He's the hero and the princess and the princess and the dragon
to me this is what slay the princess is really all about. not about grand concepts of life and death, not about some distant cosmic concepts, it's about a very specific thing about our lives and how we deal with them.
it's about the fear that the things that happened to you shaped you in a way that made you worse and you need to fix and undo them, the fear that if this bad thing didn't happen to you, you would be better, and how, no: there is no judgement to be made on your experiences or how they shaped you. your experience do not worsen or better you, they just change you, and that change is important and good because it makes you more complete and fleshed out as a person.
you can bring such a huge variety of difference princesses to the shifting mound, parts of her who have experienced a huge range of emotions and events, from tragedy and pain to happiness and love and everything in between, princesses with a huge range of personalities and character, and she sees value in every single one of them. no matter how dark, painful, horrible a chapter it is, no matter what awful things have happened to them, no matter what kind of princess it is or how cruel or horrible she is or what she's done, she can find value in them, because they add to her, and complete her.
she can find beauty and meaning and substance in the vicious razor, appreciate her joyfulness, she sees the vengeful and petty witch as righteous because her bitterness from the betrayal she experiences formed in her an idea of right and wrong, she describes the terrifying nightmare as tender because she sees her inner sadness and sensitivity, she describes the vicious and vengeful wraith as 'driven' because she sees her power of will and determination.
she does not make any moral judgements on either the 'good' or 'bad' princesses, she sees their experiences and the traits and understanding of the world they add to her.
the important thing to her is to have experiences and perspectives that flesh her out and add to her, they let her grow and gain substance and understanding. she has nothing bad to say about any of them, and the only 'bad' thing she has to say isnt a bad thing it all, it's not having much to say at all about a damsel who has little experiences and little to offer her, and it's not a sentiment she ever expresses on her own.
and i mean, it says it right here at the start of the game right, 'there are no wrong decisions, there are only fresh perspectives and new beginnings'. and then this line from the ending where you return to th stranger:
this applies to TLQ too. tlq is stillness so he doesnt change as the shifting mound does, but he also has parts of himself and his character as represented by the voices, and all of them serve their purpose. all of them have value. they are not bad or good, they are not better or worse, they just are.
and like, to me where this actively applies to real life isn't this that you should seek out negative or bad experiences, or that you should actively suffer to build character or anything so extreme. it's a way to understand the bad things that already did happen and the pain and trauma you did experience, and a way to understand the pain and trauma that sometimes is inevitable as just a part of any life experience, because the most important and valuable thing to a person is to have any kinds of life experiences, positive or negative. and in the case of the negative, you are shaped and changed by it, but you are not worsened, you just become more. it carve texture around your heart.
I also don't understand what the f*ck he means by "They always do in the end"
Hiiii these Tower/Cold parallels haunt me!!
You can tell Tower she's meant to destroy the world, and she's like, "Yeah, absolutely, you're so right." And in Tower Fury, the Princess calls you nothing, and Cold is like "no, wait, that's true." It's just so !!!!!
Cold and Tower are not allowed to meet. Otherwise, they'd immediately figure out their exact divine natures XD
I'm also thinking about Cold's "Boohoo, it's just a body." And Apotheosis going."Your victory remains in the physical world while I am beyond." (Not direct qoutes)
My first thought was that Cold is like TLQ version of Wild, bc she's the most Shifty-y and he's the most LQ-y but he's also very Tower/Apotheosis adjacent; and while this may not be the version of Fury he felt something with, shes still Fury, and he said Fury was like him and felt something when we stabbed her.
I love how every character is a foil and mirror of at least 3 different characters. It makes analyzing them so much fun
I think they're silly. I'm rotating them in my brain together
Bonus points:
Princess gets stabbed by nothing after being forcefully removed from godhood. I wounder what exactly she understood. I think she realized that you're equal and opposite here (or in short, you're her partner god), but that's just me. The "But... I'm going to be okay, right?" I think it might bc she knows this isn't actually over, that she's not over, and maybe bc she recognizes the nothing around her as you
Also, "They always do in the end." The FUCK do you mean by that Cold????
Webber doodles
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There are no right or wrong decisions.
Except this one this is the correct decision
The only correct Slay the Princess tier list
Furthering the agenda.
(@transfemtlqtruthers Come get y'all juice. I love you.)
Slightly more canon-compliant version:
posting it here because there's no chance anyone in my family would ever see it: this is how my brother's 13-year-old child decided to announce something to me