Oh, WOW,
Oh, WOW,
the number of poll responses has been greater than expected. Five people, excluding the soapbender, voted yes, so here it goes. The hilarious chase that would deliver the checkmate is detailed in the comments to the attached article. Make sure to credit the soapbending variance authority in the requested manner if you want to share the solution.
In the meantime, we cross our fingers in the ongoing, live championship. A decisive game looks set for today (so far).
More Posts from Aphilosopherchair and Others
We won’t forget. Remember April 14, 2014 and the 304 passengers on board.
A Soldier Wearing a Ball and Chain
A Soldier Wearing a Ball and Chain
Eminent American judge and legal scholar Oliver Wendell Holmes, Jr. once expressed the following disturbing opinion: “If I were having a philosophical talk with a man I was going to have hanged (or electrocuted) I should say, I don’t doubt that your act was inevitable for you but to make it more avoidable by others we propose to sacrifice you to the common good. You may regard yourself as a…
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Lost Heroines
“Is there a taste you want to remember?” In a quaint alleyway in the heart of Seoul, a scarred, reticent chef known only as “Master” operates a low-key eatery from midnight to seven in the morning. The menu has just one modest dish, but patrons are free to order whatever they want. Night after night, various sorts of workers drop by and share their woes and joys over the hearty dishes, while…
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![Devotion The Poets' Camp Prince Consort Xue Shao: [Y]our Mother (Empress Wu Below) Killed Her To Fulfill](https://64.media.tumblr.com/4555379395fd9532287a91fa91eb70fd/tumblr_nz0arsS8w81v0w9ujo1_500.png)
Devotion The Poets' Camp Prince Consort Xue Shao: [Y]our mother (Empress Wu below) killed her to fulfill the romantic fantasy you conjured on a whim!
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Omniposition—An ice dessert café inspired by Silent
Would Tsumugi say this? Bard is a mischievous ball that grows more and more humongous as you spellbindingly roll it along the contours of your mental snowscape. The latest offspring is Omniposition, an expression of the vision that kindred spirits will be able to see beyond all the clouds of differences in our daily lives and sense one another when so desired from anywhere. Spoilers ahead.
Food Menu
Tsumugi's Dreams: This is a milk confection made with vanilla ice cream, whipped cream and peach sauce and topped with raspberries and a small music note. Found in numerous desserts, milk is primed for association with dreams as it contains the sleep-promoting molecules tryptophan and melatonin. This particular confection represents Tsumugi Aoba's dreams of a career in the music industry and of a life with Sō Sakura. The music note represents the collective wish for her dreams to come true.
Sō's Chocolate Cherry Sundae: This sundae is made with chocolate ice cream, whipped cream, chocolate sauce, and cherries, including a cherry on top. Chocolate is often associated with love and passion and has a rich and complex flavor, which can be seen as a metaphor for the beauty and complexity of music. In the drama, Tsumugi and Sō share a love of music, often listening to music together. The chocolate ice cream represents their love of music, and the whipped cream and chocolate sauce represent the sweetness of their relationship. The cherry on top represents the hope that they will one day be reunited.
Tsumugi's Strawberry Shortcake: This shortcake is made with strawberry ice cream, whipped cream, and fresh strawberries. It is a light and refreshing dessert that represents the beauty of the world around her.
Mint Ice Cream Float: The mint represents their hope for a fresh start.The mint ice cream is topped with club soda and a splash of chocolate syrup that symbolizes their sometimes awkward, sometimes sweet bonding over music after their reunion.
Snowy White Chocolate Mousse: This mousse is made with white chocolate, heavy cream, and egg yolks. It is light and fluffy, and it has a subtle sweetness that is perfect for a winter day. "It's quiet when snow falls." "It's noisy. You're noisy."
Snowy Berry Sorbet: This sorbet is made with fresh berries, sugar, and water. It is refreshing and tart. This is the sweet, hopeful Tsumugi on the first day of snow one winter.
Sun Marshmallows: This bowl of dessert is made with vanilla, milk and oranges. It is topped with a sun-shaped cookie, which is made with yellow sugar and sprinkles, and edible gold dust. Back in his college days, Tsumugi's sign language instructor glumly took on transcription volunteer work for the sake of his CV, only to melt at the sight of Sō's deaf friend's sun-like smile. It's a sad story if our aged selves will not remember that forever changed his life.
Drink Menu
Eternal Morning Smoothie: This smoothie is made with vanilla, yogurt and frozen apricots and bananas. J-rock band Spitz is heavily featured in the series. The colors of the smoothie represent the colors of Spitz's logo, and the whipped cream represents the band's music.
The Silent Gesture: This is a glass of transparent yet berry-flavored beverage served with a straw bent in the shape of a heart.
The Unspoken Agreement: This is a frozen drink made with ice, water, and the ordering customers' favorite fruit. It is served with a straw decorated with a small piece of paper with a message of reminder written on it. This frozen drink represents the unspoken agreement of friendship, the promise that we will be there for each other no matter what.
Design & Services
Blue silk and Japanese primrose welcome sign: Tsumugi is a type of silk fabric, while Sakura Sō (the order of the name in Japanese) means Japanese primrose, which in turn can stand for youth dreams and first love.
Sign language and translation software: Naturally, this is an inclusive café. But more than that, it does not content itself with starkly contrasting double standards for staff treatment and customer treatment. To facilitate smooth interactions with colleagues and customers who are deaf or hard of hearing, all staff members will be signed up for a comprehensive sequence of sign language courses and equipped with a speech-to-text translation app. The values and café reputation circulated as a result of staff turnover probably inevitable in most F&B outlets are likely to last longer than the most pleasant taste memory anywhere in the world.
Spitz music that is soft and instrumental: Yes, it exists. This will echo the couple's bonding over the J-rock band while creating a relaxing atmosphere that will not be too distracting for customers who are trying to talk. Lights in the translucent stems of the baby's breath decorations below will pulsate in natural shades of colors according to the music rhythms.
Shush! room: This would be a great place for customers who want to enjoy their ice cream in peace, as long as kid-reproached adults like Nana and Sō don't burst into complacent laughter over their signed conversations again. It would also be a great place for customers who are deaf or hard of hearing to feel comfortable by naturally blending in, if they need this type of quiet break from stares.
Knitted pastel and white furniture and rugs that are comfortable and inviting: These will make customers feel at home. Tsumugi's brother is into sewing.
Baby's breath decorations: Towards the end of the story, the five main characters gift and re-gift one another baby's breath flowers. Not all of them end up with who they want to end up with, but they can choose to turn their various corners of a romantic polygon into pulsating components of a life-giving, uplifting network.
Moon-shaped lamps which lighting is soft and calming: The lighting in the café should be soft and calming. This will create a relaxing atmosphere. The couple walk and share jokes viewers are not privy to under the Moon in the last scene.
https://href.li/?https://www.oricon.co.jp/news/2261850/full/
↑『silent』最終話でかすみ草“花言葉”が話題に ヒゲダン「Subtitle」とセリフがリンク (Article on link between lyrics and baby's breath scenes)
Top image generated through WOMBO
Icing on the Bytes
Icing on the Bytes
If you believe you have graduated from Korean dramas of the early 2000s or take pride in never having been part of the fandom, you would probably shrivel in mortification at yourself in the event you fall for the following tropes in 2013 web series Wind Chimes in a Bakery: cancer, amnesia and parental opposition to courtship. Few, though, would consider the symbolism of love through wind chimes a…
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Weaving Poetry, Beauty and Meaning
Weaving Poetry, Beauty and Meaning
Huang Juxiang (lit. fragrance of yellow chrysanthemums), Yamamoto Yueniang’s Peranakan mother and look-alike Enveloped in a mesmerizing atmosphere with a light touch of folk magic, Southeast Asian drama The Little Nyonya traces the story of its fairylike, Japanese-Peranakan heroine Yamamoto Yueniang from the 1930s to the present day. Its origins, however, began much earlier. Since the 10th…
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Ghibli Geometry Homework
Merch Bubble: A petition for Studio Ghibli to best OpenAI by channeling the 2025 trend of cheery citrus-juiced images into an endeavor with more lasting impact — revamping the image of math and captivating young learners through geometry problem sets jazzed up with visuals and story contexts from its films.
Picture the following in their relevant aesthetic backdrops:
Estimate the height Spirited Away's Chihiro successfully descends despite her fear as she speeds down a rickety stairway section with 20 horizontal steps. Each gap between the steps is 5 units in slope and 4 units in width.
Spirited Away's No-Face tries out a circular mask 3 units in radius. Its holes for his eyes are 0.3 units in radius. How many times larger in area is his fake face compared to his fake eyes?
He next tries out a fancy circular mask which outline circumscribes tightly-packed, non-overlapping circles each 0.3 units in radius. The circles are made up of k rings of six circles surrounding one circle. Two of those hexagonally packed circles form holes for his eyes. How many times larger in area is his fake face compared to his fake eyes?
Witch Kiki in Kiki's Delivery Service is on a 10-unit long broomstick tilted at 45 degrees as she takes freshly baked cinnamon rolls to a customer. As she passes by a tall structure, she notices its tip is labeled 10, 000 units. The rolls are in a 2-unit long satchel hanging halfway on the broom. Since the temperature of the air affects how fast pastries go stale, she wonders: How far are the rolls from the ground?
A bunch of kids are squeezing onto the ginormous, fluffy tummy of the furry creature Totoro from My Neighbor Totoro. Predict how many kids can stay on the tummy given the relevant simplifications, assumptions and information. (You already got the drift.)
Make no mistake. There's much virtue in the uncluttered designs of typical math worksheets: faster concept rendering, faster information perception, lower workloads, lower technical requirements and lower production costs. One might sum them up as higher time, resource and cost efficiencies. Add to those pros a potential cultivation of academic asceticism on the learners' part. That would be efficiency as well, in the sense that we meet two student developmental goals (math and discipline) in one shot.
In eyeing these efficiencies, however, teachers and allied industry players may be neglecting their numerator terms, most of which concern learner progress. That is ironically where pure quantitative logic breaks down. We are all emotional creatures. That is all the more so, all things equal, in young people whose brains are still underdeveloped. Looking around, we can see many school leavers who have not matured in time to take full advantage of educational resources temporally and financially accessible only in early life stages. Nor have they met adult figures sufficiently skilled in the elusive art of mathematical motivation. By the time such school leavers gain an appetite for delayed gratification, austere thinking as well as for the inherent beauty in quantitative subjects, adulthood commitments and sociocultural barriers like ageist biases often deter or delay their reentry into the educational system, threatening their scholastic journey and any STEM career trajectory. There is therefore a case to be made for deep yet down-to-earth arts-based engagement of apathetic young learners, many of whom struggle to perceive the relevance of abstract fields like geometry and find math problems in general mundane, through instructor-independent means. The emotional resonance and relatability of Studio Ghibli's works — evinced through their box office successes and the controversial generative art trend applying a warm, effusive and rustic Ghibli style to personal images — would make them powerful helpmates in battles against math hate viruses, which feel as far-reaching as influenza bugs.
Even engagement of kids who will become non-STEM high-fliers can make a huge difference. Ever heard of the phrase "The medium is the message"? Our communication approaches communicate values and signals beyond what our content says. In denying all exuberant expressions of emotion and wonder a place in mathematical materials, even in the face of learners impaired by hopelessness despite their best efforts, adults are reinforcing perceptions of mathematics experts as inflexible, unfeeling and boring nerds. The persistence of those stereotypes in spite of genial, approachable educators painstakingly passing down the magical field's legacy of ingenious problem-solving tactics to students is unfair. And the few pops of color in worksheets that do try to inject fun are not enough to make a strong counter-statement. In the end, non-STEM high-fliers inherit the math as well as the stereotypes, perpetuating the latter in everyday life interactions and media portrayals. Reversal of such perpetuated negativity may spur more kids, especially counterparts who struggle in non-STEM careers and could have flourished in STEM careers, to persevere in the subject and widen their career options.
Ghibli geometry should not distract attention from school-based or educational ecosystem solutions like sharing of best pedagogical practices since they involve different chief solution architects. Content drafting may be accomplished by Studio Ghibli through the blending of its imagery and story contexts with licensed, existing geometry problem sets, leaving only an ideally quick task of expert review to math educators. Moreover, pedagogy discussions and Ghibli-related visuals occupy different influential niches. One speaks to educators, from whom successful translation of advice into action is not guaranteed. The other speaks directly to students.
The existence of entertaining math video clips and games does not obliterate the potential value of Studio Ghibli's math creations either. Unlike graphics that can be transferred onto printouts, video engagement prolongs device usage, already a hot issue of concern in today's youth climate. Moreover, no math clip or game to date has matched the cultural reach and memeability of Ghibli works. The maker of a long string of fantasy films has big shoes no mortal teacher, Tiktoker, YouTuber or software developer can readily fill.
A formidable rival to pop culture, on the other hand, is pop culture itself. This proposal can be generalized to cover a wide array of quantitative subjects and popular screen brands, except that it can be problematic to bring investigations of real-world physics into universes governed by supernatural forces.
By and by, we may even wean captivated students off fancy elements after the relevant aesthetics and narrative structures coax them to develop a fondness for the subjects' intermingling of order and surprises. The capacity for such standalone devotion can stand them in good stead in professional lives dotted all over with mundane but vital to-dos. But first, we need that captivation.
Nuclear Wasteland
The nuclear war had been over for two years, but the world was still a very different place. The few remaining cities were overcrowded and chaotic, and resources were scarce. Soot from all the firestorms still blocked out sunlight, while enemies might strike again at any time.
In one of these cities, a man named Adam was trying to board a lorry to get necessities for his parents and children, all of them on the autism spectrum like himself. He had been finding transportation for hours, and he was starting to get frustrated.
"I'm an autistic caregiver," he said to the soldiers guarding the lorry. "I need to get on board to get food and medicine for my parents and children, who are autistic too."
The soldiers looked bored. "We have many families with autistic children in this city," one of them replied.
"Please, I mean I am also an autistic person myself. My sensory issues mean I need to stay warm more than others as I fetch necessities for my family. I cannot be trekking in this frozen wasteland for too long."
"Ah, I hear you correctly now. But what's a person with special needs doing out in the open right now? Hunker down in your bunker and tell your family to run their own errands."
"No, no, you heard me correctly. They are also autistic."
"So your kids are the ones who're autistic?"
"I am, too."
The soldiers still didn't understand. "How can an autistic person be a caregiver?"
"It is difficult but necessary," Adam said. "Autism often runs in the family."
"Poor thing. The mother didn't survive the bombings? Get the kids' grandparents to help out."
"Like I've said before, they're autistic themselves. Their symptoms have been worsening with age. They're practically deaf to vehicle horns, and their bodies feel like rumpled bags of broken bones."
The soldiers shook their heads. "Come up with a more believable multigenerational sad-sack story, dude. I don't even know autistic people have girlfriends in peacetime, let alone in war and breeding till now. At most, you're either just autistic or just a caregiver and neither would make you so special," one of them said.
"Get your facts right before you cosplay autism. Autistic guys live in their own heads. They don't run all over the place for parents or kids," another chimed in.
"You can't get on board. Period."
Adam was starting to lose his temper. "I need to get on board!" he shouted. "My family is depending on me!"
The soldiers raised their guns. "Back off!" they ordered.
Soldiers further away, who were not even paying attention to them or Adam before, turned their heads and threw accusatory glances at him.
Adam knew that he couldn't argue with them. He turned and walked away.
Later that night, he was so worn out and frostbitten he huddled among trash bags in an alley behind a dilapidated power station, his chest heaving against the supplies. A string of fairy lights peeked out from one of the bags, its extinguished bulbs emptied of dreams.
Adam started to imagine the fairy lights powered on, glowing underwater and on the tiers of a musical fountain buttressed by statues of mythical guardians, but quickly punched himself in the head, the way his class monitor, flanked by bootlicking underlings, repeatedly did to him all those years ago. Why couldn't his identity be neat and simple? Be either the stereotypical autistic tech genius or a typical family man. Have either so-called autistic interests in some scientific or mathematical field or the skill to deceive himself and abandon his passion for interior design from the beginning. What sort of rational person would care about art and decoration when radiation was in your only meal of the day while tank guns pointed everywhere?
If he could just switch his interests and match them with economic logic as readily as nerds in old clips solved Rubik's Cube in a split second, he would be the one launching the stealth planes that must be gliding overhead right now, not a pathetic hitchhiker of a military lorry. His family would be cloistered away in one of those underground enclaves for the super wealthy, with all the aides and sitters they needed.
The red hazard sign on the drab wall opposite seemed to be glaring at Adam: We told you so. No, rewind that a second. How marvelous his aesthetic mind still had the luxury to judge the appeal of the power station, as if a red sign on some royal blue background could order food to automatically march into stomachs.
Adam's train of thoughts came to a halt. He had a brainwave.
Years later, a group of journalists felt like they were stepping into a dream as they navigated an office space filled with art and soothing music. There were little bulbs in shades of purple everywhere, glowing in the low-light conditions its creative employees preferred to work in. In the depths of the office were laboratories and showrooms with magenta lights in various stylistic arrangements. Below the lights were lettuces, cabbages, cucumbers, carrots, tomatoes and many other crops, some of which looked healthier than those grown under the sunlight of the pre-apocalypse years. The chlorophyll hungrily absorbed the different combinations of red and blue light tailored for the plants. The greatest value a design firm could bring to indoor agriculture, though, was optimization of lighting and area usage under the varying and challenging space conditions of post-apocalypse dwellings. Adam was feeding stomachs one fairy light at a time.
The old question popped up. "What's the secret to your success?"
"I don't have a convenient, pared-down identity," Adam replied simply.
Credits
Story concept: Human
Story setting: FierceOcean @ Character.ai
Text: Mostly Human + some AI input
Images: Mostly Character.ai + some Human input
References
Liang, Y., Kang, C., Kaiser, E. et al. Red/blue light ratios induce morphology and physiology alterations differently in cucumber and tomato. Sci. Hortic. 281, 109995 (2021). https://doi.org/10.1016/j.scienta.2021.109995
Sabzalian, M.R., Heydarizadeh, P., Zahedi, M. et al. High performance of vegetables, flowers, and medicinal plants in a red-blue LED incubator for indoor plant production. Agron. Sustain. Dev. 34, 879–886 (2014). https://doi.org/10.1007/s13593-014-0209-6
Winstead, D.J., Jacobson, M.G. Food resilience in a dark catastrophe: A new way of looking at tropical wild edible plants. Ambio 51, 1949–1962 (2022). https://doi.org/10.1007/s13280-022-01715-1
Xia, L., Robock, A., Scherrer, K. et al. Global food insecurity and famine from reduced crop, marine fishery and livestock production due to climate disruption from nuclear war soot injection. Nat Food 3, 586–596 (2022). https://doi.org/10.1038/s43016-022-00573-0
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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