Art By Boris Groh

‘Knock on Wood’, beds sculpted out of wood. Click for more beautiful pieces by Jeffro Uitto.

this never stopped being so crazy

Ways to un-stick a stuck story

Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.

Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.

Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.

Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.

Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.

Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.

Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.

Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.

Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.

Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.

Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.

Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.

Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.

Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.

Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.

Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).

Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.

What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.

Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.

reminder to myself about the process of drafting & revising:

first drafts are for making it exist

second drafts are for making it functional

third drafts are for making it effective

From the makers of the no-effort character checklist, I bring to you… The no-effort complete character sheet for lazy writers like you and me™! 

Because the extra effort I put in staying up until 3 am to do put this together can save us all a lot of effort filling out longer character sheets ^^

You’re supposed to print it out and fold it in half to make a little booklet but you can save ink and do it on your computer :P

Link to PDF on google drive (fixed typo)

some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.

some environments based on places from the eleventh hour taz arc! feat. the davy lamp, main street of refuge, and paloma’s hut (click thru for higher quality!)

ok but like when did self-sacrifice become synonymous with death? writers seem to have forgotten that people can make personal sacrifices for the greater good without giving their lives. plots about self-sacrifice and selflessness don’t always have to end in death. suffering doesn’t have to be mourning. you can create drama and emotional depth on your show without killing everyone. learn to explore the meaning of living rather than dying

Writing Tip Index

So I realize most of my Tumblr followers just follow me on Tumblr, which I’m cool with, but since I’ve been working really hard on updating my website, I still wanted to share it with everyone. If you have visited it recently, you’ve probably noticed quite a few changes. You can check it out here.

One of the new features is that I’ve compiled an almost complete list of my writing tips by topic. I’ll be updating it regularly here.

Below is the list as of my posting this. There are also a couple of articles that aren’t mine (noted) that I refer other writers to.

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Beginning

Coming up with a Good First Sentence

Tips on Starting a Story

How to Start Writing When You Have No Idea Where to Start

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Brainstorming

The REAL Key to Brainstorming: Restrictions

Flipping Story Stuff

Stacking Your Brainstorming Ideas

Coming up with a Plot (from scratch)

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Breaking Writing Rules

Breaking Writing Rules Right: “Show, don’t Tell”

Breaking Writing Rules Right: “Don’t Use ‘Was’”

Breaking Writing Rules Right: “Don’t Use Adverbs, Adjectives”

Breaking Writing Rules Right: “Only Use ‘Said’”

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Characters

Complex Characters and the Power of Contradiction

Making Unlikeable People into Likeable Characters

Character Traits that Hike Up Tension

Creating Stunning Side Characters (and Why They Matter)

Relationship as a Character: Crafting Duos, Trios, Groups that Readers can’t Resist

Pairing Behaviors with Odd Demeanors for Originality

“The Emotional Range of a Teaspoon”: Your Characters’ Spectrum of Emotions

Considering the Irrationality of Your Characters

How to Pick the Right Character Names

The “Twins as Clones” Writing Epidemic

What You Need to Know Most About Character Voice

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Conflict

Coming up with a Plot (from scratch)

Are Your Conflicts Significant?

Keeping Conflicts Unresolved

The Oft Forgotten Conflict and How to Make it Work: Man Vs. God

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Context

Context vs. Subtext (Context Should Not Become Subtext)

Making Strengths into Weaknesses (and Vice Versa) through Context

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Description

Picking the RIGHT Details

Three Tweaks that Keep Details Interesting

Breaking Writing Rules Right: “Don’t Use Adverbs, Adjectives”

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Dialogue

Writing Realistic and Complex Dialogue

Kicking “Great” Dialogue up to “Killer” Dialogue

Breaking Writing Rules Right: “Only Use ‘Said’”

Generic Dialogue—Staaaahp

(Don’t) Tell Me How You Really Feel

Emotion

Writing Empathetically vs. Sympathetically and Sentimentally

Let Your Reader do the Work

Raw vs. Subdued Emotions: Getting them Right in Your Story

“The Emotional Range of a Teaspoon”: Your Characters’ Spectrum of Emotions

Gaining Incredible Emotional Power by Crossing Opposites

Choosing Relatable Descriptions to Power up Empathy

Selecting the Right Sentence Structure for the Right Emotion

Dealing with Melodrama: What it is, How it Works, and How to Get Rid of it

The Emotion Thesaurus by Angela Ackerman and Becca Puglisi

Feedback

The Real Reason You NEED to Give Positive Feedback!

Feeding us Criticism

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Foils

Playing with Foils

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Grammar and Punctuation

Dangling Modifiers and How to Correct Them (Purdue OWL)

Punctuation in Dialogue (The Editor’s Blog)

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Humor

15+ Tactics for Writing Humor

Guardians of the Galaxy and the Art of Constructing Jokes (Film Cit Hulk Smash)

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Micro-Concepts

Writing Micro-concepts

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Mystery

The Mechanics of Rendering Mysteries and Undercurrents—How to Withhold Info Right

Keep reading

Hello! Would you mind doing an example of not using filter words in a first person point of view? While I know that you can just switch out the pronouns for I/me/my, I just want to see it in action and when you should (and shouldn't) use the filter words. Thank you!

Hi there! I would love to! I think I’ll start out with an example with filter words and then cut out the filter words to show you the difference.

For those of you who haven’t seen my post on Filter Words.

Now, for the example:

I felt a hand tap my shoulder as I realized I had made a huge mistake. I knew the consequences would be unsettling, but I had no other choice. I saw the light of my desk lamp bounce off of the officer’s badge before I had even turned around. It seemed like I always found my way into trouble.

It was the first thing off the top of my head, so it’s a bit rough sounding….

Now for without filter words (And a bit of revision):

A hand tapped my shoulder as it dawned on me: I had just made a huge mistake. The consequences would be unsettling if I didn’t get out of this mess, but I had no other choice. The light of my desk lamp bounced off of the officer’s badge. I always found my way into trouble.

By taking out filter words, you get right to the point.

I’d also like to add a few more notes that I didn’t have the chance to post previously.

Some Examples of Filtering:

I heard a noise in the hallway.

She felt embarrassed when she tripped.

I saw a light bouncing through the trees.

I tasted the sour tang of raspberries bursting on my tongue.

He smelled his teammate’s BO wafting through the locker room.

She remembered dancing at his wedding.

I think people should be kinder to one another.

How can you apply this?

Read your work to see how many of these filtering words you might be leaning on. Microsoft Word has a great Find and Highlight feature that I love to use when I’m editing. See how you can get rid of these filtering words and take your sentences to the next level by making stronger word choices. Take the above examples, and see how they can be reworked.

FILTERING EXAMPLE: I heard a noise in the hallway.

DESCRIBE THE SOUND: Heels tapped a staccato rhythm in the hallway.

FILTERING EXAMPLE: She felt embarrassed after she tripped.

DESCRIBE WHAT THE FEELING LOOKS LIKE: Her cheeks flushed and her shoulders hunched after she tripped.

FILTERING EXAMPLE: I saw a light bouncing through the trees.

DESCRIBE THE SIGHT: A light bounced through the trees.

FILTERING EXAMPLE: I tasted the sour tang of raspberries bursting on my tongue.

DESCRIBE THE TASTE: The sour tang of raspberries burst on my tongue.

FILTERING EXAMPLE: He smelled his teammate’s BO wafting through the locker room.

DESCRIBE THE SMELL: His teammate’s BO wafted through the locker room.

FILTERING EXAMPLE: She remembered dancing at his wedding.

DESCRIBE THE MEMORY: She had danced at his wedding.

FILTERING EXAMPLE: I think people should be kinder to one another.

DESCRIBE THE THOUGHT: People should be kinder to one another.

See what a difference it makes when you get rid of the filter? It’s simply not necessary to use them. By ditching them, you avoid “telling,” your voice is more active, and your pacing is helped along.

The above list is not comprehensive as there are many examples of filtering words. The idea is to be aware of the concept so that you can recognize instances of it happening in your work. Be aware of where you want to place the energy and power in your sentences. Let your observations flow through your characters with immediacy.

Ok, sorry for the lengthy answer, I know you just wanted an example…. sorry!

If you have any questions, feel free to ask at my ask box