Hamlet (2009), Royal Shakespeare Company

I swear, I think the reason why Chibnall included the sharing-a-bed scene in Broadchurch S2E4 was because he'd happened upon a load of fanfic depicting that very happenstance in a sexual manner and he thought that he'd fuck with us.

My sister, my niece, and I are watching LotR. Conversation between my sister and niece:

Niece: What’s his name?

Sister: Elrond.

Niece: What’s his name?

Sister: Elrond.

Niece: But what’s his name?

Sister: Elrond.

Niece: What’s his name?

Sister: Call him Ellie!

Broadchurch is a story about mothers

Yes, it’s stated and shown that Alec Hardy and Ellie Miller are certainly the main characters, and Alec’s journey is certainly the most obvious storyline in the series, I won’t argue that.

But Broadchurch is a story about mothers.

The series opens up with a shot of Danny Latimer standing on the cliffs and then it cuts to Beth Latimer waking abruptly the next morning. Most of the first episode focuses on Beth and her journey finding Danny’s body, in fact, and her struggle trying to understand the loss of her son is a main focus of the first series. Several scenes in those episodes focus primarily on her:

(Realizing what “finding a body on the beach” might mean.)

(Opening of s1e2, when she’s folding Danny’s clothes.)

(S1e7. “I lay there thinking what would I go through to have him back? I’d be raped, I’d be tortured, I’d have a gang of men on me, I’d be left for dead if it meant [Danny] was safe.” This was Jodie Whittaker’s finest moment, in my opinion. She hits Beth’s desperation and agony right on the head.)

(And of course the moment when she tries to process the fact that it was Joe Miller who killed her son, and all of the fucked-up irony that comes with it.)

There are so many more moments when Beth is the prime example of the Mother Angle that Chibnall approaches but these were the moments when I think it was strongest.

Ellie is another example of mothers in this story. She’s constantly protective of Tom when Hardy pushes to speak to him and take part in the recreation. We all laugh at the moment when Ellie threatens to throw a cup of piss at her boss but the reason WHY she says it in the first place is the clue:

-”I’m his mum, I decide.”

-”Oh, so your commitment to this investigation stops outside these doors.”

Hardy tries to trump her authority over Tom. She explicitly states she doesn’t want her son to take part in the investigation in any way and Hardy keeps on pushing, even insulting her commitment as a police officer.

Don’t push the protective Mama Bear.

Favorite moment of Ellie as Protective-Mama-Bear is s1e8. It’s the moment that bothered me the most when Jocelyn Knight brings it up in s2.

Ellie does confront Joe as a wife, certainly, at the end of s1e8. But again it’s interesting to note exactly what it is that Joe asks that sets her off:

She’s in control enough to only scream at Joe from a distance in the beginning of this scene. It’s only when Joe requests to see Tom that she sets upon him uncontrollably.

Seriously, do not piss off the Protective Mama Bear.

S2 deals with Sandbrook more than it really deals with Broadchurch as a whole, I think, and it definitely focuses more on Alec as a character, but the theme of Mothers is still prevalent in the contrasting images of Cate Gillespie, a drunk and unable to cope with the loss of Pippa; Tess Henchard, Alec’s ex-wife who loves her daughter but is willing to keep her guilty actions a secret so that Daisy won’t hate her; Beth, focused so much on getting closure for Danny she almost forgets about her newborn child (until Mark’s actions shake her out of her obsessive need for ONLY Danny); and then finally Ellie again, warning Joe away from their sons with the threat of death if he dares show up around either Tom or Fred again. It will be very interesting to see what direction Chibnall will go with the Mothers theme in s3.

Jack: my name is Captain Jack Harkness, but you can call me...

Jack: *agressively takes off sunglasses*

Jack: ... anytime.

Okay, whatever else I am COMPLETELY behind the Good Omens soundtrack.

Oh John, Sherlock doesn’t need someone to do that for him. He has YOU.

But why fanfiction?

I got asked again recently why I write fanfiction and not ‘proper books’ (I’m pretty open about my fic writing, I’m not ashamed). I told them what I’ve told everyone else - I’ve done both and this is so much better. 

I self-published a YA novel a few years back, the plot of which I was super proud of, and I even have ideas for two sequels, but they’ll never see the light of day. I just have no motivation to write them, and world building is hard and that amount of effort just doesn’t seem worth it.

See, everyone I knew wanted to read my novel, but no one wanted to buy it. Probably about 40 people read it but I only sold 16 copies, and for the effort to format text into a publishable format, the cost of ordering proof copies only to find it was wrong and to do it all again, and the stress of the whole process was just so not worth those few dollars that I made. But I knew going into it that I wasn’t going to be one of those fairy tale stories of an unknown author suddenly becoming a sensation overnight. The story was too obscure, set in Western Australia and wasn’t an ‘outback romance’ which is the only ones that seem to be popular in this setting. I’m more than okay with that because I have fanfiction now.

The difference? I have thousands of people reading my stories, and not just reading them, but I get feedback from some of them (never enough, we authors are fickle creatures who always want more comments, more interacton, more discussion). The thing is though, fanfiction gives me an audience that I will never have from my YA novel. That audience already exists, it’s out there, and they’re hungry for the story to continue. Not all fanfiction is successful - the people who read it aren’t a mindless mass; they have expectations, standards, itches that need scratching. Quality matters, but not just the quality of the writing but of the idea. It’s not just formulaic bullshit that a ghost writer can churn out, change the names but the plot is the same and then throw a big name author on the cover and it’s instantly a bestseller. We’re forgiving of small mistakes if the plot makes us want to keep reading until dawn lights the horizon, we’ll salute the authors who write in English when it’s not their native language and will gladly offer help with those phrases that they’re not sure of, and best of all, we stick together to protect and support each other from annon hate so those ideas have a safe place to grow. We’re a community, a family.

Fanfiction has also given me a platform to improve my writing. Looking back at the standard of my work at the very beginning (and even in my novel) I cringe now at how terrible it was. I’ve written over 1,200,000 words of fanfiction and I’m forever improving. I know how to properly punctuate dialogue tags now, my vocabulary has expanded, I’m not afraid to use adverbs just because some twat said ‘show, not tell’ is better. If an adverb makes the story flow better than three extra waffly sentences then I’ll damned well use it and be proud of it. I’m more confident in my writing and that shows in the quality. I would never have gained that confidence by selling fifty thousand books to ‘silent readers’. It’s the interaction, the feedback, the community that fanfic has that has made me a better writer.

So that’s why I prefer to write fanfic over ‘proper books’ and I will fight anyone who says that we’re not real writers. At the end of the day, people read fiction to be entertained and if I can honestly say that thousands of people from all over the world have been entertained by my fanfiction, that makes me a real bloody writer. 

I always thought this shot in Age of Ultron looked familiar. The picture on the bottom is the closing scene of John Wayne’s film “The Searchers”, which ends on a rather bittersweet note with his character Ethan Edwards standing outside while everyone else is inside. The similarity isn’t just in how the scenes in both movies were shot, however. 

“Ethan Edwards is a throwback to an older time, a more violent age when the frontier was still wild. He’s a loner, a desperado who’s broken his fair share of laws and isn’t above shooting a man in the back. He isn’t cut out for family life like Martin, and now that his mission is over he’s outlived his purpose.”

HECK yes, it's Echo!

I've loved Echo since the New Avengers comics that first introduced her years ago. Very excited to see her in the MCU!