I agree with this. Man, now I want to write my own thoughts because Season 2 is so interesting to me. Especially since I was immediately reminded of American politics, with the two parties that are pushed to fight each other when really our true enemy is those trying to control us, when they were told to vote. I knew instantly that the game makers were trying to pit the two sides against each other. Especially with the red and blue colors. The other analogy being made is the two sides representing the red and blue pills from the Matrix.
(Spoiler warning for both seasons. I won't go into too much detail, but some spoilers for the bigger plot points will be present)
I really enjoyed the second season of Squid Game, so I was surprised when I learned that a good amount of fans of the first season did not feel the same.
Because of that, I wanna give my thoughts on the themes and messages that this season in particular offers us and why I believe season 2 is, in many ways, even more radical than season 1 in its narrative choices.
Season 1 did a great job as a more general critique of capitalism (with some elements that are more specific to South Korea). It showed us a story of impoverished people that are so desparate that they find themselves trapped in a literal game of life and death that forces them to not only compete with other participants who are in similar financial situations, but to sometimes even betray and kill them just to survive and possibly win the big money at the end of all rounds.
To make it all even more cruel: It is soon revealed that the whole game just exists for the entertainment of rich elites who change the conditions of the game as they please when they are bored.
Needless to say: The game in Squid Game is a pretty heavy-handed allegory for the predatory nature of capitalism and how it literally kills us. The creator himself has stated this multiple times, since there are still people who (willingly or unwillingly) deny this.
There are already plenty of great analyses of these aspects in season 1 (I really recommend the video on YouTube called "Squid Game: Ideology and The New Soviet Man" by Kay and Skittles), so let's move on to season 2.
Our protagonist is once again Gi-hun, the only survivor of all games from season 1. He is practically a billionaire since he won all the money in season 1, and could therefore live a pretty comfortable life.
And yet he is fixated on one singular goal: To track down the location where the games take place to put a stop to them once and for all. Gi-hun feels guilty to spend his fortune on anything else than this one goal, since it's a fortune that came from the deaths of his friends and countless other people.
Gi-hun eventually finds himself back in the game after every other approach failed. Unfortunately for him, the tracker that he surgically implanted in his tooth got removed while he was knocked out and transported into the game. He is once again forced to participate in the game, since his rescue team that was supposed to save him and attack the island on which the games take place cannot locate him as of now.
I really like Gi-hun as a character. He started out as a deadbeat dad who got into severe debt because of his gambling addiction. Gi-hun is someone who many people that are entrenched in neoliberal capitalist ideology wouldn't feel much sympathy for at first, as he's shown to be pretty reckless and just overall far from a noble hero when we first get introduced to his character in season 1.
If you're from the west (or a country like South Korea which has a similar hyperindividualist capitalist culture), then you are taught to see Gi-hun's situation as something self-caused, as something he freely chose to be in with his own bad decisions. Furthermore, you're taught to see his socio-economic situation as a direct reflection of his value as a person.
In the series itself, the Front Man, the VIPs and even some other players in the game reinforce this way of thinking. They constantly express the sentiment that the players in the game are "worthless", "scum" and "trash" that deserves to be "filtered out" (killed) because they are responsible for the situation that they are in and have no worth anyway, as their socio-economic status shows according to this logic.
In season 2, we see him more determined than ever to save as many people as possible in the game, and to ultimately put an end to the game itself. He does not believe in the narrative that people's worth is determined by their socio-economic status, nor that they are completely self-responsible for their situation and therefore deserve to be killed in the game.
Gi-hun calls the game out for what it is: A predatory and cruel tool of rich capitalists that preys on people's fears and vulnerabilities to encourage the worst aspects of people's personalities to flourish, all just for the entertainment of rich investors who see the players as expendable and enjoy watching them die and betray each other.
Gi-hun isn't particularly gifted or talented, he's not the exceptional, flawless individual that neoliberalism fetishizes. He can be cowardly, insecure, frightened and even selfish, as we saw in season 1 when he lied to the old man to save his own life.
But at the end of the day, he is someone with an unwavering belief in the worth and potential of people despite what his hypercapitalist neoliberal culture (and people deeply embedded into it) constantly tells him. He's someone who, despite all his flaws, risks his life and happiness for that simple belief.
Let's look at the game itself this season, since there have been a few changes to its rules.
In this season, the surviving players are given the opportunity to vote after each round to either continue into the next round or to stop playing and divide the money that has accumulated so far among each player that survived. The more players die, the more money gets added to the final prize and the fewer people need to share the total sum with each other, meaning each player gets more money in the end if the majority votes to stop playing.
The staff of the game keeps emphasizing how the players chose to be part of the game, how they always have the option to leave, how the game respects free choice and values democracy, how everyone is equal in the game, and how the rules are fair and universal.
Unsurprisingly, this is all nonsense.
The players are not even aware that they are playing with their lives at risk until after the first game, a game called "Red Light, Green Light", which has a high fatality rate because once the first player dies, the shock and sudden rush of fear causes people to panic, leading to more deaths.
The first season also showed us that the VIPs can change the rules and conditions of the game whenever they feel like it, even during a round.
Age, health, knowledge and experience with the particular games that are being played in each round can also make the difference between life and death. Sometimes the games also straight up involve a factor of luck that the players have no real control over.
Then there's also the fact that not every player is in the same situation. Some players, such as Hyun-ju or Yong-sik, are shown to have severely more debt than others and lost significantly more in their life, which means some have the privilege to be all set again after just one or two rounds (if the majority votes to stop playing) while others will have barely earned enough money to fix their life, and would therefore need to play more rounds to achieve that outcome.
Some also have family and friends that need them, while others lost everything and have no one to come home to. All these factors make them unequal and shape the way they vote.
So basically: The players are stuck in a game that they didn't even know puts their life in danger until after they played the first round. The only reason they entered in the first place was because of their precarious situation that varies in severity from person to person (which means some have the privilege to vote to end the game early with their financial issues fixed, while others do not). Some players have more advantages than others in each round because of age, health, knowledge, experience or even just sheer luck. And the VIPs can just change the rules of the game whenever they feel like it.
A key aspect of the second season of Squid Game is that the Front Man himself pretends to be a regular player; he participates in the games among Gi-hun and the rest as player 001. The Front Man deliberately gets close to Gi-hun and even manages to win his trust pretty easily with his down-to-earth and kind facade, making him involved in Gi-hun's every move.
The Front Man is, in many ways, the opposite of Gi-hun.
He is shown in both seasons to think very little of the players and humanity as a whole. He sees the participants of the game as worthless trash that deserves to get sorted out. The Front Man believes humanity is selfish, greedy and cannot be better than what it is right now, which makes the game a necessary part of the world to him.
The Front Man is thoroughly entrenched in the cynical, neoliberal capitalist worldview that sees humans as fundamentally selfish and greedy beings that only have themselves to blame for their situations.
It is noteworthy that the Front Man is very fixated on Gi-hun, and even seems to grow a liking to him because of his unwavering belief in the value and potential of people that he upholds despite all the horrors and betrayal that he witnessed. This suggests that a small part of the Front Man might still have hope that Gi-hun is right and wants him to succeed in his goal.
But at the end of the day, we see that his cynical and neoliberal view on humanity rules over what little hope in a better world he might have.
As such, the Front Man ultimately sabotages Gi-hun's efforts whenever he can. When the vote was tied after the first round, he votes to continue into the next round so that more people die, something Gi-hun fought to prevent by making it clear to the other players that more people will die if they continue.
But this is not the only time he manipulates Gi-hun's efforts: When Gi-hun organizes an armed resistance to finally put an end to the game itself for good, the Front Man betrays him in the last minute by kiling members of the resistance group and then shooting Gi-hun's best friend in front of him in order to emotionally break Gi-hun and make him lose hope.
Despite Gi-hun's attempt to end the game for good having failed (at least for now), I don't believe the message of Squid Game's second season is one of resignation. Not only is the game shown to be fundamentally unjust and rigged, but voting alone is also portrayed to not be enough.
Throughout the whole season, those who vote to end the game never succeed. This is not a coincidence. The game is designed to make it the less likely outcome not just because of the involvement of Front Man, but because the game preys on people's despair and precarity, all while also encouraging selfish, greedy and reckless behavior in its very design.
But even if enough people voted to end the game: The next batch of players would just be thrown into the same situation Gi-hun and the others just escaped from. A successful majority vote to leave the game would save many lives, but Gi-hun's fight would be far from over. His goal to put a permanent end to the game would not be achieved yet.
The staff of the game also makes a deliberate choice to put a big X or O onto the jumpsuit of each player depending on how they voted. This encourages players to define themselves as either Xs or Os, which leads to hostility towards the players of the other fraction.
This reaches a point where players of both fractions plan to murder the other fraction in order to secure the next vote for themselves.
But Gi-hun puts a stop to that.
He realizes it's a deliberate distraction so that people fight each other rather than the game itself. He proposes that the players should instead organize together to fight the real oppressors that forced them into the whole situation in the first place.
They are not Xs or Os. They are impoverished and desparate people who were manipulated to participate into a literal game of death that requires suffering, betrayal and murder for victory.
I'm both
With the end of dr season 2 I’m noticing there are two very distinct types of kai fans
One type is the kind that love him dearly and want nothing ever bad to happen to him cuz he’s a little guy.
And the other loves him dearly but would let him burn in the deepest pits of hell for their own amusement cuz he’s just a little guy
I need a movie where Misha Collins plays a gay angel that falls in love with a bisexual cowboy played by Jensen Ackles. Their names are Cassius and Daniel, Cas and Dan. Jared Padalecki plays Daniel’s younger brother, Samson. It’s a blatant ripoff of SPN. The quality is extremely shitty and the budget was $40. Misha is wearing a pair of shitty $12 angel wings from Amazon and a cardboard halo. Jensen has a water gun instead of a real one. For some reason Samson is a mime, dressed in full mime ensemble, and breaks the fourth wall via miming his frustration about how Daniel and Cassius won’t get together. It has a laugh track and uses those “oohs” and “ahhs” and gasps that were in those early 2000s disney channel shows. Whenever Daniel shoots his gun you just hear Jensen making “pew pew pew pew” noises as red water squirts out.
What I love so much about litpollo or lester/apollo x lityerses is that Demeter told Apollo to stay away from her daughter. Then he like. Goes for her son instead. Hah
And I like the idea that Lityerses didnt care for Apollo at all in ancient greece cause he just wants to farm and then he sees Apollo as Lester looking like a fucking wet cat and is like "that one i want that one"
Agent Walker and Red ninja meetup REAL (PLASMA)
I think I know why I like Greek Mythology so much. It's one of the only religions that I know of where all the godly beings are very obviously nuerodivergent.
The greeks knew it too. They knew they're godly deities were weird as fuck. Their godly deities who could look just like their neighbor or their doctor or someone they pass in the street.
The gods in Greek mythology are so human, especially compared to other religions at the time. It was the first one that designed its gods on humans, one of the first ones where it was okay to laugh at the funny situations the gods got themselves in. The only religion at the time where, though if you got them angry they may kill your entire family, you could interact and be friendly with them.
They were so human. They had a home, a place to live. They went to parties and had their hobbies.
On top of it all, the Olympians are the embodiment of a crazy dysfunctional family. They are a mess, from the cheating husband (and fucking weirdo) in Zeus, to the bitter and jealous wife in Hera. They have kids (mostly Zeus) some who Zeus likes and some where he could literally couldn't care less. There's scandals and messy situation ships. There are betrayals and tragedies. The gods all have their different morals and lines they won't cross and it depends on which god.
They're based on humans. They are so human. (Which is something I don't see often in religions at all and it heals some part of my religious trauma) Yet, they are also weird as fuck, in ways that I find familiar.
They each have their special little things. Things that they care about a mighty deal. Things that are specific especially to them.
Ares with his fighting and war. Hephaestus with his creations and the forge. Hera and her single-mind on Zeus and his disloyalty- that woman is relentless on those poor mistresses. Poseidon and his odd love of horses and other things. Apollo and his music.
It's almost like those things that they focus solely on is some kind of... Special interest perhaps?
It's also the way the act and react to things. They will take things that are said or done that seem small and trivial to another person and blow it up. They will get really upset and make it a whole ordeal.
Like when Athena made a flute and was laughed at cause blowing into it made her look funny so she freaking cursed the flute and it's next player with a terrible fate and threw it off the mountain for no good reason. Or when someone found that flute they played it so well that the bragged that they would even be better than Apollo so he came down, challenged them and then SKINNED them alive after he won. Like dude, calm down.
And I haven't even gotten into how Rick Riordan characterizes them cause I have never seen so many neurodivergent characters in one place then I do in those books. Like, all the campers are neurodivergent because they are demigods, heavy on the god. They got their neurodivergences from them right so it stands to reason that they are also neurodivergent.
Anywayyyyy,
Im reading a Greek mythology textbook right now so I'm going to continue this train of thought as I keep reading but so far, from what I can tell, these fuckers are soooooo nuerodivergent. Argue with a wall if you disagree
Love this ❤️❤️❤️❤️
[NINJAGO] Ninjago Season 5, animatic(?) My favourite season of the show! And yea, what is to say?
A Captain’s Love
A fully colored digital comic of the Strawhats from One Piece.
The first page only contains a panel with the words "A Captain's Love.“
The second page shows Luffy and Nami holding hands and smiling at each other. Pictured underneath is a close-up of their interlinked hands and the gray silhouette of a person asking "So, are you guys dating?" Another panel shows Nami's reaction: an appalled expression on her face and "huh?" written in bold red letters.
The second page depicts Luffy sitting on Zoro's lap, happily eating meat while Zoro is drinking. Next to them is a gray silhouette again, asking: "isn't that weird?" At the bottom of the page is Zoro's reaction: an intimidating glare with "WHAT" spelled out in big red capital letters behind him.
The third page contains a drawing of Luffy and Usopp, sleeping on spread out blankets and pillows on the floor while cuddling. Again, the silhouette of a person is in the corner, remarking: "you know what people might think." Usopp's reaction in an extra panel is giving the person a deeply disapproving side-eye, asking "oh yeah...?"
The fourth page depicts Luffy tighly hugging Robin while lifting her in the air as both of them are grinning. The gray silhouette of a person is asking: "Are you really gonna let him act like that with your girlfriend?" Pictured underneath is Franky, deeply confused expression on his face, only responding with a bewildered "uhh...."
The last panel shows Luffy, grinning and holding his hat. The asexual and the aromantic flag are pictured behind him.
Lo and behold!! im back 😭
had work and then other life shit but we poppin now!
this was my girlfriends request,,, aka @berdteeth :)) love you bb ❤️💜❤️
the overarching theme of supernatural isn’t family or free will or whatever. open your third eye… it’s the unstoppable magnetism of dean winchester, resident bukowski protagonist, whose shining light of complexity in the face of terrible writing brings all the antagonists to the yard. he could redeem anyone if he tried. dean’s not just the heart and soul of this show, he’s its own unrequited crush
Trans, Aroace, He/Him, Autistic, Artist, Writer. Lover of one-sided ships
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