My God, I Love All One-sided RadioStatic. This Is So Funny. Love Oblivious Alastor.

Just learned Netflix cancelled Kaos Season 2.

FUCK NETFLIX. Im never watching anything from that shitty streaming service if they keep fucking shows over. GOOD shows!

So many were done so dirty. I don't even care anymore. They don't deserve my attention if all they care about is money.

The Ladynoir Texts Pt. 1-5

Reuploading The Ladynoir Texts here! This is going to take a while lol...

I'm saving this for later cause I haven't finished the series but I'm so excited to read it

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

Thee reversal funniest thing on earth thank you Supernatural

Writing Advice: 10 Worst Experiences During the Writing Process😭

The experiences to prepare for, and to relate to during the writing process. Good luck fellow author! 

10. When you are trying to think of the perfect word thats right at the tip of your tongue. (Its worse when you loose the word all together)

This one is at number 10 because it is horrible, but you are still mentally active and not ready to cry yourself to sleep. Though it stinks!

Solution:

Think of a similar word, usually the second one on your mind and look for synonyms on google or other sources. The word you’re looking for or a better one may come up. If not than either choose one of the options or look for synonyms of another similar word.

9. When you write something that may not be correct so you research the topic for an hour. (I’m not talking about the big stuff you should have looked into before you started writing, exp: cultures, I mean basically meaningless stuff)

This has happened to me twice (once about horses and once about how to grill a pig) It’s second on the list because it takes up more time than the first one and it’s annoying. But usually not demotivating.

Solution: 

Do not do it.

8. When you read an article or watch a video about writing and realize you have been doing it wrong the entire time. 

Do I have to explain?

Solution:

Take in the advice if you like it and continue on with your book using the advice but do not go back and change what you have already written. Leave that to your editor self.

7. When you are irresolute (look it up) because of a family/friend. colleague/ exd’s opinion. (I mean they talk down at you for being a writer, or something similar)

This is hard on our feelings box and/or heartbreaking. But this list is mostly my opinions and since I haven’t felt the crush of this fully, its higher. I am sorry for those who have been hurt.

Solution:

Don’t listen to them! In fact, let it fuel you. Show them who can do what! Or who can be successful! You can do anything!

6. When you feel overwhelmed. This may be because you can’t make yourself forget that you have so much to do before finishing the book. Maybe your busy.

The editing, marketing, and paying are what overwhelm me. The writing phase is not particularly easy, but it was less stressful for myself. It may not be the case for you. You may still have chapters to finish, a world to build, characters to create. It could be very stressful.

Solution:

Make it fun! Make it a game and your going through the levels. Once your done creating your world and characters, you can finally write! The thing you have been waiting for months! 

Remember, you are building your world. Enjoy every moment of it. Because one day, you will finish your book or series and you have to say goodbye to your baby and creation. Enjoy it while it lasts!

5. Losing motivation to write.

Are you surprised this is only half way down the list? I’m not. Even though this is horrible, it’s not the worst thing. There are simple solutions.

Solution:

It may be different for everyone but here’s a few ideas that are good for me.

1.Start writing. Yep. If you just write, that motivation will soon come back. (This works best if you are very familiar with your characters)

2. Look back through your notes and future plans. Get excited, again, for your book or series.

3.Watch videos and read articles about writing 😉, they can help you get through the problem or just be fun.

4. Remind yourself why you want to write and why writings fun. its different for everyone but reading is an example.

5. Sleep, be healthy, socialize, get sunlight and fresh air, exercise. These can clear your mind, get you in a good mood and helps your overall day.

4. When you realize your dialog sucks or unnatural. 

This may not be as bad as some of the others I already mentioned, but dialog can help or ruin a book. Dialog can spark ideas of character development, relationships, sub-plots, or even how to continue the overarching plot. But if you do it wrong, it can take forever to fix.

3. When you are stuck.    You want to write but you can’t think of anything. I like to call this Writer’s Traffic instead of Writer's block. 

This is one of the worst case of scenarios for me as a writer because I want to write but instead I am staring at a computer screen.

Solution:

Skip the scene. Skip the next few lines. Leave a note for yourself so you can come back to it at a better time. 

2. When you realize you don’t know your characters enough.

It’s hard to admit, but when your character is inconsistent and its not part of their personality then you have a problem. You may even have to rewrite most of your book if you’re far in. If you don’t know your characters and your on chapter 4 then stop now and save yourself.

Solution: 

Do character questionnaires, explain anything important in their past. Anything traumatic they have experienced, their personality, how they would react in a certain situation. It’s really important to know their background (Note: You need to know, not your readers unless necessary) 

Link to a character questionnaires. https://www.writerswrite.co.za/prousts-questionnaire-35-questions-every-character-should-answer/    also they got some awesome writing advice!

1.DUN DUN DUN!THE LAST ONE! When your writing (or lack of) has an effect on you daily life and you feel absolutely miserable.

You would be surprised how often this happened to me, It’s almost like a heavy depressed feeling that makes it painful to basically do anything. 

Maybe it’s outside writing that makes you feel this way but you just can’t write. Everything is dull and grim, your head hurts or you have no motivation to do anything.

You just can’t.

Solution:

Use your miserableness as a motivation. You want to get rid of it, right? Then you must do what helps. Here’s a few tricks. 

1. Drink water. Perhaps your dehydrated.

2. Exercise. This one is really helpful on more than your emotions. Do this before considering taking a nap, because naps can make it worse.

3. Go to bed earlier. If your like me than your nocturnal but if you simply go to bed at 10 then you will feel much better in the morning. I suggest reading or doing something other than look at a screen before going to bed. Screens can make it troublesome to fall asleep.

4. Socializing. You may be awkward but at least you have a mother? A father? Grandparents? A best friend? Siblings? Random people online? Anyone who can distract you, and make you feel better. It doesn’t necessarily need to be a pleasant conversation, just one that won’t bring you down. Socializing can make you feel so much better.

5. Get a horrible beta reader. (this is a joke…kind of) A beta reader is a person who reads your book or a chapter and gives feedback. A good beta reader is honest and gives praise and criticism. This is what I meant for a bad beta reader. Someone who you trust who will probably be scared to hurt your feelings. Even though it might not be true, positive feedback will help. 

That is all I have! I hoped you enjoyed! Have a Fantastic day! I will be posting again soon!

DEAN STIMMING?????

(because this account no longer exists on twitter and it always takes forever for me to find the fancam, i’ve made the decision to repost here. all credits to the creator on twitter, im sorry ur account doesn’t exist anymore for me to link u 😔👊 if u still exist pls call me out and i will add ur creds or delete ok xoxo angeltiddies)

okay but real talk, the funniest thing the server ever came up with was "Sam's got weird powers bc of the demon blood or whatever, but Dean is actually for real naturally a little bit psychic and has no idea"

Tips to Writing Arguments- Authoring Advice🤬

Arguments. The conversations that contain yelling, screaming, insults, hurting, frustration, and occasionally…humor.

If you are uncertain how to write one, I have a few tips for you.

A Reason:

Perhaps the frustration has been building in one of your characters for days, weeks, and in extreme cases, years. When the emotions build up so does the level of the argument. 

Emotions that has been strengthening for hours compared to minutes will blow up in a more dramatic way.

So there are many reasoning for the argument. Maybe what the discussion is about isn’t actually what the person is upset about. Two characters may be fighting over who ate the last muffin but in reality one of the characters have been feeling left out and has taken their frustration on a muffin.

Maybe the characters simply hate each other and look for any reason to get under the others skin. There are so many reasons and its all determined on your characters.

Serious vs Trivial:

The serious arguments compared to trivial disagreements have much more emotion behind it. There has to be pain, mixed with other emotions creating a complicated mess. 

Most quarrels are minor, (usually not unimportant), but not consequential. Serious arguments can include physical fighting, hateful words, and revealing feelings they have never shared before. But not all significant disagreements are relationship ruining. In fact it can strengthen the bond. 

Trivial- Develops the situation

Serious- Develops the characters

(Note: This isn’t correct all the time. Serious can develop the situation as well as trivial developing the characters)

Development:

I just touched on it but most if not all arguments should be impactful in some way. Minor or Major. 

Maybe it should foreshadow something that’s going to happen or dawns realization on a character. It can destroy or build relationships, or bring the problems up. They can also show the contrasts between characters.

Anyway that’s all I got! Have a FANTASTIC day, and have fun writing!

This is so pretty. Well done ❤️

when we were kids, we would play just like this,

and our moms would call us in for dinner.

but no one calls us anymore.

Im having the same problem. As much as I love inhun, I want to read more stuff than just them

okay but where are all the gi hun centric fics? i feel like we could explore so much angst with him, especially on the years between the first and second games.