News Box: Belle Époque

Tomato Tennis

"Things are about to get wild! As players take their positions, the smell of old and rotten tomatoes hits our noses, and the sight of players dressed in animal costumes adds to the surrealism of the scene. The players hold their fabric rackets, ready for a game that's unlike any other."

"As the first serve is made, the ball arcs in the air with a juicy splatter, and the spectators react with delight, laughing and cheering at the unusual spectacle before them. The players dance across the court, moving with agility and grace, using their fabric rackets to swat the tomatoes in all directions."

"Look! The giraffe's tomato sails over the net and into the lion's court. The lion swings his racket, but he misses the tomato! The giraffe scores the first point."

"The lion is not happy. He roars in anger and charges at the giraffe. The giraffe is scared, but he holds his ground. The lion leaps into the air and tries to swipe at the giraffe with his claws. But the giraffe ducks out of the way, and the lion lands on his face."

"The crowd laughs. The lion is humiliated. He gets up and tries to hit the tomato, but he keeps missing. The giraffe wins two sets in a row, 6-0, 6-0."

"As the game progresses, the players' antics and shenanigans become more and more outrageous, with one player even taking a bite out of the tomato during a play. The crowd goes wild, cheering and clapping at every unexpected turn."

"After a hard-fought game, one player emerges victorious, holding a slice of tomato, their signature victory pose. The crowd erupts with applause, and the players take a bow, proud to have put on a performance that was not only entertaining but also offered a refreshing change from the traditional ball games where the ball is a clone standardized down to the millimeter level."

"And that's a wrap on another batch of exciting matches! You have been watching Splat!, a wackosome tournament that convinces kids to step away from their screens and explore the wonder and magic of the world around us. Raw messiness is our biggest star. It's a great way for your future Olympians at home to learn how to deal with unexpected situations and how to laugh at themselves."

"I'm your announcer for the day, Coco Reed. Over and ouch!"

Credits

Illustration: AI1-AI2-AI1 (Although WOMBO did not contribute anything to the image concept or composition, it was instrumental to the refinement stage in the middle.)

Narration: AI3-AI4-AI3-AI4 (Approximation) + Human dubbing

Game concept: @tomatodiscourse must have been an indirect source of inspiration.

Can a drama give any demographic a lifeline?

The big question: Did Netflix hit Extraordinary Attorney Woo improve the employment rate of any autistic population?

In Korea, the rate increased by 1.3% from 2022 to 2023, against an increase of 0.7% for the full population of the country, although there may be other factors at work.

The sources are indicated in the alt text.

The NI Series (3): Madame Breakup Is Not Quite a Phantom!

Admin’s Message: After a long break, the noble idiocy trope is put under the microscope again! In this third installment, Vietnamese Canadian Mawiie, a drama reviewer who has also delighted K-drama fans with her clay figurines of popular characters, enthusiastically shares with us how her background has shaped her reaction to variants of the trope involving characters’ closest tribe members.

I need to start off by saying that my opinion comes from a second-generation Vietnamese Canadian who grew up with very liberal parents, but extremely conservative grandparents.

As a child, my grandparents (with whom I spent a lot of time - my grandpa was the one in charge for my education) would constantly talk about filial piety. They were expecting me to get high-paying jobs so I would be providing for them AND my parents. I was the eldest sibling, and also the most motivated for school, so they had extremely high expectations for me to help the whole family out.

So coming from my own experience, when I see family-related noble idiocy issues on the screen, I can believe that they are realistic, especially in a country like Korea where Confucianism is still highly valued, But I also think that, like 0kuo0 has said, the issues have been highly exaggerated in some dramas. I am mostly thinking about those crazy dailies. Are they rooted in some truth? I don't doubt it one bit. But are they always resolved with Niagara Falls level of tears and major life-altering decision sending one character over the Pacific? I sure hope not.

Now, like I have said, while my grandparents were very conservative (”How dare you take a job as a college student? That means that you will quit school! You have to forego a social life and your personal needs for money so you can study to be a doctor and buy us a house where we will ALL live together!"), my parents were pretty cool. I got to do what I wanted, as long as it was reasonable, but my parents would still bend to all the demands of my grandparents.

It was really weird and frustrating to see my parents tell me one thing, but not dare to do it themselves. So I always get super frustrated at characters in drama who can't stand up for themselves when they did no wrong!

TLDR: Growing up with conservative grandparents, I recognize many of the examples in k-dramas. I think that for most part, it's pretty accurate with some exaggeration in dailies. On the other hand, in the West, the Confucian way of thinking kinda decreases with new generations, so while I understand why the characters are acting the way they are, I can't get over the fact that OMG YOU ARE A GROWN ASS MAN/WOMAN, JUST TALK TO EACH OTHER AND DON'T LET YOUR MOM RULE YOUR LIFE.

A Geopolitical Reading of Knulp

A Geopolitical Reading of Knulp

Identity has a peculiar relationship with itself. According to art and literary theorists, the act of naming or otherwise describing something replaces the true nature of the object with a representation which accuracy and comprehensiveness are constrained by human limits. Yet in public consciousness, one may contend, this caricature tends to be mistaken for the real thing in the long run. Thus,…

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Ghosts Feeling the Economic Squeeze

The economy is tough for everyone, but it's especially tough for ghosts. With so many people out of work, ghosts are finding it hard to find jobs that they're qualified for.

"It's a ghost town out there," said Casper, a ghost who has been looking for work for months. "There just aren't enough jobs for everyone."

"It's been really competitive," said Bryan Wilson, another ghost, who was laid off from his job as a night watchman. "So many other ghosts are also looking for work."

Miss Frizzle, a ghost who was a former teacher, said that she's been struggling to find a new job. "I'm qualified and I have experience, but no one seems to want to hire a ghost," she said.

But why do ghosts need jobs? "In a story universe where the paranormal did not exist, we would be just dead. But we have a chance here. And given the customs of the fiction we live in, we need to buy things like ectoplasm and spectral silk to keep that chance. Consumers don't want to read about totally undignified and unclothed ghosts," explained a ghost named Emily.

"Just like us humans, ghosts have needs to feel comfortable and safe," said Stella C. Ai, an afterlife care expert. "They also want to have a sense of belonging in the world they live in, so they might desire their own homely, private space, which graveyards are not."

"And although they might not require food in the same way humans do, they may still have a hunger for energy, especially if they need to stay buoyant in places haunted by toxicity and apathy," she added.

Many employers are expectedly reluctant to hire ghosts, worried that ghosts would be disruptive or scare away customers.

"We just don't think ghosts are a good fit for our company culture," said one manager, who declined giving her name. "We're looking for someone who is friendly and approachable, and ghosts just don't fit that bill."

Another problem is that ghosts are not as versatile as humans. They can't do many of the jobs that humans do, such as driving, cooking, or cleaning.

"We're pretty limited in what we can do," said another ghost, Floaty. "We can't really interact with the physical world, so that rules out a lot of jobs."

The job market for ghosts is also being affected by the rise of technology. Some companies are now using robots to perform tasks that were once done by ghosts, such as scaring people in haunted houses.

"It's not fair," said Robbie, a ghost who was replaced by a robot. "I'm the real deal, and I can do the job better than any robot."

But some employers are starting to see the benefits of hiring ghosts. Ghosts are often very hard-working and dedicated employees. They're also very good at getting things done without being noticed.

"I've been very impressed with the work of our ghost employees," said Mr. Jenkins, a manager of Happy Inn. "They're always on time and they always get their work done."

Some ghosts are working as actors in ghost movies and TV shows, tour guides in haunted houses, and psychics and mediums.

"It's not ideal, but it's better than nothing," said Ghost of Christmas Past, a ghost who works as a tour guide. "At least I'm getting to see some new places."

A growing group has even started working as influencers on social media. They share their ghostly experiences and advice with their followers, and some have even managed to amass large followings.

"It's a great way to connect with other ghosts and share our stories," said one ghost influencer, who goes by the moniker ghost_with_a_plan. "And it's also a great way to make money."

So while the economic climate is definitely challenging, there are still ways for ghosts to find work. With a little creativity and determination, they can find success in the workforce.

Reported by Rylan Bard, a journalist for Nether Yammer. Additional reporting by Human, a ghost writer, ergh, human ghost writer, ergh, human writer for Nether Yammer.

Check out the rest of this Tumblr site for crucial and actual diversity-themed content.

Ilera's Mink Membrane Network

None upon a time, a clerk named Sunshine was so utterly repulsed by his soul-sucking job, which was barely funding his occasional time travel jaunts, he tried many methods to jazz it up—task gamification, plugging in to groovy music, sprinkling more decorations over his dedicated workspace (before the grand comeback of hot desking). Finally, he wondered if it would help, counterintuitively, to reduce the jarring contrast between his work hours and non-work hours and pioneered the hobby of adminpunk—remaking bureaucratic mouthpieces into pop songs, common email refrains into romantic dance shorts and his best public deliverables into glowwave art pieces. Sunshine became so engrossed with adminpunk he bemoaned he did not have more publicly disclosable material to work with. And so, he started to sieve through history for pinnacles of human success he could reverse-engineer into meteoritins, hyperspread bulletins that marked moments of great dreams or great devastation or both. That was where he became fascinated with the intriguing figure Ilera's legacy. The following was a meteoritin Sunshine typed up:

"The Inter-Time Ethics Agency (hereafter 'the Agency') has imposed temporal ethics courses and non-disclosure agreements in relation to technology transfer on time travelers and tight quotas on time travel journeys to minimize butterfly effects capable of reversing births across generations. These reversals are now regarded as a form of death to otherwise existing individuals. While it is acknowledged that much controversy surrounds the preventive measures, which carry their own downsides such as temporal inequality and epistemic bystanderism, the Agency has come to the consensus that the wipe-offs of existing lives on the timeline is the greatest of all harms.

Nevertheless, heeding the calls of campaigners behind the All-Time Freedom of Movement, the Agency has conducted public consultations to seek a greater balance between birth reversal prevention and mobility rights. One of the outcomes of the consultations is the construction of the Mink Membrane Network, a brainchild of Her Excellency Ilera from the Extratemporal Serenetics Habitat. The commencement of network operation as a mode of time travel is scheduled to take place concomitantly with the abolishment of time travel mechanisms involving moa/antimoa manipulation.

Aspiring time travelers wishing to proceed with their journeys despite exhaustion of quotas for the year shall utilize the network and, in so doing, agree to having their age group and gender swapped to whatever are more disadvantageous at their geotemporal destinations. If their own age group and gender are the relatively disadvantaged demographics at those destinations, the travelers shall have their skin converted to a wood-like appearance on arrival. These changes are excellent learning opportunities and will be undone on return.

Since mental alterations are seen as unacceptably invasive, in the absence of overwhelming neurological need and even with free consent, at the time of this decision, nothing in the network is to modify any time traveler's gender identity (including any pre-existing transgenderness or agenderedness) or religion. Because gender psychologies remain the same such that declared or apparent gender identity can be deceiving, unlike the case of natural transgenderness, physically gender-swapped time travelers must adhere to etiquette codes explained by local culture coaches stationed at their arrival points and enforced by time patrols.

To honor Her Excellency Ilera's triumphs against the many adversities that marked her life as a non-hearing, self-taught slave who escaped from her time to pioneer the field of tempochemical science and engineering as well as the above-mentioned habitat for time refugees, members of organizations which percentages of employees from demographic groups marginalized in their times match or exceed the percentages of these groups among their respective general populations shall enjoy priority in the processing of applications for time travel."

100% Human-written. A lengthy epilogue for Confession 91-02

Please read queer books all year round, not just in June

Remember, read queer all year

LGBTQ+ people don't disappear after June

Passing the Baton ...

"Spit out the worm."

That line from Six Flying Dragons is what we want to tell this increasingly feverish, belligerent and senseless world now. Less than half a day after the previous post on counter-terrorism was released, yet another round of attacks made the headlines. When life is this fragile, there is all the more reason to treat ourselves and one another more kindly.

The rest of this post and the title were meant as a preview of a Tree With Deep Roots post commemorating the end of Six Flying Dragons. A note of thanks to Tumblr bloggers for their support anyway.

Happy reading. And happy philosophizing on all things entomological.

Puuung’s Kickstarter Challenge

Love is : Puuung’s illustration of love   Puuung is a popular Korean illustrator with a large fan base and is best known for her ‘Love Is’ series. This series of illustrations, which is about the universal theme of ‘Love’, is regularly uploaded on NAVER’s Grafolio service. http://www.grafolio.com/puuung1

Since 2014, Puuung has uploaded her illustration series ‘Love Is’ every Tuesday and Thursday on Grafolio, a global platform provided by NAVER for single person creators, She already has a wide fan base that eagerly waits for her updated works. She has received great response from the Korean audience and greater response from those overseas.

A global funding was started through “Kickstarter”, the crowdfunding platform, in June 6, to introduce Puuung’s illustrations to more people around the world. Crowdfunding is a way of raising money via the social media or the internet. Kickstarter, which was launched in April of 2009, is based in the United States and is the world’s most famous crowdfunding platform. Now, let’s hear from the designer who has been responsible for the whole process, from planning the Kickstarter reward items to producing samples and coming up with the completed rewards.

Planning the Kickstarter Reward Items While planning rewards items for Puuung’s Kickstarter project, we had to come up with product designs that best displayed the artist’s illustrations. Overseas delivery was also an important factor, and therefore items also had to be compact and light enough so that it can be delivered to people across the world. After looking into various items in numerous price ranges, and upon final review with the artist herself, fabric posters, an art book and a postcard collection were selected as rewards for Puuung’s first Kickstarter funding project.

Launching the Kickstarter Page We needed a webpage that provided detailed information on the reward items in order to start the funding. To do so, we made samples of each reward in advance and launched our Kickstarter page!! https://www.kickstarter.com We waited with great anticipation until 8 o’clock in the morning in Korea, since the project campaign webpage was to be launched in US standard time. And to our great surprise, we achieved our goal of 10,000 dollars within just two hours from the launch of the funding and collected over 126,000 dollars, which was more than 1000% of our target amount, during the one month funding period. In addition, Puuung became the first Korean in Kickstarter to reach third place in the illustration section, which is an enormous feat. More than 1,800 backers from 70 countries, including English speaking countries of the United States and Canada, European nations including France, Italy, Germany, Belgium, and Asian countries of Singapore and Hong Kong, participated in the funding. Backers will be given rewards such as postcard collections, art book and posters that contain Puuung’s illustrations.

Producing Kickstarter Reward Items The unexpectedly large number of backers meant that we had to increase the number of items we had to produce. Since a limited quantity of rewards was being produced through funding, we wanted to provide backers who love Puuung’s work with high-quality rewards. We therefore placed extreme care into the paper, material and print quality of the rewards. [Fabric Posters] We especially went through many trials and errors while we were producing the sample for the fabric posters. Canvas fabric, the most commonly used material for fabric posters, was unable to provide us with satisfactory print quality. Multiple tests were done with various fabrics before we were able to find a fabric that gave us a print quality that most closely resembled the original illustration.

[Art Book] The art book is 116 pages and contains Puuung’s illustration as well as drawings of three couples that were selected from Puuung’s photo competition event. The background of the illustrations has a lot of detail and illustrations are shown from various angles, so the layout was arranged to show the illustration in its original proportions. The epilogue of the art book contains information fans were interested in, including the artist’s “thank you” message and photos of her workroom, sketches and of herself. Puuung, despite her busy schedule, also created an original cover for the art book and postcard collection that were to be given to Kickstarter backers. This special cover, which contains original and unique illustrations, is only available in the Kickstarter rewards!!

[Postcard Collection] The postcard collection consists of 100 illustrations and contains never-before released illustrations created by Puuung. Comments left by Kickstarter backers, such as “I want to give your illustrations to my son for his one year wedding anniversary” or “I bought your postcard collection because I wanted to use your work in our wedding invitation” show the backers expectation and affection towards Puuung’s art book.

100 copies of the art book contains Puuung’s autograph, which were each carefully signed by the artist herself. We look forward to more of Puuung’s heartwarming illustrations as she continues to draw about even the smallest happiness that is felt between people in love. :-)

Confession 91-02

This is a tale of three time-defying knights, but we shall start with humdrum glory.

16 years felt like half an eternity within the high walls of a mansion with seemingly as many rooms as there were visible stars in the night sky. Is there a better half elsewhere? Ilera often pondered. Born to parents who were slaves themselves in this aristocratic household, she spent her days hauling up trash, scrubbing off grime and wringing wet rags while other slave girls giggled among themselves when they could, sharing gossip about its master, who was always hanging out with a Somaku game buddy who practically lived in a house of ill repute. Hear no evil. That was the natural gift of her complete hearing loss. Why not finish the work quickly so that all of us could have time to teach ourselves to read and live second lives in the worlds of books, where we may travel anywhere we want?

Determined to dissuade her husband from spending time with his friend anyway, her mistress was busy mastering the board game herself. Fascinated by the strategy plays, Ilera would watch the piece patterns shift and shape between the couple, bringing life into the once blank numbness of her servitude. Back in the servants' quarters, she would picture the board on the tattered walls and test out move sequences while lying on her pallet.

One fateful night, the master teasingly left a difficult game situation for the lady to solve. As the frustrated lady went for a bathroom break, Ilera toyed with the pieces and found the correct move. Just then, the lady returned and saw Ilera's solution. Enraged, she accused Ilera of trying to seduce the master with her smart aleckiness, gave her a hard slap and tortured her with a burning iron. Ilera felt like she was in a world of fiery torment, her body writhing and wracking in anguish and her mind reeling, trying to escape the torture she was being put through.

As Ilera cried out in pain, two identical knights whose armor glowed with a bluish energy suddenly appeared in the room to save her. Their footsteps were muffled by the pads that lined their boots, and their swords were made of a glossy black material, their sharp edges glistening in the dim light. The knights moved with grace and precision, their movements carefully calculated as they stepped forward to whisk away Ilera. The shocked aristocrat lady could only nod in fear as they admonished her on the girl's rights. Ilera thanked the knights and gestured for their names and addresses so that she could repay them someday.

"Hold up. There's something you should know," one of the knights suddenly spoke up. "We may look like two people, but in fact, we are actually just a single man, a professional bodyguard from the temporal cluster 91-02. We have traveled back in time using a mechanism that caused us to emerge as multiple individuals in order to ensure moa-antimoa balance across spacetime according to the understanding of physics in our time."

"You mean to say that you're actually just one person?" Ilera wondered to herself, completely bewildered as she read his lips. But as they spoke on, she could tell that they were telling the truth.

Her mind blown by this incredible feat, Ilera spent years studying and eventually figured out how to travel to the time zone referred to as temporal cluster 91-02. However, upon her arrival, she realized that a person traveling forward in time would turn up at their destination invisible. Not used to speaking, she could not verbalize her existence either, for fear of startling the bodyguard. Being touched by an invisible entity or seeing writing or the like appear from nowhere would also make meeting again a one-time acquaintance he did not plan to see anymore eerie.

So Ilera merely watched in silence as the bodyguard went about his everyday life, shielding him from danger without him knowing. Sometimes, it involved diverting human and cyborg enemies with noise in a different direction. Sometimes, it involved altering the trajectory of an optoelectronic dart. Sometimes, she blocked off blows with her thin body, taking the hit for him. At night, she traded her imaginary game board for an imaginary map of hazard zones in his next work day's mission, and her shabby pallet for cold pavements.

On one mission, attack from assassins was so intense Ilera frenetically but astutely pulled off a spectacular series of stunts she picked up in the cluster. Just when she defeated the last assassin, a container of glistening rejuvenation capsules overhead toppled over, the translucent pills of liquid blinking with icy golden hues on contact with her body. Touched by the shimmering silhouette of her fighting pose, the bodyguard was finally certain someone invisible had been protecting him. He expressed his thanks out loud and invited Ilera to dinner.

As Ilera sat down at the dinner table, she was surrounded by a sea of colors and shapes, each formed by light bouncing around in seemingly endless layers of reflections and refractions. She reached out to touch the shining crystals forming the table, which rippled outwards as ripples in a pond, bending the light and creating a brilliant display of optical phenomena. The bodyguard gently smiled. As she explored this new world of physics and light, she couldn't help but find herself utterly transfixed. Bokeh spots then danced around, sharpened into focus and arranged themselves into words: I have traversed grand and unforgettable ancient millennia / But now I only want a future with you / No matter your age or gender.

Blushing in her surprise, Ilera never considered this before but at least had the assurance to type out her story on an airbound screen for him now. However, when the bodyguard learned Ilera's true identity, he choked in disbelief.

"Is this what it is? I am a highly trained professional, yet I … (laughs) I rely on the assistance of a deaf peasant girl from an ignorant, oh okay, bygone era to protect myself and my job? And I cultivated feelings for a mockery of me!" He pointed at her with a fat finger on impulse.

Ilera was shaken as his mouth trembled in rage. Repaying a kind deed was all that was previously on her mind. Never had she been in love with him. In the end, her fellow exponents, no matter the field of practice, place or time, saw her only as a rival or potential object of desire. We forever voyage on Atlantic trade ships propelled by our threatened primitive interests and our lurking thirst for power, every one of us bound by each other's history, ravaged by rich seas of little. Another light shone. With determined steps, the former slave girl disappeared into the mists of time. The cosmos was now her board, and she would be its game architect.

Credits

Plot + scifi terminology: Human

Prose: Human + 3 AI services

Atlantic trade note: Human's musing on Liu Cixin's afterword in the English edition of The Three-Body Problem