a rain puddle transporting her to a drought-stricken Joseon, where Sejong the Great…
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The spiritual malleability of soft clay is no different from that of baked clay. What a substance can harbor is only limited by sentient will, including ours—and his.
An old clay figurine sage sat on his breezy porch, watching children play in the square, while yet another family moved into their village. He smiled as he remembered a time when he was dreamy, energetic, and ambitious, just like them. But those days were long gone. Now, he had seen the pain of war, the misery of poverty, and the fear of death. And he had learned that the only way to overcome these things was to let them go. Letting go was the most tender kindness you could show yourself.
With the arrival of new families over the past years came new little clay figurines that also turned alive when no human eyes were set upon them. A few of these figurines were kind and respectful, but most were not. The robber figurines were the worst. They were always picking on the old figurine sage and stealing from him the mineral rocks and plantings clay figurines would painstakingly gather for energy boosts and comfort, taunting that his mantra was letting go anyway, so why did he care if they took his things? Eventually, even the kind figurines started to pick up the habits of the robber figurines despite themselves. Amid the rampant greed and selfishness, the sound of sageliness had the tune of major fraud. If the halos were not lying about their motives to the halo-nots, they were lying about the nature of the world. Yet, should a sage genuinely believing in his own teachings really be faulted? But we digressed.
The old sage chuckled and gently chided the robber figurines, some of whom bristled at being seen as inferior to a decrepit chap when life and their circles had been washing over them with the tenets that might was right and wantonness was sense. Patting one robber figurine's shoulder, the sage genially offered his remaining little vintage collections to the gang to inspire magnanimity in these lost souls. Collective silence fell over the robber figurines for a second. The sage nodded with a warm smile. But then the robber figurines broke out into uproarious laughter.
They threw his stuff wildly around his place like a lunatic circus band. A couple of sharp items tore through the thatched roof. The old sage looked on with jovial eyes. What were possessions in a transient life? He left it to the young 'uns to reach this realization themselves someday since preaching did not help them.
One day, a clay figurine found an ancient piece of paper describing a lengthy spell that could return amnesiac souls trapped in clay figurines to their otherwise permanently comatose human bodies. Word spread around. The robber figurines succeeded in nailing the incantation of the spell. They became humans again, burned up the paper, and quickly took advantage of their new power. They began to bash, shove, and drum on the old sage, who was helpless to defend himself. The figurine sage called for help, but no figurine or human came.
After days and days of relentless abuse, the sage's body was covered in bruises, wounds, and scars. The ex-figurines relished their power over the old sage, and grew bolder, stepping up the severity of their abuse. As his strength and will continued to ebb away, the sage grew desperate, terrified that he might not be able to survive much longer under the onslaught of attacks. Yet, every night, he whispered to himself as rain and snow from his cracked roof seeped into the cuts on his body, "All is impermanent. Fate is in the mind. Let excruciating pain drain away. Let agony and misery be mere flurries. Untrap all negativity. Release all memories. Let go, let go."
One evening, the sage was so weak that he could not even chant anymore. He lay on the ground, discolored and broken, while a flock of larks flew overhead. Maybe, a harrowing ancient wind started to sing with increasing amplitude inside him, it's time to let go of letting go. Letting go was not always the sole or secure means of finding peace.
So he struck at the ex-figurines with all his unsteadily recovering strength the next time they came. They were stunned for a full half-minute. This time, a small, sensitive boy noticed the sage's plight and rushed to his side — only to be casually shoved out of the way by the ex-figurines coming back to their senses. Completely rehabituated to their human bodies after so many months, the ex-figurines were by now a formidable wall to a youngling unaccustomed to self-defense, and as good as invincible giants to a tiny, battered clay figurine. The loopholes of physics were already sealed up. In her indignant glee, one kid used so much force that she accidentally smashed the figurine sage into smithereens. Tinted fragments and powder that broke off from him coldly sailed through the sunlight before lying scattered in their little diorama of a world. The old sage was badly injured, and the boy knew that he could not save him.
From a distance, the sage raised his crumbling hand slowly as if he could stroke the boy's red face. "Cry not, child. It's okay," he smiled weakly. "I've really let go of everything now."
The old sage took a deep breath and closed his eyes. He dreamed of the children playing in the village square. In this dream, at this moment, they would eternally play, learn, and grow. And with that, he died with a faint, peaceful smile, surrounded by the birdsong of the forest. His entire body would eventually molder into dust that the wind would carry away, some to the distant, mysterious hills and glistening lakes, some to putrid ditches close by.
The clay figurine sage who was too late but did remold himself time and again was gone. The wolfish ex-figurines had no trouble turning their crosshairs to other clay figurines in other villages.
Many thanks to a very nice meme creator and a co-pilot bot for inspiring and shaping the more uplifting aspects of this story.
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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